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Style: Old Masters
Medium: Paper
Original Study of Rembrandt’s Portrait of an Old Woman
Located in Soquel, CA
Early 20th Century Study of Rembrandt’s Portrait of Old Woman Russian for Niello Engraving
A wonderful study of Rembrandt’s portrait of an Old Woman used for Niello engraving by Ru...
Category
Early 20th Century Old Masters Paper Paintings
Materials
Ink, Paper
Baldassarre Franceschini, Sleeping Cupid, Valentine's Day Gift
Located in Harkstead, GB
A beautiful 19th century copy by Giuseppe Rocchi of Baldassarre Franceschini's Sleeping Cupid, presented in a very attractive gilt frame with hand carved mouldings. A very peaceful i...
Category
Mid-19th Century Old Masters Paper Paintings
Materials
Paper, Watercolor
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Insubria
Located in Cirencester, Gloucestershire
'Insubria'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
...
Category
18th Century Old Masters Paper Paintings
Materials
Ink, Watercolor, Archival Paper
Carlo Grubacs(Venetian master)- Pair of 19th century Venice landscape paintings
By Carlo Grubacs
Located in Varmo, IT
Carlo Grubacs (Perasto 1801 - Venice 1870) - Venice, pair of views of Piazza S. Marco and the Piazzetta towards the Clock Tower.
19 x 24 cm without frame, 25 x 30 cm with frame.
An...
Category
Mid-19th Century Old Masters Paper Paintings
Materials
Tempera, Paper
Carlo Grubacs(Venetian master)- Pair of 19th century Venice landscape paintings
By Carlo Grubacs
Located in Varmo, IT
Carlo Grubacs (Perasto 1801 - Venice 1870) - Venice, pair of views of Piazza S. Marco and the Basin towards the Riva degli Schiavoni.
11 x 16 cm without frame, 29.5 x 34.5 cm with f...
Category
Mid-19th Century Old Masters Paper Paintings
Materials
Tempera, Paper
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Figure Fame
Located in Cirencester, Gloucestershire
'Fame'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
cond...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Archival Paper, Ink
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Sicilia
Located in Cirencester, Gloucestershire
'Sicilia'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
c...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Ink, Archival Paper
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Providenza
Located in Cirencester, Gloucestershire
'Providenza'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inche...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Ink, Archival Paper
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Female Statue of Beauty
Located in Cirencester, Gloucestershire
Belleza (The Art of Beauty)
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed...
Category
18th Century Old Masters Paper Paintings
Materials
Ink, Watercolor, Archival Paper
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Africa
Located in Cirencester, Gloucestershire
'Africa'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
co...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Ink, Archival Paper
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical India
Located in Cirencester, Gloucestershire
'India'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
con...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Archival Paper, Ink
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Magnaminita
Located in Cirencester, Gloucestershire
'Mgnaminia'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Ink, Archival Paper
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Marriage
Located in Cirencester, Gloucestershire
Concordia Maritale (harmonious marriage)
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
o...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Archival Paper, Ink
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Napoli
Located in Cirencester, Gloucestershire
'Napoli'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
co...
Category
18th Century Old Masters Paper Paintings
Materials
Watercolor, Ink, Archival Paper
Fine 18th Century French Old Master Ink Wash Drawing Cain & Abel Fighting
Located in Cirencester, Gloucestershire
'Cain et Abel'
Circle of Franois Devosge
(1732-1811) French
pencil drawing with watercolour wash on paper
size: 12.25 x 9 inches
private collection, France
The painting is in overall...
Category
18th Century Old Masters Paper Paintings
Materials
Washi Paper, Color Pencil
Lamentation of Christ oil on paper laid on canvas
By Annibale Carracci
Located in Brooklyn, NY
The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Par...
Category
Early 17th Century Old Masters Paper Paintings
Materials
Paper, Canvas, Oil
Landscape with Trees and a Fisherman walking, a drawing by Jan Van Goyen
Located in PARIS, FR
No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied.
1. Jan van Goyen...
Category
1650s Old Masters Paper Paintings
Materials
Chalk, Ink, Laid Paper
18th century English scene of a groom with a horse in a landscape
Located in Woodbury, CT
Wonderful 18th century English gouache on paper of a 18th century English scene of a groom with a horse in a landscape.
One of a set of five all framed in Hogarth frames.
L.Green ...
Category
1780s Old Masters Paper Paintings
Materials
Paper, Gouache
A red chalk study sheet by Baldassare Franceschini, known as Volterrano
Located in PARIS, FR
This fresh sanguine sheet presents various studies placed next to each other in no apparent order. Two of the feet studies are preparatory to the first major commission received by the young Baldassare Franceschini, shortly after his installation in Florence, the frescoes for the Medici Fastes. This cycle was executed between 1636 and 1646 for the Villa La Petraia, a Medici villa on the outskirts of Florence, which allows us to date this sheet to the artist's youth.
1. The Medici Fastes, the first major commission for a young artist
Born in Volterra in 1611, the town from which he took his nickname, Baldassare Franceschini apprenticed with his father, a sculptor of alabaster, one of his home town's specialities, and studied with Cosimo Daddi (1540-1630), a local artist. The Marquis Inghirami, who spotted his talent, sent him to the workshop of Matteo Rosselli (1578 - 1650) in Florence, which was also attended by Francesco Furini (1603 - 1646).
In 1636, Lorenzo de' Medici, the youngest son of Ferdinand Ier and Christine of Lorraine, chose the 25-year-old artist, again on the advice of the Marquis Inghirami, to decorate with frescoes the loggias of the inner courtyard of the Villa La Petraia, which he had just inherited on the death of his mother. The project lasted about ten years and included ten scenes placed symmetrically in two loggias on either side of the courtyard: four main scenes and six placed above the doors, each to the glory of a member of the Medici family.
This decoration was his major secular project, but Volterrano also executed several religious frescoes and a few easel paintings, often with less success. Among the religious commissions, we can cite the dome of the Colloredo chapel dedicated to Saint Lucy...
Category
Mid-17th Century Old Masters Paper Paintings
Materials
Chalk, Paper
CHILD - Alfonso Grassi Pastel on paper Portrait italian Painting
Located in Napoli, IT
CHILD - Pastel on paper cm.51x41 signed lower right by Alfonso Grassi, Italy.
Wooden frame with passeportout cm.94x73
Category
Late 20th Century Old Masters Paper Paintings
Materials
Pastel, Paper
Baroque Interior, a drawing attributed to Francesco Battaglioli (1725 - 1796)
By Francesco Battaglioli
Located in PARIS, FR
The technique of this luminous architectural drawing with its rigorous perspective is perfectly representative of the creations of the Venetian school’s 18th century vedutists. Simil...
Category
Mid-18th Century Old Masters Paper Paintings
Materials
Paper, Ink
A Wolf
Located in New York, NY
Provenance:
The Marchesi Strozzi, Palazzo Strozzi, Florence
Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...
Category
17th Century Old Masters Paper Paintings
Materials
Canvas, Paper, Oil
Antique Italian School Late 17th - Early 18th "Cherubs (A)" Pen drawing of Putti
Located in SANTA FE, NM
"Cherubs" (A)
Pen and Ink drawing of Putto
Italian School
Late 17th early 18th century.
Pen and ink on paper
6 ½ x 17 ½ (22 ½ x 11 ½) inches
Antique scenes of putto and a faun cele...
Category
Late 17th Century Old Masters Paper Paintings
Materials
Paper, Ink, Pen
CHILD - Alfonso Grassi Watercolor on paper Portrait italian Painting
Located in Napoli, IT
CHILD -Watercolorl on paper cm.51x41 signed lower left by Alfonso Grassi, Italy.
Wooden frame with passeportout cm.94x73
Category
Late 20th Century Old Masters Paper Paintings
Materials
Paper, Watercolor
Antique Italian School Late 17th - Early 18th "Cherubs (B)" Pen drawing of Putti
Located in SANTA FE, NM
"Cherubs" (B)
Pen and Ink drawing of Putto
Italian School
Late 17th early 18th century.
Pen and ink on paper
6 ½ x 17 ½ (22 ½ x 11 ½) inches
Antique scenes of putto and a faun cele...
Category
Late 17th Century Old Masters Paper Paintings
Materials
Ink, Paper, Pen
18th century view of the Elephant and Castle in London
Located in London, GB
Collections:
With Martyn Gregory;
Judy Egerton, 1984, acquired from the above;
By descent to 2014.
Exhibited:
London, Martyn Gregory, Exhibition of English & Continental Watercolours, 1984, no. 94.
London, Lowell Libson...
Category
18th Century Old Masters Paper Paintings
Materials
Gouache, Vellum
18th century English scene of a man on his horse with his dog in a landscape
Located in Woodbury, CT
Wonderful 18th century English gouache on paper of a 18th century English scene of a man on his horse with his dog in a landscape
One of a set of five all framed in Hogarth frames. ...
Category
1780s Old Masters Paper Paintings
Materials
Paper, Gouache
Animal painting of a 'Tamanuâguacû (Ant-eater)' late 17th/18th century, Brazil
Located in Amsterdam, NL
Follower of Zacharias Wagener (1614-1688)
Tamanuâguasû (Giant Anteater)
On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm
The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German.
Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...
Category
Early 18th Century Old Masters Paper Paintings
Materials
Paper, India Ink, Gouache
Head of an Angel
Located in New York, NY
Procaccini was born in Bologna, but his family moved to Milan when the artist was eleven years old. His artistic education was evidently familial— from his father Ercole and his elder brothers Camillo and Carlo Antonio, all painters—but his career began as a sculptor, and at an early age: his first known commission, a sculpted saint for the Duomo of Milan, came when he was only seventeen years old.
Procaccini’s earliest documented painting, the Pietà for the Church of Santa Maria presso San Celso in Milan, was completed by 1604. By this time the artist had made the trip to Parma recorded by his biographers, where he studied Correggio, Mazzola Bedoli, and especially Parmigianino; reflections of their work are apparent throughout Procaccini's career.
As Dr. Hugh Brigstocke has recently indicated, the present oil sketch is preparatory for the figure of the angel seen between the heads of the Virgin and St. Charles Borrommeo in Procaccini's altarpiece in the Church of Santa Afra in Brescia (ill. in Il Seicento Lombardo; Catalogo dei dipinti e delle sculture, exh. cat. Milan 1973, no. 98, pl. 113). As such it is the only known oil sketch of Procaccini's that can be directly connected with an extant altarpiece. The finished canvas, The Virgin and Child with Saints Charles Borrommeo and Latino with Angels, remains in the church for which it was painted; it is one of the most significant works of Procaccini's maturity and is generally dated after the artist's trip to Genoa in 1618.
The Head of an Angel is an immediate study, no doubt taken from life, but one stylistically suffused with strong echoes of Correggio and Leonardo. Luigi Lanzi, writing of the completed altarpiece in 1796, specifically commented on Procaccini's indebtedness to Correggio (as well as the expressions of the angels) here: “Di Giulio Cesare...
Category
17th Century Old Masters Paper Paintings
Materials
Canvas, Paper, Oil
DRAWING OF NAKED MAN
Located in Napoli, IT
DRAWING OF NAKED MAN - Study of light by Gennaro Luciano, Naples, 1920, with ebony frame. Cm.65x48.
Category
1920s Old Masters Paper Paintings
Materials
Pencil, Paper
DRAWING OF A NACKED MAN ON LADDER
Located in Napoli, IT
DRAWING OF A NACKED MAN ON LADDER - - by Gennaro Luciano, 1920, with ebony frame. Cm.65x48
Category
1920s Old Masters Paper Paintings
Materials
Pencil, Paper
Large Academic Study Of The Nude: Handsome Man With A Beard. XIXcentury.
Located in Firenze, IT
Academic study of the nude: handsome man with a beard.
Nineteenth century.
Mixed technique on paper: watercolor and charcoal on slightly gray colored pape...
Category
19th Century Old Masters Paper Paintings
Materials
Charcoal, Paper, Watercolor
Study of a dog
Located in Amsterdam, NL
Study of a dog
Oil on paper laid down on panel, 17.5 x 25.5 cm
Provenance
Private collection, the Netherlands
Note:
We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh
Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht.
In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year.
According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him.
De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...
Category
Mid-17th Century Old Masters Paper Paintings
Materials
Paper, Oil, Wood Panel
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