THE FLIGHT UP OF THE INVINCIBLE NIKE by Vasili Zianko volume-contour technique

2023

Crafted in 2024, this Contemporary Art piece explores the intersection of reality and mythology through the representation of a golden bull. Set against a forest backdrop, the work u...

"I Will Live" is the latest striking work by Ukrainian artist Tetiana Pchelnikova, continuing her profound exploration of women's strength and endurance. This painting, created with ...

There is a literary saying: "For Ukrainians, the heart is in children, the soul is in songs, and life is in gardens." The "Gardens of Resilience" series embodies the enduring will an...

Welcome to my online gallery, where you can explore my new series of paintings - "The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of...

Crafted in 2024, this Contemporary Art piece explores the intersection of reality and mythology through the representation of a golden bull. Set against a forest backdrop, the work u...

ABOUT THE ARTWORK The artwork titled "Woman Nude - ANTIFRAGILE" presents a striking juxtaposition of serenity and chaos, a profound exploration of resilience and the human spirit. At...

Artist: Eugenio Agneni Title: Diptych “The Cries of Fire”; “The Voices of the Stream”, c. 1865-71. Medium: oil on canvas mounted on wood, cm 128 x 60 each Signature: Signed at the bottom on the base of the frames provenance: Marquis Corsi Salviati; Rome, private collection The two canvases mounted on wooden supports are clearly attributable to Eugenio Agneni (Sutri, 1816 - Rome, 1879), a paradigmatic figure of an Italian painter of the Risorgimento years who combined a successful and continuous international artistic activity with an intense political and military activity, starting from the Roman effervescence following the election of Pius IX to the Mentana expedition and then in the early years of Rome as capital city, a period in which he held various administrative posts. The clarity of attribution of the works derives not only from the large central inscription inserted in the elaborate neo-Gothic scenic layout that encloses the two works in a diptych, but also from the direct kinship that links them to the cycle of frescoes painted between 1865 and 1868 for Marquis Antonio Maria Corsi Salviati in the reception hall of the family villa in Sesto Fiorentino. Agneni resided more or less permanently in the Florentine area between 1863 and 1871 after a phase of European-wide wanderings that began at the end of the Roman republican experience of 1849, in which he was involved to the point of having to hide for some time from July of that year at the home of Marquis Salviati, whom he therefore already knew before his subsequent move to Florence. The need to stay away from Italy, as well as his connections with Mazzinian exiles and evidently also a proven ability to reinvent himself in different cultural spheres allowed Agneni to profitably frequent the artistic scenes of London and Paris, cities in which he lived and worked, obtaining commissions of absolute importance (he decorated several rooms at Buckingham Palace, the Covent Garden Opera and the Louvre), and presenting his works at the Royal Academy in London. Therefore, if we are to keep faith with the remarks of his friend Luigi Calamatta ("you are full of money...

French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...

A Palatial and Opulent Belle epoque giltwood & oil on canvas three-panel screen, circa 1890. "Allegory of Youth" Comprising of three exquisite hand-painted triptych oil on canvas panels of cherubs and putti amongst a peacock, all by Ferdinand Wagner II (German, 1847-1927). Each panel depicting different playful and joyous scenes of putti and cherubs. All three-in-one panels within individually carved giltwood and upholstered frames. One panel signed at the lower left: Ferd.Wagner. A truly magnificent and one of a kind piece, perfect for any room in the home. Overall: 101" high 85" wide x 5" deep Very good condition. Ready to place. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld. Wagner II was influenced by the Munich School of master painters and by his art teacher, Karl von Piloty, who had been teaching at the Munich Art Academy since 1856. Piloty’s approach to historical paintings was influenced by the French art academic Paul Delaroche and by the fine artworks by Rubens and the Venetians. After his return to Germany he was commissioned to decorate the former the Tenormayer Wine Tavern in Munich, subsequently he received numerous other commissions as a decorator. Ferdinand Wagner II wall paintings and ceiling frescos...

Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil study oil on canvas 34 x 19.5 cm In good condition, a few small inpainti...

An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt, and Degas. These artists’ att...

Painting, 19th century, oil on canvas, "Young woman at the well" Signed, B. Kern. Dimensions with frame 61cm x 75cm