Caroline Hulin

Songes

2017

This work is a quintessential protest statement piece depicting an angry mob brandishing powerful fits in the air in gestures of revolt Signed lower right. Daniel Maffia has done a ...

Bob Peak's Lucille Ball, TV guide cover is a seminal work. With its stylized design and use of punchy color, this work constitutes a powerfully innovative pai...

Jon Whitcomb was know for is dipictions of Handsome men and glamous women. Most likely for a major newsstand magazine like. Cosmopolitan, McCall's and Pl...

Suhas Roy - Radha - 16 x 12 inches (unframed size) Mixed Media on Canvas Board , 2013 Inclusive of shipment in roll form. Suhas Roy's mystic woman which he calls 'Radha', either Pa...

Amitabh Sengupta - Untitled - 36 x 48 inches (unframed size) Oil on Canvas ** This work will be shipped in roll form to save on shipping cost. Mythscape Series : This series emerged...

Lalu Prasad Shaw - Bibi - 15 x 22 inches Tempera on Board, 2020 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pras...

Shuvaprasanna Bhattacharya - Golden Flute - 25 x 25 inches (unframed size) Acrylic & Charcoal on Canvas Should you wish to receive it framed and ready to hang it would measure approximately 31 x 31 inches and cost 500 usd to ship . One of the most popular series of the Master Artist, The Golden Flute is the artists more romantic rendition of Art. The iconic figures of Krishna, Radha, and Ganesha that found lyrical expression in the Icons series are modern representations and sophisticated idealizations of the same images in the popular media. Krishna is a cosmic musician, and the tune he creates by playing his transcendental flute is embodied with cosmic energy. When Krishna is depicted as being between the age of 5 and 8, it is always with his flute. Therefore, during this period, he is aptly called Murlidhara (murali means “flute,” and dhara means “hold”), signifying the one who holds the flute. He is never without it, whether he is with his mother, on the grazing grounds with his herd of cows, among his cowherd companions or roaming around on the Jamuna banks. Gopis lose their selves in this tune. For them, music becomes the voice of love, which is too passionate and secretive. Style : The city of Kolkata has always figured prominently in his work. His themes come from his personal interactions with its urban milieu - its sickness and sordidness, its violence and vulnerability and all that compounds its existential agony. Shuvaprasanna has depicted varying moods of the city and its people, its places, and all its facets that make the city distinctive. He doesn't merely portray reality as 'matter of fact' and his presentation of reality often has dream-like elements in it. In terms of technique, Shuvaprasanna boasts a precise, finely executed style that yields an unmistakable visual intensity. He works comfortably in an assortment of media, including oil on canvas, charcoal, and mixed media. About the Artist and his work : Born : In Calcutta, 1947. Education : Graduated from Indian College of Art (R.B. University, Calcutta) in 1969. Exhibitions : Shuvaprasanna has had several gallery and museum exhibitions, including at the Tao Art Gallery and at the Chawla Art Gallery, Square One Mall. Several works by the artist have been sold at auction, including 'ABODE' sold at Waddington's 'Fine Prints & Photography Auction...

Modern, large scale social commentary painting by California artist John Valdez. Comes with the original sketch as well as a book about the artist. Inspired by the cover of a Mexican tabloid, Valadez invites the viewer to examine the duality of a society that mourns the death of an iconic religious leader and neglects those close to them who are perhaps deemed not worthy of consideration. The bold red headline reads “El cardenal Gabiri será beatificado” (Cardinal Gabiri will be beatified) above a large accompanying image of the cardinal in his casket and two smaller images, one of sobbing mourners and another of the cardinal sitting at the altar. Dividing the image is a subhead that reads, “El pueblo católico está de luto” (the Catholic people are mourning) placed above a depiction of four young boys who seem to be sniffing glue. The adjacent text reads “The indifference of the adults is the cause behind the issues these forgotten children have to live.” This work was exhibited at the Pacific Standard Time, Long Beach Museum of Art in 2011, the Museum of Contemporary Art San Diego in 2012, as well as the National Museum of Mexican Art in Chicago, IL in 2013. Signed by artist in front lower right corner as well as titled and dated in front lower left corner. Currently unframed, but options are available. Artist Biography: John Valadez...

Everett Spruce (1908 - 2002) Austin Artist Image Size: 18 x 15 Frame Size: 28 x 25 Medium: Oil on paper / Mixed Exhibited at a University of Texas Faculty art show in 1947 Unsigned Biography Everett Spruce (1908 - 2002) The following, submitted by a researcher of the Ashworth Collection of Native American and Western Art, is from the artist's obituary in the Fort Smith, Arkansas "Times Record" newspaper, October 20, 2002. Everett F. Spruce, well-known artist, teacher, professor emeritus, died Friday, Oct. 18, 2002, at age 94. Everett Spruce was born on a farm in Conway to William E. and Fannie McCarty Spruce. He came to Dallas, at age 17, on a scholarship to study at the Dallas Art Institute, under Olin Travis and Thomas M. Stell Jr. In 1931, he became gallery assistant at the Dallas Museum of Fine Arts and in 1934 married Alice V. Kramer, a fellow art student. He was one of the "Dallas Nine" group of Southwest artists...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...