Lucia Bergamini

SEGUIMI, Painting, Oil on Canvas

2021

This painting make me serene and calm, its sweet colours and shades are a caress to the spirit, while the dynamism of the wine in this masculine form (hence the name Marte) gives a n...

DETAILS: Oil on canvas, size 20x40x1.5 inches - 50x100x4 cm - Sides are painted to match the painting SUPPORT: gallery canvas, wrapped around the sides and stapled to the back SIGN...

DETAILS: Oil on canvas, size 28X40X1.5 inches - 70X100X4 cm - Sides are painted to match the painting SUPPORT: gallery canvas, wrapped around the sides and stapled to the back SIGN...

This painting is a sun, when you stay in the same room with its is like to feel the heat as if you take the sun! :: Painting :: Photorealism :: This piece comes with an official cert...

Naked woman swimming

In Eva Carzul’s painting, “Unstable Affection,” a comedic portrayal unfolds, vividly illustrating the visual representation of emotional fragility and instability. Perched atop a box adorned with cautionary tape proclaiming “Fragile,” the figure dons mismatched shoes and, in a comical twist, manages to ensnare herself with her own fishing line. The true essence of instability emanates from the exaggerated facial features...

Combining photorealistic oil painting on canvas with the illusion of computer-rendered graphics, Jose Carlos Zubiaur’s original artworks transcend the depth of a hyperrealistic three...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...