Graphite Paintings

Acrylic, graphite and thread on canvas - Unframed. The threaded lines suggest a physical barrier that interrupts the shapes and stops them from connecting and at the same time a tra...

Vertical garden 2 (Abstract painting) Acrylic, oil pastel and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be shi...

(Comes float-framed behind glass.) Artist's Statement: "I was working on my "Gridish" paintings (you can find them in a search on the term "Gridish" on this site) when I became fascinated with certain materials I was working with - a new type of super-flat, super-black paint; powdered graphite; and iron oxide pigment. I had a small canvas ready to go, and shifted my attention to concentrating on just one of the rectangular forms I had been using in the Gridish series, and applying these materials in a way that pleased me. That sort of industrial sheen on the surface of the rectangle is really beautiful to me. This was a second I made, on paper. Quite obviously the mood given off by these works is greatly different from the colorful Gridish paintings that spawned them. My daughter, studying design at RISD, said she found the pic I...

Lux on the 5th (Abstract painting) Acrylic, charcoal and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings expre...

Time travel (Abstract painting) Acrylic, oil bar and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled i...

Lux on the 5th (Abstract painting) Acrylic, charcoal and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama ...

Lux on the 5th (Abstract painting) Acrylic, charcoal and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama ...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Abstract figure swinging on a tree branch in foreground. Seascape, coastline background. Thick, textural brush strokes. Darius's most recent body of work is bright, colorful, wi...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

This abstract painting features hues of orange and blue. Stacie U. Rose is an Atlanta-based Artist whose latest body of work, Physical Invisible, employs painting, printmaking, and ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Tim’s main concern within his work is exploring the colour field. Although vivid Tim’s works are invariably balanced, using a signature colour palette of extremely bright and intense...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Xanda McCagg is an American abstract artist who divides her time between the Chelsea neighborhood of New York City and Connecticut. A classically trained artist, she began her practi...

Xanda McCagg is an American abstract artist who divides her time between the Chelsea neighborhood of New York City and Connecticut. A classically trained artist, she began her practi...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

36"x72" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga employs a linear abstract composition. Masyga's masterful knowledge and backgrou...

Xanda McCagg is an American abstract artist who divides her time between the Chelsea neighborhood of New York City and Connecticut. A classically trained artist, she began her practi...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

The Fan-Shape Series represents how an iconic image manifests with many connotations. Like oracular coins, these fan shapes look like sonograms foretelling the immediate future of a ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Vertical garden 2 (Abstract painting) Acrylic, oil pastel and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be shi...

Balancing Act 1 (Abstract painting) Gouache, graphite and ink on Rives paper - Unframed This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Artist Commentary: A piece about the "stuff" we buy. What's it for? Is it worth it? How do we affect nature with these decisions? Shape shifts between resembling an old ship and a mo...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

52" x 34”(oil, graphite on canvas) signed on reverse by the artist. This multi-panel painting by Mark Masyga is composed of 10 oil on wood painted wood panels. This painting instal...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Edward Avedisian ( 1936-2007 ) 7.5 X 5.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

Miriam Peralta Sostenido 15, 2015 Graphite and charcoal on canvas 65h x 68.10w in 165.10h x 172.97w cm

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

The theory of Heaven is a novelty that Plato introduced to philosophy. Inspired by this concept, the artist proposes a series of works where I imagine and recreate possible worlds on...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Artist : Kory Twaddle Title : First Floor Systems Materials : Acrylic, tempera, gouache, paintbrushes, and mixed media on drawing paper pad back with spiral Date : 2018 Dimensions ...

Mirror to the Sun V Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

LE CRÂNE 2020 Paris, France A faint gesture of a skull, ‘le crane,’ lives on a pale pink background, and interacts with other abstract detailing, creating movement and tension. Evan...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers, and people...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Xanda McCagg is an American abstract artist who divides her time between the Chelsea neighborhood of New York City and Connecticut. A classically trained artist, she began her practi...