Pencil Paintings

Patricia Zippin Tillamook Flight 6 of 12 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pen Patricia Jayne Zippin (1930...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His medium to l...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnecte...

"Verdigris" 2025, 84" H x 60" W. A captivating large-scale abstract painting by Argentine-born artist Karina Gentinetta, renowned for her work featured in Architectural Digest, Elle...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Artist: Claude Lagouche (French 1943-2020) Claude Lagouche was born January 2, 1943 in Naves, died January 16, 2020. He quickly gained recognition for his talent and his work, exh...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype, whereas the lace, strings, and shadows are ...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

“Resonant Lines” is part of my Landscapes of the inner eye series of paintings which explore the memory of places that we carry in our imagination rather tha...

Large strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint in fluent b...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

The artwork will be shipped rolled in a tube with free shipping to your address due to its large dimensions. We can offer support and assistance in finding a framer in your area who ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

An original, contemporary, abstract expressionist painting, "Is Anyone Listening?" features dramatic gestural brushstrokes dancing across a layered creamy-white canvas. Soft pastel p...

Lux on the 5th (Abstract painting) Acrylic, charcoal and graphite on paper - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama ...

Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...

Algodón de Seda, 1978 by Amelia Cajigas Image size: 3 H x 2.75 W inches. Frame size: 12 Hx 11.5 W x 1 D inches. White Frame ___ Amelia Cajigas. Artist. He was...

Marc Scheff's "This is Not a Riot" is a triptych multi-layered resin painting that is made using oil, acrylic, pencil, pan pastel, caran d'ache, layered resin. The piece is composed ...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20.5 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist ...

Abstract, landscape, figurative: a rabbit burrow, reminiscent of Venice Carl Dimitri’s artistic style is multifaceted, blending abstract, contemporary, and expressionistic elements....

Title: Interconnected Dance Abstract Masculine Contemporary Grey Red Yellow Blue Detail Texture Bold Colors This series expresses our unity and our interconnectedness. We are dancin...

Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

Golfam Jozdani Saint Minecraft XXVII Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

Edward Avedisian ( 1936-2007 ) 7.5 X 5.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Untitled 5 (JF 22) (Abstract Painting) Gesso wash, pencil, and oil on wood panel — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper colla...

Golfam Jozdani Saint Minecraft XXVI Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing O...

Golfam Jozdani Saint Minecraft XXIX Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing O...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Golfam Jozdani Saint Minecraft XXXV Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing O...

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Combining fractions of abstracted drawings into one, Kimler creates a whole new abstracted form. With expressive pours of black and brightly colored paints and brushwork in charcoal ...

Stephanie Visser, a native of southwestern Michigan, was educated at Kendall College of Art and Design in Grand Rapids Michigan. She continued her education in fine arts and painting...

Golfam Jozdani Saint Minecraft XXXIV Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing ...

Golfam Jozdani Saint Minecraft XXVIII Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing...

Patricia Zippin Temescal 3 1980s Mixed Media 30.5"x 22.5", unframed Signed in paint on bottom right and signed and titled on reverse in pencil Patricia Jayne Zippin (1930-2015) She ...

Vista No 1 by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evoke...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

The artwork will be shipped rolled in a tube with free shipping to your address due to its large dimensions. We can offer support and assistance in finding a framer in your area who ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

"For There I Am in the Mossy Shadows" by Chris Brandell – 42x42 Mixed Media on Canvas – $4400 A poetic study of presence and absence, For There I Am in the Mossy Shadows by Chris Br...

Bill Shields "Micro Gouache and Pencil Abstract" 1990's Gouache and pencil on board Site measures 4.5"x4" silver wavy wood float mount 13.5"x12.75" Unsigned came from artist's estate...

Jason Craighead (b.1971) is an abstract artist based in Raleigh, North Carolina. In his mixed-media works, drawing, painting, and writing fuse seamlessly together His surprising com...

Large vertical self portrait by Bay Area artist Michael Pauker (American, b.1957). A minimalist portrait of the artist is at the center of this piece, w...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

This original vintage 1960 abstract painting by Hilaire Hiler (1898-1966) showcases the artist's structuralist style, created in the mid-20th century while Hiler was based in New Mexico. Signed lower right, this striking piece is painted in soothing tones of pink and blue, capturing the essence of Hiler’s unique modernist approach. The framed dimensions measure 15 ½ x 18 ¾ inches, with the image size measuring 14 x 17 ½ inches. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he began his art education at the Rhode Island School of Design. His artistic journey led him to study at several prestigious institutions, including the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and the University of Paris in 1919. In Paris, from 1919-1934, Hiler supported himself as a jazz musician and pianist for The Jockey Club, all while immersing himself in the European art scene. After returning to the U.S. in 1934, Hiler made San Francisco his home, where he was commissioned by the Works Progress Administration (WPA) to paint murals in the Aquatic Park...

George Dannatt (1915-2009) Crystals Emerging from a Solid 1991 Pencil on a blue oil wash on paper 23.0 x 18.0 cm George Dannatt’s long career as a painter and sculptor ended with...