Moritz Stifter

Through the Keyhole

This extraordinary Italian gouache and oil on canvas brings two of the most popular characters from Greek mythology vividly the life - the nymph and the satyr. Both creatures are famed for their carefree natures and lascivious temperaments, and tales abound of satyrs pursing nubile nymphs in order to rape or seduce them, usually with little success. One such narrative humorously unfolds in the present piece, which depicts an indignant satyr captured by three nymphs with a golden net. The relationship between these two mythological creatures was a popular one for artists throughout the 18th and 19th centuries, though its origins stretch back to antiquity. Both satyrs and nymphs...

The Education of Achilles by the Centaur Chiron Signed and dated "A.C. Chrétien 1861" (lower right) Oil on canvas A masterpiece of French N...

Reuven Rubin Israeli | 1893-1974 Orientala Signed “Reuven Rubin" Oil on canvas A striking and unique work rendered in a breathtaking jewel-toned palette, Orientala by Rueven Rubin...

Workshop of Bartholomaeus Spranger 16th Century Flemish Leda and the Swan Oil on panel Retelling one of the most legendary Greco-Roman mythological tales, this exceptional oil on...

This compelling portrait of Salome was composed by the French painter Marie Felix Hippolyte-Lucas. While the celebrated artist's oeuvre is filled with bright and cheerful portraits of aristocratic women surrounded by florals, here he takes a different approach. Hippolyte-Lucas' Salome is simultaneously exotic and highly modern, rendered in a style that is both theatrical and bold. The monumental work's rich color palette is filled with gem-inspired hues that lend drama to the scene, highlighting the blatant sexuality of this legendary seductress. Though Salome is not named in the New Testament, she has appeared time and time again in art and literature over the centuries, as both an innocent and a seductress. Her mother, Herodias, resented John the Baptist, who denounced her marriage to King Herod as unlawful. At one evening meal, Salome danced...

Guillaume Seignac 1870-1924 | French Mutine Signed “G. Seignac” (lower right) Oil on canvas A mischievous maiden dominates this garden scene by French Academic artist Guillaume ...

‘Zulu Dancers’ Signed bottom right Hardman, titled on a sticker at the reverse and with address Walton End, Walton Lane, Bosham, Chichester, and Price 45 gns. Oil on board, 99 x 87...

Abstract female figure on a blue ground. Monogrammed and dated in the lower centre. Josef Steiner (1899 Munich - 1977 ibid.) lived through a Germany in all its facets as an artist. A...

Abstract Modernist oil painting by Zoute dated 1941. Oil on board. Unframed. Zoute (Born-Leon Salter, 1903-1976) was self-taught and well exhibited during his lifetime. He painted from 1940-1954 (he stopped painting at this later date due to his wife's illness and death and never painted again) A self-taught artist, he was part of the great modern wave. He exhibited with many of the most notable artists of the day such as Picasso, Braque, Klee and others at the invitation only State University of Iowa International Show 1946-1947. He had numerous one man shows at NYC galleries, Mortimer Levitt / Joseph Heller...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Oil on board, 62cm x 42cm, (70cm x 50cm framed). The picture is in good condition. Plummer trained at the Royal Academy Schools in the early 1950s, championed by Stanley Spencer and Sir Herbert Read, he was the recipient of the coveted Leverhulme Scholarship. In a mixed career which included illustration work for The National Trust, anatomical illustration for Guys Hospital and teaching, painting ran parallel to his commercial work. Plummer specialised in the medium of egg tempera, as well as oil painting, a technique little used since the frescos of the Renaissance, he often worked on a large scale, but in tremendous detail, combining Classical iconography and formal composition with visual exploration evocative of William Blake and...

Oil on board, signed (lower left), 40cm x 56cm, (51cm x 67cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...