Michael McJilton

Landscape, Painting, Oil on MDF Panel

2012

Broad brushstrokes evoke movement and a looseness to the scene but the artist's love of geometry adds structure to the trees. :: Painting :: Expressionism :: This piece comes with an...

Broad brushstrokes evoke movement and a looseness to the scene but the artist's love of geometry adds structure to the trees. :: Painting :: Expressionism :: This piece comes with an...

Abstract Inspired By Natural Elements, Observations, Life And Dreams. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Pa...

Abstract Oil On Canvas Inspired By Natural Elements. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Painting Is Inspir...

Mid Century Modern Abstracted Landscape in Oil on Masonite Bold abstracted landscape by Ray Oakvick (American, 1917-1993). Streaks of reddish brown and white create an abstracted la...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

This painting with added elements is an excellent example of Joe Doyle’s abstract illusionist art. It is composed of acrylic on shaped canvas with fabric elements added. It measures 36 x 43 inches. Each edge has been painted except for the left edge which has a frame. The right edge has been shaped. The black elements of the tent-like structure are added fabric. The work is signed, titled "564" and dated on the reverse. As well it bears a label from Harcourts Gallery, a gallery in San Francisco during the 1980s and 1990s. The work is in very good condition. Joe Doyle established himself as a painter during the movement toward new abstraction in San Francisco in the mid-seventies. Stylistically his work evolved from photo-realist renderings of aircraft which exaggerated differences in focus of background and foreground" By 1975 his imagery shifted to arrangements of flat, geometric forms and tubular squiggles in a trompe l'oeil manner that created the illusion of a multi-layered, three dimensional space. By the late 1970s Doyle, along with James Havard, Jack Reilly, George D. Green, and others, had attained national prominence working this style now referred to as Abstract Illusionism. Doyle and others were included in 'Reality of Illusion' a large touring exhibition of primarily American illusionist artists organized by the University of Southern California and The Denver Art Museum. Doyle enrolled at San Francisco State College receiving his M.A. in 1971. From 1971 to 1975 he was a photo-realist transferring images from photographs using airbrush techniques on canvas, occasionally adding political satire into the subject matter, as in "Ice House...

Growing up in Yosemite Valley in the 50s, Charles Eckart was surrounded by majestic beauty in a place where long hikes and the change of seasons might well turn the creative mind inward. Eckart made a name for himself painting the abstract figure. He caught the eye of Allan Stone in New York, who brought them to Charles Campbell’s attention in San Francisco. In the 1990s Eckart turned his attention toward the landscape creating richly layered color fields. These are intelligent paintings often taking months to complete. The deliberate application of pigment results in a luscious surface and incredible depth inviting close study and discovery of the intensity within. Charles Eckart attended the University of the Pacific, the Art Center of College and Design in Los Angeles and the San Francisco Art Institute. He exhibited regularly with Charles Campbell Gallery from 1980 to 1989 and then with the Campbell­Thiebaud Gallery...