Grace Graupe-Pillard

"Andrea" Portrait Painting: Oil on Canvas, Figurative, Nude

1980

Painting: Oil on Canvas Dimensions: 26 in x 36 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibirsk, Russia, and currently live...

Painting: Oil on Canvas Dimensions: 40 in x 52 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibirsk, Russia, and currently live...

Painting: Oil on Canvas Dimensions: 76 in x 26 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Novosibirsk, Russia, and currently live...

Rebecca Leveille (who is also known for her illustration work under the name Rebecca Guay) received a BFA from Pratt Institute in 1992. Leveille’s art has garnered words of praise from Jerry Saltz, Walter Robinson, and Peter Frank. She has been a guest artist/speaker at Rhode Island School of Design, University of Massachusetts, Savannah College of Art and Design, and Fordham University, a guest instructor at Pratt Institute, and a guest artist by invitation to shows and events in Melbourne Australia, Paris, Nagoya and Osaka (Japan), Valencia, San Fernando, and Torrelavega (Spain). Her work has been featured in Juxtapoz Magazine, American Art Collector, and Hi Fructose among many other publications and is collected internationally. In 2018 she was featured in a solo show at The Untitled Space. Her work has additionally been featured in The Untitled Space group shows “UPRISE / ANGRY WOMEN”, “SHE INSPIRES” as well as "EDEN" (2019) and “(HOTEL) XX" (2018) presented at SPRING/BREAK Art Show. She has been featured at Sotheby’s New York for the annual “Take Home A Nude” exhibit and auction presented by The New York Academy of Art (2017-2019), The Allentown Museum of Art, PA, Delaware Art...

John Krausman Lark (born Lansing, Michigan, 1982) is a representational painter who creates oil on canvas paintings that depict interactions between figures and environments. In 2012...

Celebrated artist Robin Tewes was born in Queens New York in 1950. She received her BFA from Hunter College in 1978 and her MST from Pace University in 2012. She is the Recipient of many notable and prestigious awards, including the 2008 Pollock-Krasner Foundation Painting Award, the 2007 Adolph and Esther Gottlieb Award, and the 2004 and 1989 New York Foundation for the Arts-Painting. Selected solo exhibitions include Wright Gallery, Adam Baumgold Gallery, Headbones Gallery, Klapper Hall Gallery, Bill Maynes Gallery, John Weber Gallery. Some group exhibitions include: at P.S. 1, P.S. 122 Painting Association, The Drawing Center, Aldridge Museum, Whitney Museum, Museum of Modern Art, Hunterdon Museum. Tewes is interested in how much a single narrative moment can tell us about ourselves. Became a founding member of P.S122 Painting Association and now on the Board of Directors. She has been included recently in the Smithsonian Archives of American Art. Her work has been recognized and written about in NY Times, Village...

Alejandro Casanova Entanglement in Red and Blue 130 x 89 cm oil on canvas The Spanish artist Alejandro Casanova lives and works in Tenerife, where ...

Alejandro Casanova Playing around 100 x 100 cm oil on canvas The Spanish artist Alejandro Casanova lives and works in Tenerife, where he moved afte...

Artwork unframed 60 x 50 x 3 cm What are people's criteria for judging beauty? A beautiful face? A different existence? A feeling of pleasure? Or just follow what others say and make yourself feel the same way? People say the Winged Victory is very beautiful. Admirers come to the Louvre from all over the world. A lot of them just to take a picture to prove they saw it and say to friends, look, this is Winged Victory, how beautiful! Is it really that beautiful in her mind ? not necessarily. If it has head, do you still think it is beautiful? I am afraid many people will have a negative opinion. What is it that blurs the eyes of human beings and makes people's judgments of beauty vary widely? The painting uses knife...

Summer. 2021. Oil on canvas, 70x70 cm Colorful bright artwork with two girls Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left