Margherita Leoni

Eriotheca gracilipes, Oil On Canvas by Margherita Leoni, 2020

2020

Torre Breda, 2018 Oil on canvas inch 35.4 x 15.7 Mauro Reggio (Rome, 1971) graduated at the Accademia di Belle Arti in Rome in 1993. Since 1992 he began to exhibit his works. The s...

Colosseo, 2018 Oil on canvas inch 15.7 x 23.6 Mauro Reggio (Rome, 1971) graduated at the Accademia di Belle Arti in Rome in 1993. Since 1992 he began to exhibit his works. The subj...

Milano Central Station, 2018 Oil on canvas 15.7 x 27.5 inch Mauro Reggio (Rome, 1971) graduated at the Accademia di Belle Arti in Rome in 1993. Since 1992 he began to exhibit his w...

Velasca Tower, 2018 Oil on canvas 19.6 x 15.4 inch Mauro Reggio (Rome, 1971) graduated at the Accademia di Belle Arti in Rome in 1993. Since 1992 he began to exhibit his works. The...

Porta Nuova, 2018 Oil on canvas inch 15.7 x 19.6 Mauro Reggio (Rome, 1971) graduated at the Accademia di Belle Arti in Rome in 1993. Since 1992 he began to exhibit his works. The s...

The artist has an elegant mark of nature, and the experience of working en plein air allows her to capture emotions that would otherwise not be possible. She is considered Italy's best botanical artist and collaborates with many botanical gardens where she also holds watercolour courses, a technique she masters like few contemporary artists. The artist herself prepared the background in real, stainless gold, which gives it a modern, warm surface that chameleonically matches the colours of the surrounding walls. Margherita Leoni was born and raised in Italy, however, she spent most of her adult life in San Paulo, Brazil. It was there that she started a collaboration with the botanical faculty of the local university, allowing her to develop interesting research in rare botanical species studies and drawings. For this reason, most of her artworks, illustrate Brasilian botanical species, both rare and common. The artist's mastery of watercolour allows her to take part in botanical expeditions where she paints in plein air. Given her exquisite watercolour technique and her extensive botanical knowledge, Margherita Leoni is considered the heir of Margaret Mee. Among her most important exhibitions, three of her artworks were selected by Shirley Sherwood...

This romantic French 19th century allegoric oil painting on square canvas has a sky blue background, a fluffy cloud fills the central part of the painting where a woman is lying down playing the lyre, while a graceful cherub seems to twirl over her. This oil on canvas painting represents the allegory of music - with a woman dressed in classical clothes and a putto- a very popular theme during all the neoclassical age, with its lively scene inspired by the Rococo period. The composition creates a awesome trompe-l'œil effect thanks to the color palette scheme. Well painted white and gray shadings (chiaro scuro) that stands out from the light blue background in typical grisaille style. This painting originally was an over door frieze...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

This huge Italian 19th century armorial painting features the coat of arms of Montini, a noble Italian family that has among its ancestors the Archbishop of Milan, later known as Pope Paul VI. The large oval canvas has a brown and red background, the latter shaped like a shield, in which six mountains (from the etymology of the surname) and three white fleur de lis are painted. This big scale palatial oil painting...

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

“BS Trust” is 36” x 36”. Frank Arnold’s paintings exhibit the highest quality materials for a truly archival piece, created to last generations. Much of Frank Arnold’s work is sourc...