1950s Nude Paintings
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Period: 1950s
Artist: Robert McIntosh
Cubist Nude in White
Located in West Hollywood, CA
Presenting an original oil on panel by American artist Robert McIntosh, c.1958.
"Cubist Nude in White", is an original oil and collage on panel, signed,c.1958, a painting directly from the personal collection of the artist...
Category
1950s Nude Paintings
Materials
Mixed Media
Male Torso in Green
Located in West Hollywood, CA
Presenting an original oil on panel by American artist Robert McIntosh, c.1958.
"Male Torso in Green", is an original oil on panel, signed,c.1958, a painting directly from the personal collection of...
Category
1950s Nude Paintings
Materials
Oil, Panel
Modern Femme
Located in West Hollywood, CA
Presenting an original oil on panel by American artist Robert McIntosh, c.1958.
"Modern Femme", is an original oil on panel, signed,c.1958, a painting directly from the personal ...
Category
1950s Nude Paintings
Materials
Oil
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Christian Zeimert "Gentilly", 1972
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I Felt Like You Died, I Died
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Orchids - Nude Male Torso with Blue Orchids and Blue Background, Oil on Panel
Located in Chicago, IL
This painting entitled "Orchids" is a semi nude male. His hard chiseled body contrasts with the soft flower crown and halo he wears. It is beautifully balanced on the deep blue ba...
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Movement (#172) - Original Oil Painting of Nude Female Back in Warm Skin Tones
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Richard Gibbons
Movement (#172)
oil on panel
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Richard Gibbons
1972–1973
American Academy in Rome Archaeological Study Grant
1950
Born in Toledo, OH
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Nude 3
Located in Spetses, GR
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Figure in a Lanscape
Located in London, GB
Oil on board, 62cm x 42cm, (70cm x 50cm framed). The picture is in good condition.
Plummer trained at the Royal Academy Schools in the early 1950s, championed by Stanley Spencer and Sir Herbert Read, he was the recipient of the coveted Leverhulme Scholarship. In a mixed career which included illustration work for The National Trust, anatomical illustration for Guys Hospital and teaching, painting ran parallel to his commercial work. Plummer specialised in the medium of egg tempera, as well as oil painting, a technique little used since the frescos of the Renaissance, he often worked on a large scale, but in tremendous detail, combining Classical iconography and formal composition with visual exploration evocative of William Blake and...
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Courtney Standing on One Foot, (study for Motion Capture 6) - Original Oil Paint
Located in Chicago, IL
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Rococo Painting, The Brunette Odalisque, Nude Woman, Studio of Francois Boucher
By François Boucher
Located in Greven, DE
A voluptuous woman lies prone on a divan, bearing her backside and turning her head flirtatiously to the viewer, though averting her eyes slightly, as if to maintain a coy demeanor. Surrounded by lush fabrics of deep blues, the creamy tones of her skin and dressing gown are thrown in sharp contrast, making the figure glow luminously. The whole painting is ordered by folds - of flesh, of fabric, of cushions, of the rug - inviting the viewer's eye to look closely across the topography of the canvas.
One of Boucher's cabinet paintings (that is, paintings made for private collectors rather than official exhibition at the Salon), the open eroticism of this work invites a voyeuristic gaze. Although it was created for a private audience, it was later displayed at the Salon of 1767, where the critic Denis Diderot found it shocking and lascivious. Nonetheless, Boucher would later paint another iteration of this reclining pose, this time using Marie-Louise O'Murphy, a favorite mistress of King Louis XV, as his model, suggesting that the provocative composition was a stock figure for Boucher's private commissions.
"The Brunette Odalisque" (French: L'Odalisque or l'Odalisque brune) is a painting of c. 1745 by François Boucher, now in the Louvre in Paris. He later produced two other works in the odalisque genre, both known as "The Blonde Odalisque".
The present painting is another version of Bouchers painting which differs in minor details. The quality of the paint is very fine and the whole technique and style allows a dating to c. 1750. As Boucher's Painting was very famous there were several copies and versions which were made by his studio. The present painting can be attributed to the close circle of Boucher.
The Painting is framed in a golden frame which was built in the Rococo style in c. 1990.
Both the title of Boucher's painting and the objects found in the interior fix the subject as an odalisque, a concubine within the harem of the Ottoman sultan. The sumptuous textiles and exotic, decorative objects suggest early traces of Orientalism, although the figure appears European. Odalisque paintings...
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