Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Paul Huet
La Nymphe des Bois- 19th Century Oil, Nude Figure in Forest Landscape by P Huet

c.1845

More From This SellerView All
  • Nu sur la plage - Post Impressionist Oil, Nude in Landscape by Henri Lebasque
    By Henri Lebasque
    Located in Marlow, Buckinghamshire
    Signed oil on canvas circa 1920 by French post impressionist painter Henri Lebasque. The work depicts a nude brunette woman lying on a beach, her arm draped over her head covering her face. A beautifully brushed piece. Signature: Signed lower left Dimensions: Framed: 22"x27" Unframed: 13"x18" Provenance: With thanks to Denise Bazetoux for confirming the authenticity of this work This painting is included in the Catalogue Raisonne of Henri Lebasque - Volume I No. 1409 Maitre Blache, Versailles, 21st November 1967 Lot 117 Maitre Lombrail, Enghien-les-Bains, 23rd September 1984 Sotheby's, London, 1st July 1987 Lot 317 Miromesnil Fine Art, Paris - 1988 Henri Lebasque studied at the École des Beaux-Arts in Angers, then, after moving to Paris in 1886, studied briefly under Bonnat, then under Humbert, whom he assisted in the decoration of the Panthéon. More importantly, he met and learned from Pissarro. In 1893 he met Luce and Signac at the Salon des Indépendants, and as a result he adopted Pointillism for a few years. In the 1900s he lived in Lagny with his family and painted landscapes of the neighbouring Marne forest. His painting underwent drastic changes when he discovered the south of the country. He would thereafter live in other French regions: Vendée, Brittany and Normandy, where he stayed at Les Andelys for some time, but his home from home was between Sanary and Nice. He painted members of his family in the settings in which he lived, mostly in Provence. His work shares some themes of his friend Bonnard. But although he exhibited with the Fauves, and admired Matisse, Rouault, Dufy, Valtat and Manguin (who introduced him to the Midi), he remained distinct from them in style. Lebasque was well known in his lifetime. He collaborated on the decorations of the Théâtre des Champs-Élysées and of the Atlantic liner Paris. He is remembered for: Nymphs at their Bath; The Sunshade; Girl with Hydrangeas; Great Nude on a Pink Sofa. He took part in the following collective exhibitions: Salon des Indépendants, 1886; Salon des Artistes Français; and later the Salon d'Automne, of which he was a founding member in 1903 and on whose committee he sat until his death. A set of his works was shown in 1937 at Masters of Independent Art ( Maîtres de l'Art Indépendant) at the Petit Palais. In 1957, 20 years after his death, a retrospective exhibition was held at the Musée des Ponchettes in Nice, and in 1981 his works were exhibited at St-Paul-de-Vence. Museum and Gallery Holdings Angers: The Artist's Mother Geneva (Petit Palais): The Child's Toilette (1900) Lille (MBA): Notre-Dame under Snow Nantes: Vallée de la Garde Paris (MAM): The Cigarette; Nude; Woman with Necklace
    Category

    1920s Post-Impressionist Nude Paintings

    Materials

    Canvas, Oil

  • Nu allonge - Post Impressionist Nude Figurative Oil - Georges D'Espagnat
    By Georges d'Espagnat
    Located in Marlow, Buckinghamshire
    Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
    Category

    1920s Post-Impressionist Nude Paintings

    Materials

    Oil, Panel

  • Nu Allonge - Post Impressionist Nude Oil Painting by Paul Elie Gernez
    Located in Marlow, Buckinghamshire
    Signed and dated nude oil on panel by French post impressionist painter Paul Elie Gernez. The work depicts a brunette nude relaxing on a fur rug, her ...
    Category

    Early 20th Century Post-Impressionist Nude Paintings

    Materials

    Panel, Oil

  • The Orchestra - Fauvist Figurative Nude Oil Painting by Louis Valtat
    By Louis Valtat
    Located in Marlow, Buckinghamshire
    Signed fauvist figurative oil on panel by French painter Louis Valtat. This stunning piece depicts a nude orchestra with the conductor in the foreground. The musicians are playing ce...
    Category

    1920s Fauvist Figurative Paintings

    Materials

    Oil, Panel

  • Nymphs with Butterflies - Impressionist Nude in Landscape Oil by Abel Faivre
    By Jules-Abel Faivre
    Located in Marlow, Buckinghamshire
    Signed impressionist figure in landscape oil on canvas circa 1895 by French painter, illustrator and cartoonist Abel Faivre. The work depicts a water nymph with flowing red hair throwing flowers into a river. There are butterflies by her side. The sun set is lighting the sky red. Signature: Signed lower left Dimensions: Framed: 22"x19" Unframed: 16"x13" Provenance: Private French collection Born 30 March 1867, in Lyons; died August 1945. Painter, watercolourist, pastellist, draughtsman, illustrator. Genre scenes, portraits, figures, nudes, interiors, still-lifes (fruit). Humorous cartoons...
    Category

    1890s Impressionist Nude Paintings

    Materials

    Canvas, Oil

  • Le Coucher - Post Impressionist Nude in Interior Oil Painting by Pierre de Belay
    By Pierre de Belay
    Located in Marlow, Buckinghamshire
    Signed and dated nude figure in interior oil on canvas by French post impressionist painter Pierre De Belay. This work depicts a painting of Pierre De Belay's wife - Helene. Here she...
    Category

    1940s Post-Impressionist Nude Paintings

    Materials

    Oil, Canvas

You May Also Like

Recently Viewed

View All