Matthew Dibble

Shameless, Painting, Oil on Canvas

2020

My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. IΓÇÖm not...

“My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. I’m ...

My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. IΓÇÖm not...

My paintings do have a story to tell although it does not lie in each piece but in the process of abstract expressionism. As an artist I think about scale, unity and color. I'm not...

Cool abstract piece with hues of white, black, silver and red. About the artist: Michael has been working as a painter and designer for over 20 years. His work has been exhibited in various galleries and museums throughout the country including The Carnegie Museum of Art, The Austin Museum of Digital Art, The Westmoreland Museum of Art, UICA/Michigan, and The Mattress Factory. His paintings have been featured in Atlantic Homes and Lifestyles, Beaux Arts, Table Magazine, Perlora Contemporary Home Magazine, The Wall Street International Magazine and the cover of Housetrends. His work will also be featured in Design Within Reach’s 2019 Catalog. His clients have included The Museum of Contemporary Art in San Diego, Nintendo, IBM, Sony Pictures and Panasonic. His work has been published widely in various publications including TIME, The Wall Street Journal, How Magazine, Graphis, London’s Computer Arts, BIg Magazine, The Book of Probes by Marshall Mcluhan (designed by David Carson), Big Magazine and Speak. His collaboration with José Muniain on the short film installation “Navarro”, which documented his painting process, was a finalist in the D.C. Independent Film Festival. Some recent projects include the main lobby interior collections for Bakery Living and Bakery Living Blue, The Hardy House at Nemacolin Woodlands, large scale works for The PPG Paints Arena and commissioned work for The New York Pro Surf Competition and The Quiksilver Pro France. His work has also featured prominently on the sets of several feature films and television series, including Trouble With The Curve, The Last Witch Hunter...

Mixed media on canvas 78.79 x 86.60 in unstretched

Abstract, 1971 By Dan Howard (b. 1931) Unframed: 29" x 35" Framed: 30" x 36" Signed Lower Left Influenced by artists of such varying styles as Caravaggio, Rembrandt, De Kooning and Jack Levine, as well as many of the German Neo-Expressionists*, Dan Howard's work often blurs the line between representational* and abstract art*. His experimentation with different canvas preparations, his use of intense colors and his expressive brush strokes have created a myriad of visual combinations in his characteristic larger-sized oil paintings. The result is an emphasis on audience participation and the role of individual interpretation. "I want to make the viewer part of the process. That makes for a richer experience," Howard says. Throughout his career, Howard has been both a dedicated art teacher-administrator and a gifted professional artist. He chaired the departments of art at Arkansas State University, Kansas State University and the University of Nebraska-Lincoln. Howard has received 100 prizes, awards and honors including the top awards in the three longest running national open painting competitions: Society of Four Arts, Palm Beach, Fla.; Butler Institute, Youngstown, Ohio; and Chautauqua Institution, New York. The Omaha World-Herald has acknowledged Howard as "Nebraska's leading award-winning artist." His work is a part of more than 600 public, private and corporate collections including Hallmark Cards, West Law Publishing, United Airlines, Minnesota Mining & Manufacturing (3M), Holiday Inn...

Samuel Perry’s work is an ever-evolving exploration of texture, memory, and the visceral pulse of daily life. Drawing deeply from the raw materials of both the canvas and the world a...