Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Portrait of an Old Bearded Man

late 1700s c.

About the Item

We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil painting portrays a distinguished elderly man with a solemn and thoughtful expression. His face is framed by a full, white beard, and he wears a soft hat in muted tones of brown and red, lending a sense of quiet dignity and contemplation to his appearance. The subject's eyes are downcast, perhaps reflecting a moment of introspection. The fine details of his weathered skin and the careful rendering of his features showcase the artist's skill in capturing the essence of character and emotion. The use of light and shadow adds depth to the composition, highlighting the textures of his garments—a rich brown robe with a yellow collar that peeks through, adding a subtle touch of color contrast. The painting is executed with a muted color palette, emphasizing the subject's serene and introspective mood. The background is kept simple and dark, focusing the viewer's attention on the man's expressive face. This piece offers a window into the stylistic tendencies of Dietrich's circle, combining elements of realism with a touch of romantic sentiment. oil on wood panel unframed 25.5 x 18.7 cm framed 36 x 30 cm
  • Creation Year:
    late 1700s c.
  • Dimensions:
    Height: 14.18 in (36 cm)Width: 11.82 in (30 cm)
  • Medium:
  • Movement & Style:
  • Circle Of:
    Christian Wilhelm Ernst Dietrich (1712 - 1774)
  • Period:
  • Condition:
    The portrait is in fine condition with an old varnish and a few minor retouchings. It has developed a beautiful, aged patina. A newly crafted black frame is included.
  • Gallery Location:
    Stockholm, SE
  • Reference Number:
    1stDibs: LU1445214897792

More From This Seller

View All
Christ on the Cold Stone – After Jan Gossaert (Mabuse)
Located in Stockholm, SE
This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...
Category

16th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

Portrait of an Elderly Man
Located in Stockholm, SE
This finely executed oil painting, attributed to the circle of Christian Wilhelm Ernst Dietrich, captures the contemplative expression of an elderly man, his gaze lowered in quiet re...
Category

Early 19th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

Portrait of a lady in blue dress ”Countess of Peterborough”
Located in Stockholm, SE
This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time. The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history. Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, which measures approximately 39 x 31 cm. This preference for panels is a notable characteristic that sets him apart from contemporary artists like Sir Peter Lely, who exclusively used canvas. The size of the panel is a key reason for the reattribution to Russel from Peter lely, as Lely never used panels for his works. This distinctive format, along with Russel’s characteristic style, strongly supports the new attribution. Russel, the son of Nicasius Rousseel, a goldsmith and jeweler to James I and Charles I, refined his skills under the mentorship of his uncle, the famous portrait painter Cornelis Janssen. He also worked as an assistant and copyist for van Dyck, further honing his artistic style. This captivating portrait exemplifies Russel’s craftsmanship, reflecting the elegance of the period’s fashion and the artist's refined techniques. oil on wood panel with indistinct inscription Countess of Peter[...] upper left. with inscription on the reverse: ”Countess of Peterborough. P. Lely 1670. S Beatty Picture Restorer [...] Warwick”. unframed 39 x 31 cm = 15.35 x 12.2 inches framed 52 x 41.5 cm = 20.47 x 16.34 inches Condition: The portrait has just been restored by a professional art conservator in Stockholm and is now in a very good condition. The colors are vivid, and the skin tones appear more natural than before. It is a very fine painting. The frame is newly made and included. Provenance: Elleholms Hofgård, Mörrums socken, Blekinge, Sweden **; Stockholms Auktionsverk, Fine Art & Antiques Autumn...
Category

17th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

Portrait of an Old Bearded Man With a Black Cap
Located in Stockholm, SE
We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...
Category

Late 18th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

The Card Players by a Flemish 1600s Artist
By Flemish School, 17th Century
Located in Stockholm, SE
Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...
Category

17th Century Old Masters Figurative Paintings

Materials

Oak, Oil, Panel

Asklepios and His Followers
Located in Stockholm, SE
This captivating work belongs to Elias Martin’s later period, characterized by his exploration of historical, biblical, and mythological themes. As Mikael Ahlund, Director of the Gus...
Category

1810s Old Masters Figurative Paintings

Materials

Canvas, Oil

You May Also Like

Lucretia, by Giacomo Raibolini Francia. Detto il Francia. Oil on panel, framed
Located in Brooklyn, NY
Giacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...
Category

16th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

19th century Oil portrait of a Hungarian Rabbi
Located in Woodbury, CT
This 19th-century oil on panel portrait depicts a Hungarian Rabbi, characterized by his traditional attire and solemn expression. The Rabbi is portrayed with a long, white beard and ...
Category

1890s Old Masters Figurative Paintings

Materials

Oil, Wood Panel

19th century classical religious oil painting portrait female subject red dark
By Giovanni Pietro Rizzoli
Located in Milwaukee, WI
"Caterina d'Alexandria (Saint Catherine of Alexandria)" is a copy oil painting on wood panel, after Italian artist Giampietrino (Giovanni Pietro Riz...
Category

19th Century Old Masters Portrait Paintings

Materials

Oil, Wood Panel

Angelic Cherubs with Classical Figure in Wilderness Finely Painted Preparatory
Located in Cirencester, Gloucestershire
Figure with Cherubim in Wilderness Italian School, 17th century oil painting on wood panel framed 13 x 11 inches condition: overall for its age very good, though the work is most likely a preparatory...
Category

17th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

Large 17th Century Dutch Old Master Oil Painting on Wood Panel Biblical Scene
Located in Cirencester, Gloucestershire
Biblical Figures, Large Gathering around Christ? Dutch Old Master, early 17th century oil painting on wood panel, stuck on velvet backing board velvet board: 27 x 29 inches board: 25.5 x 26 inches provenance: private collection, France condition: good and sound condition, obvious old panel...
Category

Early 17th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

Spanish school. Secretary of Pope Pius V, abbot of Husillos, bishop of Córdoba.
Located in Firenze, IT
Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...
Category

17th Century Old Masters Portrait Paintings

Materials

Parchment Paper, Oil, Wood Panel

Recently Viewed

View All