Ann Chernow

Two Women Drinking Tea

1980

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

The place of the painted portrait in the postphotography, postmodern age is ever-changing. In portrait painting, a connection between the artist and the subject is created by the act of building an image stroke by stroke. This connection is unusual (and perhaps longed for) in a time of virtual reality and high-speed, mediated experience. There is much to be explored in the question of who is portrayed and how. Brenda Zlamany is interested in the multifaceted nature of portraiture in the digital age. By combining painting, performance, interactivity, photography, a conceptual frame, and a digital presentation, she seeks to challenge schisms in artistic as well as social understanding. Brenda Zlamany is a painter who lives and works in Brooklyn, NY. Since 1982 her work has appeared in over a dozen solo exhibitions and many group shows in the United States, Europe, and Asia. Museums that have exhibited her work include the Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; and Museum voor Schone Kunsten, Ghent. Her work has been reviewed in Artforum, Art in America, Flash Art, the New Yorker, the New York Times, and elsewhere and is held in the collections of the Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; and the World Bank. She has received portrait commissions from the World Bank, Memorial Sloan-Kettering Cancer Center, and other institutions. Zlamany has collaborated with authors and editors of the New York Times Magazine on several commissions, including an image of Marian Anderson...

Fascinated by American history, Mary Dwyer blends the American Folk Art tradition with an abstract modernist aesthetic. The inspiration of her work revolves around historic lore and love of early portraiture paintings. Drawn from extensive research sometimes found to be inexact and often contradictory, Mary’s work becomes her own personal interpretation of history. She creates series of paintings, which portray political, historic and personal details that shaped an historic figures life. Thomas Nast During the 19th century, the American newspaper had as much powerful influence as ‘social media’ has today. Many Americans at that time were not literate and received political and social information from the newspaper cartoon. This gave a cartoonist power. Political cartoonist, Thomas Nast used this power to bring down corruption in New York City. His main targets were William “BOSS” Tweed and his politically corrupt Tammany Hall. Nast frequently sharpened his pen to lampoon the newly arrived Irish catholic...

Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present. Her portraits and dreamscapes pinpoint an unsettled view of the world, layered with a subtle sense of amusement and innate feminism. Adler is influenced by the Feminist Art Movement as well as Expressionism and the Dada movement. The collages of Hannah Hoch...

Joanna Rusinek (1979) Polish contemporary painter. Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okrassa. Annex...

ARTIST: Joanna Rusinek (1979) Polish contemporary painter. Diploma at the Academy of Fine Arts in Gdańsk in 2007 at the Graphics Studio under the supervision of prof. Jadwiga Okras...

Natalia Byrdina (Ukrainian, b.1984) graduated from art school, took additional courses in easel, lacquer-miniature and sculptural painting. 2020-2022 Higher school "learning environm...

Beautiful oil on canvas from the French school of the 60s representing in a very sensual way a young girl in naked bust. The composition reminds the artwork...

Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines, she illustrated for was Wo...

Perhaps it is her skill in portraiture which renders such strength to Olga Antonova’s still life paintings. Beneath her brush, technically “inanimate” objects come alive with a vibrancy and depth of character that make a viewer want to know their history. Each curve of kettle or teacup rounds the bend, just out of sight, beckoning us nearer. Russian-born Painter Olga Antonova trained at the Repin Institute in Saint Petersburg and specializes in still life paintings of shiny kettles and porcelain china...