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  • Design Credit: Samantha Todhunter Design Ltd., Photo Credit: Oliver Clarke. Dimensions: H 36 in. x W 30.75 in.
  • Design Credit: Lucy Harris Studio, Photo Credit: Francesco Bertocci. Dimensions: H 36 in. x W 30.75 in.
  • Design Credit: Timothy Godbold, Photo Credit: Karl Simone. Dimensions: H 36 in. x W 30.75 in.
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Charles Jervas
Charles Jervas, Portrait of Joseph Mellish

1710

About the Item

Charles Jervas (1675-1739) Portrait of Joseph Mellish (1675-1733) Oil on canvas; held in a carved period frame Dimensions refer to size of frame. Provenance: Blyth Hall, Nottinghamshire, England; by descent to Sir Andrew Buchanan of Hodsock Priory, Nottinghamshire In 1635 John Mellish, a merchant tailor of London, bought the estate of Blyth in Nottinghamshire. His son, a wealthy Oporto merchant, dying unmarried, left Blyth in 1703 to a cousin, Joseph Mellish, who became one of Newcastle’s earliest and most important political supporters in the county. He went up to Clare College, Cambridge in 1692 and on to the Inner Temple the following year. He married Dorothea Gore, daughter of Sir William Gore, Lord Mayor of London around 1707, a union which would have helped considerably in consolidating both the family business interests in London along with their political ambitions in the North of England. Joseph Mellish died in 1733, leaving three sons of whom the eldest, Edward, inherited Blyth, and the youngest, Joseph, was M.P. for Grimsby from 1761 to 1774. Charles Jervas was an Irish portrait painter and translator. By the mid-1690s he was in London, where he stayed and trained with Sir Godfrey Kneller. Between 1698 and 1708 Jervas studied in Paris and Rome and acted as an agent for British art collectors. On his return to London he set up a successful portrait studio. With the help of his patron, Prime Minister Robert Walpole, Jervas secured the post of King’s painter. In this capacity he painted King George II, Queen Caroline and Prince William, Duke of Cumberland. This portrait of Mellish was painted by Jervas around 1710. The large florid wig and the elegant, sumptuous gown compare favourably to other works by the artist from this period and is a striking example of his method of painting.
  • Creator:
    Charles Jervas (1670 - 1739, Irish)
  • Creation Year:
    1710
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 30.75 in (78.11 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    Seller: 20701stDibs: LU115227076632

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She was the youngest daughter and co-heir of Sir Hugh Wyndham, 1st Baronet of Pilsdon Court and Mary Wyndham nee Alanson (Sir Hugh should not be confused with his first cousin once removed from Somerset, also Sir Hugh Wyndham (bef. 1604 - 1684). Rachel is a thirteenth generation descendant of King Henry III. The couple resided at the family seat of Coker Court (interestingly, within the churchyard, lie the remains of the poet T.S. Eliot who once wrote a poem about East Coker). A marriage settlement in extant shows that the couple were married in 1656; the portraits were most likely painted to mark this important event in the sitter’s lives. Rachel holds roses, the flower of love, and the putto pouring water is representative of her purity, and possibly, the plighting of troth. Colonel Helyar wears a gold wedding band. The couple had four sons: George, William (MP) (1662-1742), John, and Richard. Colonel Helyar died in December 1697 and was buried at Whitechurch, Dorset 2 Jan 1698. 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Colonel Helyar has been depicted in armour and holding a Marshal’s baton of command, confirming his status. There is a great sense of realism and a particular delicacy, note the finely rendered hand resting on the rapier. Rachel is wearing a satin dress with expansive sleeves and a crimson drapery over her shoulder and held up by her left hand. She wears large pearl...
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