Watercolor Paintings

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

"Subtle Pastel Curves" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, a...

"Modernist Palettes" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and...

"Strawberry Fields" is an illustration style painting by Romina Milano. Romina Milano is an Italian artist renowned for her paintings that are primarily composed of strong gestures,...

This is a two sided painting. Nude reclining woman and a ship lit at night. Harold Cohn (1908 - 1982) Harold Cohn was active/lived in New Jersey, Michigan. Harold Cohn is known fo...

This is a two sided painting. Nude reclining woman and a ship lit at night. Harold Cohn (1908 - 1982) Harold Cohn was active/lived in New Jersey, Michigan. Harold Cohn is known fo...

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Gloria Dudfield (1922-2015) Untitled c.1960s Gouache on paper 18"x15" unframed Unsigned Came from a portfolio of her work in the San Francisco Bay Area. Gloria had a Master of Arts...

Untitled Large Seascape Abstract Mixed Media Ink and gouache wash on paper board about 1970s, Artist signed lower right corner. Lim Ha Shan, was born in Seoul, Korea in 1945. The ...

"Red Bottles on Green" is a contemporary still-life painting that depicts a vibrant arrangement of red bottle silhouettes taking center stage in contrast against the green pastel bac...

Jogen Chowdhury Mixed Media on Paper 6 x 4.1 inches 2023 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual styl...

Title: Interior Scene Medium: Watercolor on paper Style: Impressionist Size: 11"" x 15"" Frame Size: 18"" x 22"" Age: 1940s Signature: William Fisher Artist: William Fisher (...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

This has young ISraeli pioneers dancing with the flag as typical of works of the late British mandate Palestine era early state of Israel. Genre: Modern Subject: Figurative (stained glass style) Medium: Mixed media gouache on paper Hand signed lower left Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress exposition in Chicago. In 1936, he painted the mural History of the Immigrant for the Madison, Ill., post office. Katz’s works were included in various exhibitions and now are part of several museum collections, including those of the Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; and the Jewish Museum, New York. His murals, bas-reliefs and stained glass designs adorn more than 200 Jewish synagogues in the United States. Katz and other Jewish artists in Chicago who expressed Jewish and Biblical themes were inspired by the artist Abel Pann (1883-1963). Pann, who is regarded as the leading painter of the Land of Israel, exhibited in the Art Institute of Chicago in 1920. Early in his career, Katz began to explore the artistic possibilities inherent in the characters of the Hebrew alphabet. He developed aesthetic and philosophical interpretations of each letter and became the leading innovator and pioneer in the field of Hebraic art. Katz applies this concept in the woodcut Moses and the Burning Bush. Hebrew letters appears in Moses’ head, his cane and inside the flame. The initial of Moses’ name crowns his head. The letter in the flame is the first letter of the name of God. A combination of images and Hebrew letters appeared commonly in illustrations of the scene Moses and the Burning Bush in the Haggadah, the book of Passover. The symbolism of the burning bush corresponds to the motifs of A Gift to Biro-Bidjan. Among the fourteen participating artists were notable Chicago modernists Todros Geller, Mitchell Siporin...

Study for "The Glorious Flight - Across the Channel with Louis Bleriot"; 1983; Gouache on Illustration Board; 14.5" x 13.75"; Signed Lower Right; Unframed. From Wikipedia, the free encyclopedia Alice Rose[1] Provensen (née Twitchell; August 14, 1918[2] – April 23, 2018[3]) and Martin Provensen...

This gouache on paper takes up the themes dear to Linda CLerget: femininity, nature and joy. Here, the colors shift from orange to violet, and the young girl's hair blends with the o...

Jack Hooper "Side Stretch Nude 2" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower right In this modernist masterpiece, Jack Hooper deftly navi...

Frank Nelson Wilcox (American, 1887-1964) Schooner, Boothbay Harbor, Maine, c. 1924 Gouache and watercolor on paper Signed lower right 14 x 20 inches 19.5 x 25.5 inches, as framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox...

"Bottles and Falling Citrus Fruits II" is a modern still life painting that captures the essence of contemporary aesthetics with a vibrant interplay of patterns and forms against a b...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

"Bottles and Falling Citrus Fruits" is a modern still life painting that captures the essence of contemporary aesthetics with a vibrant interplay of patterns and forms against a beau...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Vintage Blue Suede Gucci Loafers Watercolor Painting Not Framed Watercolor on 140 lb. Arches Aquarelle hot press watercolor paper. About the ...

"Green and Yellow Falling Bottles" is a modern still life painting that captures the essence of contemporary aesthetics with a vibrant interplay of patterns and forms against a beaut...

Pierre Charbonnier (1897-1978) Small Rhone Gouache varnish on cardboard Signed "P. Charbonnier" and titled "Petit Rhône" lower right 15 x 20,5 inch Frame : 50 x 70 cm Born in 1897 i...

Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design...

Vintage Gucci Rose Slides Watercolor Painting Not Framed Watercolor on 140 lb. Arches Aquarelle hot press watercolor paper. About the Artist Christina Rugg...

Vintage Gucci Loafers Watercolor Painting Not Framed Watercolor on 140 lb. Arches Aquarelle hot press watercolor paper. About the Artist Christina Rugg...

Scottish modernist painter. President of Dundee Art Society 1947-49. Fellow of the Royal Scottish Society of Painters in Watercolour. Represented in the collections of Dundee's McManus Gallery, the University of Dundee, and the James Hutton...

Shyamal Dutta Ray - Untitled - 19 x 24 inches (unframed size) Watercolor on Paper Signed Style : The poignant imagery in Shyamal Dutta Ray’s paintings stem from his personal experie...

Shyamal Dutta Ray - Untitled - 18 x 25.5 inches (unframed size) Watercolor on Paper Signed Style : The poignant imagery in Shyamal Dutta Ray’s paintings stem from his personal exper...

Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design...

"Summer Sunflower" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mila...

"The Red Garden" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Milano...

M.F. Husain - Horse 15 x 10.75 inches (unframed size) Watercolour on Paper, 1998 MF Husain , world acclaimed artist has been famous for various of his series ,  however Ganeshas hav...

"Falling Bottles" is a contemporary still-life monotype cyanotype portraying different bottle shapes. This is a unique piece made by layering paper cutouts and different exposures us...

From the estate of Jerry Opper & Ruth Friedman Opper Orange Nude c. 1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framin...

"Three Houseplants" is a contemporary still-life painting portraying three beautiful houseplants with pots against a minimalistic slate gray background. Details: Title: Three Hous...

framed 36 X 28 board 30 X 21.75 Sandu Liberman (Romanian-Israeli) was born in Yasi, Romania in 1923. between 1946 and 1953 he took part in the state art shows in Bucharest. in 1952 ...

Dear art lover, This artwork makes part of my series dedicated to " Women" and in particularly celebrates a special bond and connection between women. This artwork called "Do you...

Alfred Jensen Untitled two sided painting, 1947 2-sided gouache painting on board (one portrait is vertical; the other horizontal) 29 × 23 7/20 inches Signed and dated in paint on th...

Watercolour and ink on paper, signed and dated '1939' bottom left and entitled on the reverse Image size: 18 x 9 inches (45.75 x 23 cm) Original frame This is a wonderfully moving w...

Rini Dhumal - Watercolour on Paper 9 x 10 inches Signed Style : She have been a printmaker and a painter. For some time now she have been painting and enj...

Watercolour and ink on graphite, signed lower right Image size: 22 x 17 1/2 inches (56 x 44.5 cm) Original frame POA Inscribed on reverse 'Frank Dobson's Assistant - Celia Gills' F...

"Pink Lagoon Sands" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and ...

Odilon Roche was born in Chateauneuf-sur-Loire in 1868. He was a professional wine taster who traveled around Europe attending wine fairs. In 1902 he opened a shop selling artists'...

Eugene Higgins In Foreign Parts, circa 1913 Signed lower right Watercolor on paper Sight 17 x 13 inches Born William Victor Higgins in 1884 to a Shelbyville, Indiana farm family where the only art Victor was aware of as a child was his father's love of flowers. "He loved their forms and their colors, and he tended his garden as a painter might work a canvas." At the age of nine, Victor met a young artist who traveled the Indiana countryside painting advertisements on the sides of barns. He purchased paints and brushes so the young Higgins could practice his own artwork on the inside of his father's barn. He also taught Victor about art museums and especially about the new Chicago Art Institute. This information never left the young artist, and he saved his allowance until his father allowed him at the age of fifteen to attend Chicago Art Institute. He worked a variety of jobs to finance his studies both there and at the Academy of Fine Arts. Victor Higgins traveled to New York in 1908, where he met Robert Henri, who became a significant influence by depicting every-day scenes and stressing the importance of the spirit and sense of place as important factors in painting. Higgins was also greatly affected by the New York Armory Modernism Show of Marsden Hartley in 1913. While Victor Higgins was in Chicago he met former mayor and avid collector Carter H. Harrison who was to prove instrumental in the growth of Higgins career for several years. Harrison agreed to support Higgins for four years to go to Paris and Munich and paint and study in the great museums in Europe. While at the Academie de la Grande Chaumier in Paris (1910-1914) he met Walter Ufer, who was another Chicago artist being sponsored by Carter Harrison. This meeting was not only a life-long friendship, but the beginning of a great change in the way Higgins looked at "American" art. He decided that America needed it's own authentic style rather than the 19th Century classic style he was taught in Europe. Very soon after returning to Chicago in 1914, Harrison sent him and Walter Ufer on a painting trip to Taos, New Mexico for a year in exchange for paintings. Higgins made other similar agreements and was able to support himself with his painting. This trip was a life-changing experience and introduced Higgins to the authentic America he had been looking for. In 1914 Taos was an isolated village about twelve hours from Santa Fe on an impossible dirt road. But the colorful life of the pueblo people and the natural beauty drew a collection of artists who became the Taos art colony, from which the Taos Society of Artists was founded in 1915. Victor Higgins became a permanent resident within a year of his arrival and a member of the society in 1917, exhibiting with Jane Peterson in 1925 and with Wayman Adams and Janet Scudder in 1927. The members would travel around the country introducing the Southwest scenes with great success. He remained a member until the Society's dissolution in 1927. Higgins was the youngest member of the group of seven. Other members were Joseph Henry Sharp, Bert Phillips...

In this piece the artist choice of colors is muted, and there is a deft blending of them. Israel has had a Vibrant Folk Art, Naive art scene for a long time now, artists like Yisrael Paldi, Nahum Guttman, Reuven Rubin and even Yefim Ladizhinsky had naive periods. The most well know of the strict naive artists are Shalom of Safed, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. Art brut, primitive art, primitive, art naïf, naïve art. Outsider art. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard (b. 1922) Jan Balet (1913–2009) Michel Delacroix (b. 1933) France Howard Finster (1916–2001) Ivan Rabuzin (1921–2008) Spontaneous Art Museum in Brussels Art en Marge Museum in Brussels MADmusée in Liege International Museum of Naive Art of Brazil in Cosme Velho, Rio de Janeiro Gallery Jacques Ardies in São Paulo Musée international d'art naïf de Magog in Magog Croatian Museum of Naïve Art in Zagreb Gallery of Croatian Naïve Art...

Jack Hooper "Side Stretch Nude 3" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower right In this exemplary work of modernist art, Jack Hooper e...

Jack Hooper "Three Muses" 1987 Gouache and ink on paper 21.25"x15.5" unframed Signed and dated in pencil lower left In this minimalist composition on black paper, Jack Hooper expert...

Jack Hooper "Nude in Bubble" c. 1960 Gouache and pastel on paper 15"x18" unframed Signed in pencil lower left Jack Hooper's abstract artwork, featuring a figure outlined in bold bla...

Jack Hooper "Side Stretch Nude" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower left In this intriguing modernist artwork, Jack Hooper's minim...

Mid Century Fauvist view of a port and seascape by Verquin Henri. Signed bottom right, titled, located and signed to the backboard. Presented in period mid century gilt wood and clot...

Large Black Face with Sun, 1968 gouache and ink on paper 29.25 x 43" signed and dated "Calder 68" lower right This work is registered in the archives of the Calder Foundation, New York. EXHIBITED Calder, Grand Valley State College, Manitou Gallery, Allendale, Michigan, May 4-June 15, 1969 Alexander Calder: Mobiles, Stabiles Gouaches, Drawings from the Michigan Collections, Flint Institute of Arts, February 20- March 27, 1983, no. 47, pp. 30 and 32, illustrated Alexander Calder: Sculpture and Works on Paper, John Berggruen Gallery, San Francisco, April 4-26, 2006 “At the time and practically ever since, the underlying form in my work has been the system of the universe, for that is a rather larger model to work from.” – Alexander Calder, 1951 (‘What Abstract Art Means to Me’, The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, Spring, 1951) Alexander Calder’s interest in cosmology, the philosophical and astronomical systems of the universe, is at the heart of his creative output. The discovery of Pluto in the 1930s was a defining moment that instigated his fascination with the solar system and astronomy. Over the ensuing years he focused on creating entire worlds like ‘Calder’s Circus’ and his ‘Constellations’ sculptures...

Watercolour view of boats in a port, looking out to sea, by French Painter Jean-Paul Claveau. The painting is signed and dated bottom left and presented in painted wood frame, with c...

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of his patron Alfred C. Barnes of Phila...

Mountains is a drawing on paper realized in the mid-20th Century by Paul-Maurice Chevalier. (1898-1984). Ink, Charcoal, and Watercolor on paper. Hand-signed on the lower. Good con...

Donald Stacy "Group Meeting" c.1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of Fin...