Metal Paintings

ABOUT THE PAINTING: These extraterrestrial blooms, belonging to a distant and enigmatic planet, carry an aura of mystery and intrigue. Their unsettling beauty challenges traditional ...

This abstract work by Chicago artist Patrick Fitzgerald belongs to a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptur...

Due to the size of the work, it was sent rolled in a tube El cuadro abstracto es una obra de arte sorprendente y cautivadora que evoca una sensación de ensoñación y fantasía. La pie...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...

VF21 [2022] original Oil on aluminium mounted on MDF Image size: H:30 diameter cm x W:30 diameter cm Complete Size of Unframed Work: H:30 diameter cm x W:30 diameter cm x D:2cm Frame...

"Forest Fire II" Abstract Painting 31" x 24" inch by Ahmed Farid acrylic & gold leaf on canvas on wood Born in Cairo, Egypt, in 1950 where he currently lives and works, Farid is a...

Due to the size of the work, it was sent rolled in a tube The abstract painting that appears before your eyes is a fascinating exploration of black, gray, and white tones that inter...

Due to the size of the work, it was sent rolled in a tube El cuadro abstracto es una obra de arte sorprendente y cautivadora que evoca una sensación de ensoñación y fantasía. La pie...

Due to the size of the work, it was sent rolled in a tube Enamel and Acrylic on Canvas The painting I will describe is an impressive and enigmatic work that conveys an inexhaustible energy and a deep sense of creativity. The dark brown background of the painting provides an apparently calm and serene atmosphere, but the viewer quickly realizes that this work is much more than that. The work itself is an impressive example of the artistic style known as "action painting". This style is characterized by the spontaneous and energetic application of paint, with the artist using a variety of techniques and materials to create a work that seems to be driven by movement and force. In this case, the artist has used a drip and splash approach to create a chaotic and vibrant texture in the background. In the center of the painting is a female figure, represented in a series of white lines and shapes that strongly contrast with the dark background. The figure has an abstract appearance, but clearly represents a woman, with her curved and stylized lines suggesting the shape of her...

Due to the size of the work, it was sent rolled in a tube El cuadro abstracto es una obra de arte sorprendente y cautivadora que evoca una sensación de ensoñación y fantasía. La pie...

Due to the size of the work, it was sent rolled in a tube El cuadro abstracto es una obra de arte sorprendente y cautivadora que evoca una sensación de ensoñación y fantasía. La pie...

Painting with abstract, modern styles, special for the use of gold and silver ink in some parts of the work and with a delicate pink frame that perfectly complements

It's OK, 70 cm

TITLE: G1903 ARTIST: Ciro Strino YEAR: 2023 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Enamels on canvas DIMENSIONS: 45 x 55 cm

Vision I by Cheryl R. Riley Metallic abstract geometric symbols, purple, yellow, gray, gold Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporar...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Due to the size of the work, it was Shipped rolled in a tube without a frame Enamel and Acrylic on Canvas The painting I will describe is an impressive and enigmatic work that conveys an inexhaustible energy and a deep sense of creativity. The dark brown background of the painting provides an apparently calm and serene atmosphere, but the viewer quickly realizes that this work is much more than that. The work itself is an impressive example of the artistic style known as "action painting". This style is characterized by the spontaneous and energetic application of paint, with the artist using a variety of techniques and materials to create a work that seems to be driven by movement and force. In this case, the artist has used a drip and splash approach to create a chaotic and vibrant texture in the background. In the center of the painting is a female figure, represented in a series of white lines and shapes that strongly contrast with the dark background. The figure has an abstract appearance, but clearly represents a woman, with her curved and stylized lines suggesting the shape of her...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

TITLE: AR1521 ARTIST: Ciro Strino YEAR: 2023 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Enamels on canvas DIMENSIONS: 52 x 62 cm

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Roman Dub "Lake"

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Due to the size of the work, it was Shipped rolled in a tube without a frame Painting: Acrylic and enamel on Canvas. Oversize XXL Abstract Painting. This impressive piece of art mea...

A Playful Disposition 3 by Magdelena Morey [2022] A Playful Disposition 3 is a cheerful, original abstract floral painting by Magdalena Morey. This co...

TITLE: W1200 ARTIST: Ciro Strino YEAR: 2023 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Enamels on canvas DIMENSIONS: 45 x 55 cm

TITLE: R2312 ARTIST: Ciro Strino YEAR: 2023 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Enamels on canvas DIMENSIONS: 52 x 62 cm

TITLE: B2150 ARTIST: Ciro Strino YEAR: 2023 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Enamels on wood DIMENSIONS: 52 x 62 cm

This is a diptych (each half is 24 x 36 inches) and was created by John Platt, a Brooklyn artist who studied at the Boston Museum of Fine Arts and has exhibited extensively in New Yo...

TITLE: Lost&Found ARTIST: Liw Volpini YEAR: 2019 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Uniposca and enamel on canvas DIMENSIONS: 150 x 100 cm

TITLE: DG0103 ARTIST: Ciro Strino YEAR: 2023 MEDIUM TYPE: Painting MEDIUM/MATERIALS: Enamels on canvas DIMENSIONS: 70 x 100 cm

Black & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / ...

The original colour inspiration for this canvas , was the beautiful blossom on the red horse chestnut trees , surrounding the studio. I also wanted to use fragments of treasured char...

Gold, purple, and green abstract mixed-media painting by Hawaii-based artist, Èlan Vital. The piece depicts a deep, almost three-dimensional painting achieved through layers of pigments. Small stone-like details create texture throughout the painting. Paint drippings are also seen along the edges of the piece. Signed by the artist at the back of the painting. Unframed but framing options are available. Artist Biography: As the son of a prominent lithographer and growing up in New York City, Élan was exposed to art and color at a very early age. His discovery of Leonardo DaVinci's renaissance diversity theory first touched him when he was only seven; DaVinci became an influential force in Élan's life and still is to this day. Élan attended a high school for gifted students and graduated with honors, attaining an equivalency of an Associate Degree in Engineering at age seventeen. After graduation, Élan was hired by the IBM Corporation as a computer diagnostics expert - the youngest on their team. He was later hired by the ITT Corporation as a design engineer for projects such as the Manila airport underground lighting system and the towers for a hydroelectric dam in Pakistan. Élan's personal artistic revolution began after leaving the corporate world and joining a commune of artists in the East Village, Manhattan. It was there while designing psychedelic lighting equipment, Élan met Andy Warhol. Andy committed the monetary resources for Élan to design the first psychedelic discotechque, located on Saint Marks Place in New York City. This became the springboard for many artistic endeavors for Élan - combining invention with art. Élan moved to Hawaii in 1988. His first major work in Maui was a 49-foot, 10-ton, life-size, humpback whale - the largest sculpture of its kind in Hawaii. Élan donated the whale to establish Maui's Ecology Park, where it is now on permanent display. After completion of the whale, Élan began his signature work - combining aerospace enamel with exotic pigments and finely ground minerals. His inspiration for these meta-realistic paintings comes from the beauty of gemstones, his colorful surroundings, and life itself. Élan's masterpieces, with 30-75 layers of extraordinary color, explode with depth and movement! Like fine studio art-glass and gemstones, light travels through each individual layer of color; this is what makes Élan's work so incredibly luminous! The only artist in the world to use this medium and technique, Élan has captured nature's beauty, creating a unique and compelling style. Currently the number one selling artist of original paintings in the Hawaiian Islands, Élan has sold over 6,500 works, with patrons from around the world. More than 70% of Élan's admirers have acquired five or more works of art for their homes or businesses. Élan's originals can be seen online at Elan Vital...

White Flower Garden By Catherine Ruth Church [2021] original Acrylic, Gold Leaf, Pearlised Image size: H:64cm cm x W:43cm cm Complete Size of Unframed Work: H:60cm cm x W:40cm cm x ...

This work is from the Wonderment of Otherness series of paintings by New York City-based artist Christopher Stout, whose pronouns are he/him or inclusive they/them. Each work within the Wonderment of Otherness series is a sculptural monochrome painting and is part of the contemporary genre of art referred to as queer abstraction. A statement of practice regarding all of Christopher Stout’s work is that it intends to surround us with the notion of radical joy and a vision of queerness as found in our imaginations. But what do the term queer abstraction mean and represent? In the artist’s own words: “I would suggest that queer abstraction might be most easily defined as activist art about the queer experience that does not employ representation of the human figure. Queer abstraction, along with Black abstraction, feminist abstraction, and even Arte povera are examples of 4 distinct types of sociopolitical protest work birthed in the late 1960s and early 1970s, which primarily eschew the use of figuration. In providing additional context, art critic and curator Eric Sutphin theorizes that contemporary artists practicing queer abstraction, 'are in close dialogue with their forbears, and bring to the milieu of queer abstraction a new set of social, economic, and political concerns…including a series of questions: What is the relationship between queerness and formalism? Without explicit political references, how can abstract work transmit the urgency of its content?'” In returning the conversation to the Wonderment of Otherness paintings, each painting in this body of work has been designated as a 'quilt painting' because the central visual element and topography of the works are textile pieces of Belgian linen and cotton sewn together with wire in a manner akin to quilting. It should be noted that quilting here is not a reference to the AIDS quilt, but rather an extension of the tradition of quilting as a form of political art by marginalized people. These quilts are stretched on stacks of wooden panels, so that the works retain elements to suggest being textile pieces, and also elements of being sculptures, and also elements of being paintings. This is a reference to the nonbinary. An equally important concentration within these works is to express a linear relationship between queer abstraction and queer theory. Alongside each painting has been designated a notable academic text, biography, or resource book documenting a spectrum of queer ideas and experiences. Stout noted that, “Some of these books are longtime friends, and some of the more contemporary works were read as part of my research for these paintings.” Whilst these paintings are not designed to illustrate the work of these queer academics, they do hope to activate a through line, manifesting the shared goals within queer abstraction. This painting is titled, Wonderment of Otherness Quilt Painting 001, A Monument to the Work and Queer Personhood of José Esteban Muñoz (which is slightly longer than the 80 characters permitted in the online catalog) and is a monument to the work and Queer personhood of José Esteban Muñoz. Stout painted this piece after re-reading Muñoz’s text, “Cruising Utopia, The Then and There of Queer Futility.” A much-loved quote from this book: “Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds, queerness is a longing that propels us onward, beyond romances for the negative and toiling in the present, queerness is that thing that lets us feel that this world is not enough, that indeed something is missing. Often we can glimpse the worlds proposed and promised by queerness in the realm of the aesthetic. The aesthetic, especially the queer aesthetic, frequently contains blueprints and schemata of a forward-dawning futurity. Both the ornamental and the quotidian can contain a map of the utopia that is Queerness.” ― José Esteban Muñoz ... Process: Stacked wooden panels, on which is stretched a quilt that I fashioned from Belgian linen and cotton fabric sewn together with wire. The finished work is a monochrome painted...

This is a diptych (each half is 24 x 36 inches) and was created by John Platt, a Brooklyn artist who studied at the Boston Museum of Fine Arts and has exhibited extensively in New Yo...

This is a diptych (each half is 24 x 36 inches) and was created by John Platt, a Brooklyn artist who studied at the Boston Museum of Fine Arts and has exhibited extensively in New Yo...

Black & Gold Glyphs II by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / G...

Relive the winter wonderland of "Winter Park", Limited Edition by Topher Straus, a skier's paradise nestled at the foot of a majestic peak. Layers of digit...