Vadym Mykhalchuk

Odessa.Grekivka.Masha.

2018

Artist: Vadym Mykhalchuk Title: Smile Year: 2017 Style: Pop Art Materails: Oil on canvas Height: 100 cm Width: 80 cm

Vadym Mykhalchuk "Selfie"

Artist: Vadym Mykhalchuk Title: Nastya Year: 2018 Style: Pop Art Materails: Oil on canvas Height: 100 cm Width: 80 cm

Vadym Mykhalchuk "Odessa.Rain on Preobragenska Street."

Boris Akopian "Nude"

Singularity. Natalia Pustovit. Fhenomenal artwork concept Singularity is the point at which a mathematical function tends to infinity. A woman is that point, which is the conduc...

After having posted images of his own paintings online and receiving warnings for going against "community standards", Conde argues that the female form, the greatest artwork ever c...

"Iron Women" Oil painting 31" x 20" inch by Alina Shimova 2021 Alina Shimova is a young and ambitious artist from Moscow, Russia. Her creative journey began at an early age. Alina...

Joaquim Sabaté Casanova - Stained glass window with a nude woman - Oil on canvas Oil on canvas - Hand signed - c.1990 Oil measures 92x65 cm. Frameless. Quimet Sabaté will enter the...

This is a one of a kind original oil and acrylic neoclassical painting depicting biblical Eve, by Southern California artist, Gina Palmerin. Its dimensio...

Beautiful ca. 1970s Pop Art painting of a reclining nude woman based on Tom Wesselmann's 1968 screenprint, Nude with Still Life. Oil on canvas, 30...

Tadashi Asoma was a Japanese-American painter. Born in Japan in 1923, his career began when, in 1958, the Japanese government awarded him a scholarship to study painting in Paris. After Paris, Asoma visited the United States and became fascinated with the current American style of painting. He eventually moved to New York, near the East Village, where he studied and worked for three years. Asoma did return to Japan for a period of time, however, he moved to New York permanently in 1961 and stayed in the region until his passing in 2017. This early work by Asoma displays the American influence that so enamored him when he first visited the United States. Rendered in flat and discrete sections of bold color, the impressive composition bears an interesting relation to the work of Pop artist Tom Wesselmann. Much like Wesselmann’s work, Asoma builds his image with applications of bold and flat color, often isolating and highlighting sections of the composition, bringing the viewer’s eye to these discrete sections. In this work, a green bed...