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Style: Abstract
Medium: Graphite
Mirrors of Apprehension Before the Fallen Sun, Abstract Drawing - Wesley Kimler
Located in Chicago, IL
Combining fractions of abstracted drawings into one, Kimler creates a whole new abstracted form. With expressive pours of black paint and brushwork in charcoal and graphite, Kimler's...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Charcoal, Acrylic, Archival Paper, Graphite
Generación espontánea
Located in Mexico City, CDMX
Mauricio Sandoval
(Aguascalientes, México, 1960) Lives and works in Mexico City
Mauricio Sandoval is an abstract painter, one of the best ever in Mexico; he creates his own pictoria...
Category
2010s Abstract Graphite Paintings
Materials
Oil, Graphite
Finding a Way...Like Water, abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Fright Bites - colorful circular abstract geometric watercolor drawing
Located in New York, NY
Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...
Category
2010s Abstract Geometric Graphite Paintings
Materials
Acrylic, Gouache, Graphite
Pink Elephant
Located in London, GB
Tim Fowler’s Pink Elephant is a striking, vibrant painting that explores bold contrasts and fluid abstraction within botanical forms. The composition features large, expressive leave...
Category
2010s Abstract Graphite Paintings
Materials
Oil Pastel, Mixed Media, Spray Paint, Acrylic, Graphite
Pink Study, 1960s Abstract Mixed Media Painting Pink & Blue, Mid-Century Modern
Located in Denver, CO
This original vintage 1960 abstract painting by Hilaire Hiler (1898-1966) showcases the artist's structuralist style, created in the mid-20th century while Hiler was based in New Mexico. Signed lower right, this striking piece is painted in soothing tones of pink and blue, capturing the essence of Hiler’s unique modernist approach. The framed dimensions measure 15 ½ x 18 ¾ inches, with the image size measuring 14 x 17 ½ inches.
About the Artist:
Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he began his art education at the Rhode Island School of Design. His artistic journey led him to study at several prestigious institutions, including the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and the University of Paris in 1919.
In Paris, from 1919-1934, Hiler supported himself as a jazz musician and pianist for The Jockey Club, all while immersing himself in the European art scene. After returning to the U.S. in 1934, Hiler made San Francisco his home, where he was commissioned by the Works Progress Administration (WPA) to paint murals in the Aquatic Park...
Category
1960s Abstract Graphite Paintings
Materials
Gouache, Graphite
Azalea Light, large abstract painting on canvas, textured with bright colors
By Liz Barber
Located in Dallas, TX
“Azalea Light” - Oil, Acrylic, and Ink on Canvas, 36 x 72 inches
“Azalea Light” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with tran...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
Harbor 9
By Liz Barber
Located in Napa, CA
Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...
Category
2010s Abstract Graphite Paintings
Materials
Ink, Acrylic, Gouache, Graphite
$6,900
Abstract Barnstable Painting by Joseph Conrad-Ferm, Acrylic Mixed Media Canvas
Located in New York, NY
Barnstable by Joseph Conrad-Ferm, Mixed Media on Canvas, REP by Tuleste Factory
Abstract painting by Joseph Conrad-Ferm. The dynamic composition includes muted strokes of gray and p...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Oil Pastel, Spray Paint, Acrylic, Permanent Marker, Color Pencil, Graphite
Generous, Abstract, Oil, Graphite, Wood Panel, Yellow, Black, White
By Rose Umerlik
Located in Riverdale, NY
Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...
Category
2010s Abstract Graphite Paintings
Materials
Oil, Wood Panel, Graphite
Rose Vine, large abstract painting on canvas, textured with bright colors
By Liz Barber
Located in Dallas, TX
“Rose Vine” - Oil, Acrylic, and Ink on Canvas, 36 x 72 inches
“Rose Vine” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with translucen...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
Water Blooms 8, large abstract painting on canvas, layered with monotone colors
By Liz Barber
Located in Dallas, TX
“Water Blooms 8” — Oil, Acrylic, and Ink on Canvas, 48 x 72 inches
"Water Blooms 8" is a monotone abstract painting with richly layered tones of black, greys and bright whites, inks...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Ink, Acrylic, Gouache, Graphite
$8,400 Sale Price
20% Off
Balancing Act 1 (Abstract painting)
By Tracey Adams
Located in London, GB
Balancing Act 1 (Abstract painting)
Gouache, graphite and ink on Rives paper - Unframed
This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...
Category
2010s Abstract Graphite Paintings
Materials
Paper, India Ink, Gouache, Graphite
View from a Great Height, abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Monochromatic Series – Nr 1 (Abstract painting)
Located in London, GB
Monochromatic Series – Nr 1 (Abstract painting)
Acrylic, charcoal, graphite and oil pastel on (white) canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shippe...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Acrylic, Oil Pastel, Graphite
Balancing act 2 (Abstract Painting)
By Tracey Adams
Located in London, GB
Balancing act 2 (Abstract Painting)
Gouache, graphite and ink on Rives paper. Unframed.
Balancing Act 2 is part of a series of works on paper started in 2016.
They are created in the evenings and aptly named after busy days of teaching and other responsibilities.
The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing.
This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution.
Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California.
Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Paper, Ink, Gouache, Graphite
Screech of ice series 41 (Abstract drawing)
Located in London, GB
Colored pencil and graphite on plastic paper. Unframed.
Screech of Ice is a new series of drawings made by holding a bunch of pencils in two hands and letting them to do the control...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Plastic, Paper, Color Pencil, Graphite
Waterlilies 3 (Abstract painting)
Located in London, GB
Waterlilies 3 (Abstract painting)
Acrylic, oil bar, oil pastel and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resi...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Oil, Acrylic, Graphite
Aequor Infinitum - Blue, turquoise, white and silver striped abstract painting
Located in East Quogue, NY
Blue and white striped abstract painting - Acrylic and graphite on canvas in artist frame. Signed on back by the artist.
Mark Zimmermann's work is based on the fusion of meditative ...
Category
2010s Abstract Graphite Paintings
Materials
Acrylic, Graphite
Prana
Located in Austin, TX
"Prana" is an abstract expressionist painting by Rebecca Sobin executed in oil, cold wax medium, and graphite on a cradled wood panel; measuring 36 x 36 inches.
Titled "Prana" the ...
Category
21st Century and Contemporary Abstract Expressionist Graphite Paintings
Materials
Wax, Oil, Wood Panel, Graphite
$3,200
Waterlilies 3 (Abstract painting)
Located in London, GB
Waterlilies 3 (Abstract painting)
Acrylic, oil bar, oil pastel and graphite on canvas - Unframed.
Artwork exclusive to IdeelArt.
This artwork will be shipped rolled in a dent-resi...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil Pastel, Oil, Acrylic, Graphite
Mod Abstract Expressionist Modernist Oil Painting Dog Drawing Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 )
7.5 X 5.75
Oil paint on wood panel
This is not signed on front. It bears his name verso.
Provenance: Hudson, N.Y. estate of noted Art Collector Albert...
Category
1960s Abstract Expressionist Graphite Paintings
Materials
Oil, Wood Panel, Graphite
"Cronus Dining" David Hare, Yellow & White Mythological Surrealist Composition
By David Hare
Located in New York, NY
David Hare
Cronus Dining, 1968
Graphite, acrylic, paper collage on board
44 x 34 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1960s Abstract Graphite Paintings
Materials
Paper, Acrylic, Graphite
Diptych Bridge to Intimacy
Located in Santa Cruz, CA
The two sides in Diptych Bridge to Intimacy---monoprints, graphite and wooden fabric stamps on paper---- talk to each other. They each have a part in les...
Category
2010s Abstract Graphite Paintings
Materials
Handmade Paper, Graphite
Vintage Expressive Multimedia Portrait of a Woman
Located in Soquel, CA
Vintage Expressive Multimedia Portrait of a Woman
Portrait of a Woman by Irvin Nahan (American b. 1927.)
Elegant portrait of a woman looking off into the distance. She has her head t...
Category
1970s Abstract Impressionist Graphite Paintings
Materials
Paint, Graphite, Canvas
Disintegrating (with a Measure of Grace), abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series.
"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries.
Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record.
In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space.
Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007).
Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category
21st Century and Contemporary Abstract Geometric Graphite Paintings
Materials
Wax Crayon, Sumi Ink, Archival Paper, Graphite
Green Bricks, abstract geometric painting, grid
Located in New York, NY
Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed.
Artist Statement:
“As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters.
I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category
2010s Abstract Geometric Graphite Paintings
Materials
Paper, Gouache, Handmade Paper, Graphite
2022 Contemporary Original Abstract Still Life Oil Pastel-Still Life Coral Ochre
Located in Bristol, GB
STILL LIFE CORAL OCHRE
Graphite and oil pastel on paper
Size: 39 x 46.5 cm (including frame)
An engaging and powerful abstract composition by British contemporary artist Lloyd Durli...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Oil Pastel, Graphite
Watercolor Leftovers
By Kory Twaddle
Located in Kansas City, MO
Kory Twaddle
"Watercolor Leftovers"
Watercolor on paper
Year: 2015
Size: 10 x 12 inches
COA provided
"I hope to use all the materials in my studio and waste nothing, so emptying out...
Category
2010s Abstract Graphite Paintings
Materials
Paint, Paper, Acrylic, Tempera, Watercolor, Graphite
2022 Contemporary Original Abstract Oil Pastel - Still Life Antique White
Located in Bristol, GB
STILL LIFE ANTIQUE WHITE
Graphite and oil pastel on paper
Size: 39 x 46.5 cm (including frame)
An engaging and powerful abstract composition by British contemporary artist Lloyd Dur...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Oil Pastel, Graphite
2022 Contemporary Original Abstract Still Life Oil Pastel- Three Painted Forms I
Located in Bristol, GB
THREE PAINTED FORMS II
Graphite and oil pastel on paper
Size: 32 x 39 cm (including frame)
An engaging and powerful abstract composition by British contemporary artist Lloyd Durling...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Oil Pastel, Graphite
Black Beauty 11 - Minimalist Figurative Framed Original Ink Painting on Paper
Located in Los Angeles, CA
Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers, and people...
Category
21st Century and Contemporary Abstract Graphite Paintings
Materials
Linen, Ink, Mixed Media, Graphite
Yvette Cohen, Swimming On Air #13, 2017, Canvas, Wood, Acrylic Paint, Graphite
By Yvette Cohen
Located in Darien, CT
Yvette Cohen makes art that transforms space.
Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...
Category
2010s Abstract Geometric Graphite Paintings
Materials
Canvas, Wood, Acrylic, Graphite
First There is a Mountain
Located in Santa Cruz, CA
The materials are acrylic paint, and simple marking implements of graphite and Art Graf. Art Graf is a water-soluble media that comes in tailor’s squares, easily fitting into the han...
Category
2010s Abstract Graphite Paintings
Materials
Handmade Paper, Graphite
It's Springtime Somewhere in the World
Located in Austin, TX
"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...
Category
21st Century and Contemporary Abstract Expressionist Graphite Paintings
Materials
Wax, Oil, Wood Panel, Rice Paper, Graphite
Meteorito impulsado por el viento. Framed. From the series Plato’s Heaven
Located in Miami Beach, FL
The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...
Category
2010s Abstract Graphite Paintings
Materials
Graphite, Cardboard
The Blue Dress 18 - Minimalist Figurative Original Ink Painting on Paper
Located in Los Angeles, CA
Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...
Category
21st Century and Contemporary Abstract Graphite Paintings
Materials
Linen, Ink, Mixed Media, Graphite
Portico, painting on masonite, Signed, Estate of gallerist Andre Zarre, Framed
Located in New York, NY
Sonia Gechtoff
Untitled portico, from the estate of gallerist Andre Zarre, 1977
Acrylic and graphite on masonite
Signed and dated '77 in graphite on the front
Unique
Provenance: Acqu...
Category
1970s Abstract Graphite Paintings
Materials
Masonite, Acrylic, Graphite
Diptych Seeds
Located in Santa Cruz, CA
Acrylic paint with water-soluble Art Graf and graphite heightens the directness of marking in this diptych series on paper. Art Graf comes in tailor’s squares, easily fitting into th...
Category
2010s Abstract Graphite Paintings
Materials
Paper, Graphite
The Sound by Ron Piller - Mid-century feel Contemporary Striped Multi Colored
Located in DE
Contemporary striped painting by Ron Piller.
Painting: Acrylic, Graphite, Gesso, Household, found printed paper on Wood.
Multi-colored stripes, modern contemporary. hang verticall...
Category
21st Century and Contemporary Abstract Graphite Paintings
Materials
Gesso, Acrylic, Board, Graphite
Chicot: Approaching Dusk
Located in New Orleans, LA
Charbonnet received an MFA from the University of New Orleans. He has work in the public collections of the Whitney Museum of American Art, the New Orleans Museum of Art, The Speed M...
Category
2010s Abstract Graphite Paintings
Materials
Acrylic, Gouache, Archival Paper, Graphite
Abstract I: Fan-Shape Series: Suspended
Located in Santa Cruz, CA
Living in temples and the countryside with craftsman communities in Japan for over a decade, Majio was deeply influenced aesthetically and by the content of Japanese culture. Her cra...
Category
2010s Abstract Graphite Paintings
Materials
Acrylic, Tissue Paper, Graphite
Regent Bicycle - original abstract impressionism painting - contemporary art
Located in London, Chelsea
This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Regent Bicycle" by Annabelle Shelton captures the movement and...
Category
21st Century and Contemporary Abstract Impressionist Graphite Paintings
Materials
Watercolor, Graphite
From One Lonely Cloud
Located in Clayton, MO
In From One Lonely Cloud color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype ...
Category
2010s Abstract Graphite Paintings
Materials
Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...
Prospectus 1 (Abstract Drawing)
Located in London, GB
Prospectus 1 (Abstract Drawing)
Graphite on paper, Unframed.
Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphit...
Category
2010s Abstract Expressionist Graphite Paintings
Materials
Paper, Graphite
In Real Time, unique Signed Abstract Expressionist painting w/provenance, Framed
Located in New York, NY
Steven Sorman
In Real Time, 2003
Acrylic, gouache, gel medium, oil and beeswax collage painting on paper
48 × 34 inches
Signed and dated 2003; The frame also bears the original label...
Category
Early 2000s Abstract Expressionist Graphite Paintings
Materials
Mixed Media, Oil, Acrylic, Gouache, Gel Pen, Graphite
And His Open Arms Embraced
Located in Clayton, MO
In And His Open Arms Embraced color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...
Category
2010s Abstract Graphite Paintings
Materials
Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...
$600 Sale Price
25% Off
Amid The Blue Waves
Located in Clayton, MO
In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...
Category
2010s Abstract Graphite Paintings
Materials
Wax Crayon, Sumi Ink, India Ink, Encaustic, Archival Paper, Rice Paper, ...
But Now A Dreamlike Memory
Located in Clayton, MO
In But Now A Dreamlike Memory color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...
Category
2010s Abstract Graphite Paintings
Materials
Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...
$600 Sale Price
25% Off
Fin Beach - original abstract impressionism painting - contemporary art
Located in London, Chelsea
This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Fin Beach by Annabelle Shelton is a dynamic exploration of a bu...
Category
21st Century and Contemporary Abstract Impressionist Graphite Paintings
Materials
Watercolor, Graphite
Attrahere Noted (Abstract painting)
By Xanda McCagg
Located in London, GB
Attrahere Noted (Abstract painting)
Oil and graphite on canvas — Unframed.
This artwork will be shipped rolled in a dent-resistant tube.
This method is especially safe for large wo...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Orange is the New Orange (leave it alone) Linear Abstract Oil Painting
By Mark Masyga
Located in New York, NY
60"x48" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. Masyga employs drawing tech...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Oil, Graphite
Imperator
Located in Fairfield, CT
A painting will, or will not be made. For all the romance involved in creation, there is a pragmatic objectivity at work in the studio… Whatever profundity one hopes for is found in ...
Category
2010s Abstract Geometric Graphite Paintings
Materials
Canvas, Acrylic, Graphite
Zed
By Perry Burns
Located in Fairfield, CT
Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...
Category
20th Century Abstract Graphite Paintings
Materials
Gouache, Graphite, Ink, Monoprint
$2,000
Heat
By Alyse Rosner
Located in Fairfield, CT
Heat 2019
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Acrylic, Graphite
$2,200
Oceanic
By Alyse Rosner
Located in Fairfield, CT
Alyse Rosner 2021
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Acrylic, Graphite
$65,000
Blurred geometry, yellow on white, cotton and graphite
Located in Carballo, ES
This new series by Danish artist Peter Kramer (1959, Roskilde, DK) based in Spain shows us a new way of working with natural and exotic elements. In this case, he uses the turmeric r...
Category
21st Century and Contemporary Abstract Geometric Graphite Paintings
Materials
Cotton, Organic Material, Tissue Paper, Graphite
Very Few To Love
Located in Clayton, MO
In Very Few To Love color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illum...
Category
2010s Abstract Graphite Paintings
Materials
Wax Crayon, India Ink, Encaustic, Color Pencil, Graphite
Rougher Seas…Deeper Breaths
Located in Denver, CO
Jason Craighead (b.1971) is an abstract artist based in Raleigh, North Carolina. In his mixed-media works, drawing, painting, and writing fuse seamlessly together His surprising com...
Category
2010s Abstract Graphite Paintings
Materials
Canvas, Charcoal, Oil Pastel, Oil, Magazine Paper, Graphite
Graphite paintings for sale on 1stDibs.
Find a wide variety of authentic Graphite paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, pink, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, Adrienn Krahl, Holly Miller, and Alison Haley Paul. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite paintings, so small editions measuring 0.1 inches across are also available
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In his current show at New York's Lehmann Maupin gallery, the Puerto Rican–born talent reveals new paintings with a semiautobiographical aspect.