Portrait of a lady in a lace collar.

Circle of Francisco José de Goya y Lucientes (Fuendetodos 1746-1828 Bordeaux) Portrait of a María del Rosario Fernandéz, called 'La Tirana' (1755-1803). OIl on canvas. 76.5 x 57.2 c...

David Teniers the Younger Antwerp 1610 - 1690 Brussels A river landscape with travellers by a jetty and a man in a rowing boat, a church beyond Signed with monogram lower right: DT. ...

(1601, Delft – 1673, Amsterdam) Interior with gathering of musicians. Circa 1635. Oil on panel. 59.3 x 82 cm. Provenance Jules Porgès Collection, Paris , 1911. Fine Art Gallery...

”The Dusty Doorknob”. 2000 Titled, signed and dated on the reverse in black felt-tip pen: The Dusty Doorknob Patrick Hughes 2000. Oil on panel, relief. 64,8 × 160 × 16 cm (82,5 × 17...

Thomas Gainsborough R.A. (1727, Sudbury - 1788, London) Wooded Landscape with Peasants in a Wagon oil on panel 35,5 by 29,8 cm. Provenance Charles, Viscount Eversley (1794-1888); B...

Ged Quinn b. 1963 Ouranophobia Executed in 2012. Signed Ged Quinn twice and dated 2012 twice (on the stretcher) Oil on canvas. 244 by 200cm. Ged Quinn was born in 1963 in Liverpool,...

After a Good Hunt Kremer Petrus Antwerp 1801 – 1888 Belgian Painter Signature: Signed bottom left Dimensions: Image size 49,50 x 44 cm, frame size 63,50 x 58,50 cm Medium: Oil on panel Biography: Kremer Petrus was born on May 9 in 1801 in Antwerp. He was a Belgian painter of genre scenes with religious and historic context, still lifes and portraits. He studied at the Antwerp Academy of Fine Art, with master teachers and artists Guillaume Herreyns (1743 – 1827) and Mattheus van Bree (1773 – 1839). He perfected himself in Paris, travelled in 1838 Germany, France and Italy where he studied in the museums the pictures of the Dutch and Flemish masters. He excelled in the representation of flowers, poultry and game. Some of his paintings were engraved by English engraver Joseph Brown (1809 – 1887) and other artists. Belgian painter Gustaaf Wappers (1803 – 1874) painted his portrait. Kremer was honoured with several medals at various exhibitions, notably in London in 1929. He exhibited at the Brussels National Exhibition of 1842 “Examination of Don Carlos...

Oil on panel We are grateful to Koenraad Jonckheere for confirming the attribution after inspection of the original. He dates the work to circa 1570. The present portrait of a bearded man, arresting in its intimacy, capturing the contemplative gaze of the sitter, along with the intense naturalism with which his face is rendered, is an outstanding example of the oeuvre of the Antwerp master Adriaen Thomasz. Key. Attired in an expensive and modish ‘Burgundian black’ doublet...

Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with numerous variants, Berlin, Gemaldegalerie, Inv. N°837 - Copy or workshop version of our painting with slight variations but of inferior quality, Germany, sold at Berlinghof Auktionshaus in 2002 The object of this notice is not to produce a biography of Schalken, the reference work by Thierry Beherman published by Maeght in 1988. The goal here is to understand this version of a painting of formidable craftsmanship and to compare it to the work preserved in Berlin with its many variants in order to draw some hypotheses for conclusions Our young angler is a very interesting subject that can be found as early as the 16th century to invoke one of the four temperaments. Not melancholy as one might think at first glance, but phlegmatic character. The interpretation of astrological symbols closely linked peach and phlegm, laziness, slowness, often represented alongside the moon. Here the composition is very clear in this sense. The young man, chin resting on his arm, looks at his modest cane, the cork of which he soaks alongside snails and butterflies located in the Irises. All near a willow under a heavy sky, like a night sky. All the elements are there to give an explanation of the subject and not to leave the spectator in front of a simple genre scene. Let's go back to the willow, a tree that loses its fruits before they mature. It is often considered a symbol of lost youth, a reference to passivity or times of debauchery. Plato advised in his time to banish fishing from the education of children since it is an activity of expectation and not of exercise or reflection. Needless to explain the presence of small slow-moving animals with short lives or flowers… The image speaks for itself! Let's go back to the differences between the Berlin version and ours, of which it must be recognized that the quality is slightly lower and therefore can hardly be given with certainty to Schalken itself. This version has some additional elements compared to ours. In our version, the row of willows cut into trunks located to the left of the composition is replaced by a simple area of reeds that opens up to a luminous sky. The sky is also different by the clouds represented. A white butterfly flying in the middle of the Irises has been removed, as has a large leaf located on the back of the young fisherman at the foot of the willow. Only addition to our table in addition to the Berlin version: a second fish near the earthen pot...

After the Hunt Jan Josef Horemans the Younger Antwerp 1714 – 1790 Flemish School Signature: Attributed to Jan Josef the Younger Horemans Medium: Oil on canvas Dimensions: Size incl...

PHILOSOPHER - Oil on canvas diam. cm.26 by Ciro De Rosa, Italy,2011 The evocative portrait of Ciro De Rosa portrays an elderly man with a beard on a Flemish background, light is the ...

Cherubs - Ettore Frattini Italia 2006 - Oil on copper cm.30x50. This delightful oil on copper in Baroque style depicts dancing cherubs, most likely inspired by the allegories with c...