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Melissa Furness
Your bread and butter

2019

$850List Price

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Best thing since...
By Melissa Furness
Located in Denver, CO
In her newest body of work depicting compilations of objects commonly used within the paintings of the traditional Western canon of art, Melissa Furness addresses the foundations of ...
Category

2010s Contemporary Paintings

Materials

Oil, Wood

Sliced Bread
By Melissa Furness
Located in Denver, CO
In her newest body of work depicting compilations of objects commonly used within the paintings of the traditional Western canon of art, Melissa Furness addresses the foundations of ...
Category

2010s Contemporary Still-life Paintings

Materials

Wood, Oil

Fair Game
By Melissa Furness
Located in Denver, CO
"Fair Game" by Denver artist and professor Melissa Furness is from the 2022 series "Romantic Overgrowth." Characteristic of the series and Furness's wider pr...
Category

2010s Contemporary Figurative Paintings

Materials

Linen, Oil

The Progress of Love
By Melissa Furness
Located in Denver, CO
Melissa Furness is an artist that treats painting as a conceptual object that challenges history. Each series is related through this conceptual exploration of the distortions of his...
Category

2010s Naturalistic Paintings

Materials

Oil, Acrylic, Panel, Graphite

Melancholy and Its Antidote
By Melissa Furness
Located in Denver, CO
Decorative, dense tangles of weeds and overgrowth serve as metaphors for personal habits and behaviors we’d like to eliminate. Like garden weeds, these behaviors can be invasive, ev...
Category

2010s Naturalistic Paintings

Materials

Linen, Oil

Solar Plexus
By Melissa Furness
Located in Denver, CO
"Solar Plexus" by Denver artist and professor Melissa Furness showcases the artist's signature layering techniques. This particular work is from the 2022 series "Romantic Overgrowth....
Category

2010s Contemporary Figurative Paintings

Materials

Linen, Oil

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In this oil painting, I bring the sensuality of bread to life. Each brushstroke reflects the warmth and nourishment that this simple yet meaningful food conveys. My passion for reali...
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In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collection and, collectively, to the individual f...
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Jo-Anne Scavetta (b. 1951) - 'Breakfast?!'. Realist, oil on artist panel. Signed by artist LR. Connecticut, 2024. Framed: H. 21 1/2” x W. 16 1/8” Unframed: H. 15 7/8” x W. 10 3/4”....
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#447
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...
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21st Century and Contemporary Contemporary Still-life Paintings

Materials

Canvas, Oil, Inkjet

#417
By Tiffany Calvert
Located in New Orleans, LA
Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...
Category

21st Century and Contemporary Contemporary Still-life Paintings

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