Barbara Doyle

Barbara Doyle (b.1917) - 1996 Oil, Back to Dickensian Days

1996

This fine early 20th century portrait by the Catalan artist Eduardo Flo Guitart is both exquisitely rendered and wonderfully charming. A pretty young girl...

A fine portrait of Louis Hamilton, the Formula 1 driver, lifting the Australian Grand Prix trophy above his head, smiling. The painting has been signed...

A feminine portrait showing an elegant woman in white, sitting with her hands gently poised, next to a vase of daisies. The painting is unsigned, on bo...

A charming portrait of an old gentleman smoking a pipe. His white hair and long beard are the focal point of the composition, which makes for a strikin...

Oil on canvas realized by Antonio Mellone in 1970s. Hand signed lower left. Very good condition. Includes a coeval wooden frame.

HERVE Jules René (1887-1981) Tourists in Paris Montmartre Oil on canvas signed low right Gault framer (Paris) Dim canvas : 46 X 55 cm Dim frame : 66 X 75 cm HERVE Jules René (1887-19...

Artist/ School: European School, circa 1920's-1930's period, indistinctly signed lower left corner. Title: Portrait of a young Gentleman, with a beard. The work is largely Fauvist i...

Jose Arpa (1858-1952) San Antonio Artist Image Size: 25 x 20 Frame Size: 29 x 24 Medium: Oil "Lady in Mantilla" From the Robert Tobin Collection. Robert Tobin (deceased) San Antonio, Texas Developer and Philanthropist. Details This painting was exhibited in 2016-2017 at Several Texas Museums including the Panhandle Plains Museum.  Exhibition tag on verso. Biography Jose Arpa (1858-1952) Born in Carmona, Spain, José Arpa y Perea was known as "The Colorist Painter" of figures and landscapes, especially in Texas where he brought a fresh approach to San Antonio painting in his bright, sunlit local scenes.  He was also an etcher, illustrator, and muralist as well as an art teacher, and he started and ended his career in Spain.  His subjects include the Grand Canyon of Arizona. He began his art study as the pupil of Eduardo Cano de la Pena at the Academy of Fine Arts in Seville and then spent six years in Rome followed by extensive travel through Africa and Europe.  His reputation was solid enough that the Spanish government sent four of his paintings as part of the exhibition to the 1893 World's Columbian Exposition in Chicago. In 1894, as an illustrator, he accompanied a Spanish army expedition to Morocco where the Spanish had been defeated by Rifi tribesmen.  In the mid-1890s, he was brought to Mexico City, reportedly by a special Mexican naval vessel, to head the Academy of Fine Arts, but declined the position once he understood the responsibilities.  Instead he joined one of his Spanish schoolmates and went to his home in Puebla, Mexico, where his use of bright colors earned him the name of "Sunshine Man."  He became close to the children of this man, and in 1903, accompanied them as a guardian to school in San Antonio.  After twenty years of traveling in Spain, Mexico, the Southwest, and South America, Arpa settled in 1923 in San Antonio, Texas, where he became Director of the San Antonio Art School and painted bright, sun-filled landscapes.  He taught landscape and portrait painting and was exceedingly prolific, and several San Antonio collectors accumulated large numbers of his works.  Among his close artist friends were Robert and Julian Onderdonk, Tom and Joe Brown, and Charles Simmang.  They were members of a San Antonio group who painted together and called themselves the "Brass Mug...