Bakare Abubakri-sideeq Babatunde

Poised

2023

Anyone who went from nothing to greatness needed to trust God to watch over them. As the psalmist looked at the hills through which he travelled, his thoughts rose above the mountain...

Mira on Pink Dress is an original painting by Theophilus Madaki. Theophilus created Mira on Pink Dress Oil and Acrylic on a 32W by 41H inches primed canva...

Artist Duan Z. was Born in 1955 in Yunnan, China, and is a renowned Chinese Opera Figure Painter, Educator, Playwright, and Producer. Mr. Duan serves as Director of the Chinese Dramatic Literature Society and Chairman of the American Chinese Culture Artists Association. Since 1986, Mr. Duan has been written about in more than twenty regular columns under the title “Duan’s Opera Figure Painting Column” on Chinese Newspapers and Magazines in the US and China. He has published thousands of Opera Figurative paintings. He has been featured in more than two hundred reports and interviews from television, radio, newspapers, and magazines such as American Art Collector and British Art Review. His work is collected by civic institutions, and private patrons across the United States, Japan, Korea, Taiwan, and National Level Museums in China. 'Cleansing Actress Series No. 5' by Duan is a captivating diptych-style portrait that transcends time and tradition. This remarkable artwork pays homage to the beauty and mystique of old Chinese artistic styles while introducing a modern twist. In this piece, the enigmatic woman emerges as if from a bygone era, her visage a blend of art and theatricality. The striking contrast of black and white imbues her portrait with an air of timelessness, while hints of vibrant orange and fiery red add a contemporary touch. Adjacent to her, an old Chinese vase...

"Papagena's Dream" Oil Painting 20" x 39" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting of the 15th-17th centuries. My own style evolved from the ancient icon...