After Carlo Dolci "Madonna del Dito" Oil on Canvas

Unknown

Anton Ebert (Austrian, 1845-1896), Portrait of a Woman, Oil on Oval Canvas laid on Board, 19th century, signed "A. Ebert / Wien" to mid right, original ova...

English School, Portrait of a Scholar, Oil on Canvas, early 19th century, signed indistinctly and dated lower left, ornate giltwood frame. Image: 51.25" H x 40.5" W; frame: 57" H x 4...

"Loch Long" by John Brandon Smith (British, 1848-1884), is a 19th-century British Romantic oil on canvas landscape painting. Signed "J.B. Smith on the lower right and is in a giltwoo...

Spanish School, Portrait of a Woman, Oil on Canvas, 19th century, depicting a woman with wine cup and ewer, unsigned, giltwood frame. Image: 41" H x 33" W; frame: 50" H x 42.5" W.

Portrait Of A Young Gentleman, 19th Century by Louis DEVEDEUX (1820-1874) sales to $40,000 Huge circa 1850 French portrait of a young gentleman, oil on canvas. Excellent quality an...

Provenance: Private Collection, New York, until 2022. Martín de Porres was born in Lima in 1579, the illegitimate son of a Spanish-American father, J...

Oil on Canvas, 1935 by Dietz Edzard ( German/French 1893-1963 ) Height: 17.99 in ( 45,7 cm ), Width: 12.99 in ( 33 cm ) With the artist's signature stamp at lower left. Framed. Prope...

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...