Will Henry

World Out My Window

2016

Will Henry "Painting for Porter" 2019 Oil on linen 15 x 13 inches

Matt Magee Variants, 2022 Oil on panel 48 x 48 in (121.9 x 121.9 cm)

Matt Magee Map - Spirit Level, 2020 Oil on panel 48 x 48 in (121.9 x 121.9 cm)

Will Henry Dream Catcher, 2018 Oil on linen 24 x 20 inches

Gary Stephan Untitled, 1990 Oil and acrylic paint on linen 18 x 14 inches

Mark Fox Shallow Field Sluggo (black in a void), 2014 Oil on paper, PVA glue 50 x 87 inches

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

Moreno PINCAS depicts life. Noisy, agitated. With a critical and tender eye, he sketches existence as if it were a play and each time tells us a new story made up of meetings and liv...

Oil on canvas Hand-signed and dated on the back Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in temporary and a...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water d...