Yeonsoo Kim 김연수

A Dead End

2019

Oil on Canvas 5 1/5 × 13 4/5 in 13.27 × 35 cm This is a unique work This work includes a Certificate of Authenticity Yeonsoo Kim focuses on the color green, drawing from its neutra...

Oil on Canvas 41 7/10 × 57 1/10 in 106 × 145 cm This is a unique work This work includes a Certificate of Authenticity Yeonsoo Kim focuses on the color green, drawing from its neutral tone and energy. Kim’s landscapes are the portrait of her emotions, a freeform blend of memories and feelings. Green is the color between yellow and blue - it’s neutral in tone and energy, balancing and calming one’s mind and emotions. The reason we are so drawn to the green of nature may be our own instincts trying to flee from the endless adrenaline rush society constantly throws us into, always demanding more and faster. The landscapes I drew from were a freeform blend of memories and emotions - the sky, mountains...

Oil on Canvas 5 1/5 × 13 4/5 in 13.27 × 35 cm This is a unique work This work includes a Certificate of Authenticity Yeonsoo Kim focuses on the color green, drawing from its neutral tone and energy. Kim’s landscapes are the portrait of her emotions, a freeform blend of memories and feelings. Green is the color between yellow and blue - it’s neutral in tone and energy, balancing and calming one’s mind and emotions. The reason we are so drawn to the green of nature may be our own instincts trying to flee from the endless adrenaline rush society constantly throws us into, always demanding more and faster. The landscapes I drew from were a freeform blend of memories and emotions - the sky, mountains...

Oil on Canvas 20 1/2 × 28 3/10 in 52 × 72 cm This is a unique work This work includes a Certificate of Authenticity Yeonsoo Kim focuses on the color green, drawing from its neutral tone and energy. Kim’s landscapes are the portrait of her emotions, a freeform blend of memories and feelings. Green is the color between yellow and blue - it’s neutral in tone and energy, balancing and calming one’s mind and emotions. The reason we are so drawn to the green of nature may be our own instincts trying to flee from the endless adrenaline rush society constantly throws us into, always demanding more and faster. The landscapes I drew from were a freeform blend of memories and emotions - the sky, mountains...

Oil on Canvas 28 7/10 × 35 4/5 in 73 × 91 cm This is a unique work This work includes a Certificate of Authenticity Yeonsoo Kim focuses on the color green, drawing from its neutral tone and energy. Kim’s landscapes are the portrait of her emotions, a freeform blend of memories and feelings. Green is the color between yellow and blue - it’s neutral in tone and energy, balancing and calming one’s mind and emotions. The reason we are so drawn to the green of nature may be our own instincts trying to flee from the endless adrenaline rush society constantly throws us into, always demanding more and faster. The landscapes I drew from were a freeform blend of memories and emotions - the sky, mountains...

Oil on Canvas 57 1/10 × 41 7/10 in 145 × 106 cm This is a unique work This work includes a Certificate of Authenticity Yeonsoo Kim focuses on the color green, drawing from its neutral tone and energy. Kim’s landscapes are the portrait of her emotions, a freeform blend of memories and feelings. Green is the color between yellow and blue - it’s neutral in tone and energy, balancing and calming one’s mind and emotions. The reason we are so drawn to the green of nature may be our own instincts trying to flee from the endless adrenaline rush society constantly throws us into, always demanding more and faster. The landscapes I drew from were a freeform blend of memories and emotions - the sky, mountains...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Flat Ledge Quarry is one of the many granite quarries in Rockport MA, which actively produced granite for cobblestones until the early 20th century, when asphault became the preferre...

Peter Lyons’s technique approaches photographic realism, but the precision in his paintings is an attempt to communicate a state of awareness, rather than ...

Peter Lyons’s technique approaches photographic realism, but the precision in his paintings is an attempt to communicate a state of awareness, rather than ...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...