Items Similar to Portrait of Kevin's playmate
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Donald S. VogelPortrait of Kevin's playmatecirca 1960
circa 1960
About the Item
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it is a gift in itself, and produce something of worth to be shared. That is the life that has served this artist's pilgrimage."
Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrigued by the possibilities of creating images. The excitement and pleasure derived from the act of creation continued to be the force that compelled him to paint throughout his life.
Born in Milwaukee, Wisconsin, Donald S. Vogel began his formal art training at the Witte Memorial Museum in San Antonio when he was seventeen. His training, under the watchful eye of Eleanor Onderdonk, was briefly interrupted by a move to Washington, DC , where he took drawing classes at The Corcoran School of Art . He returned to San Antonio to finish high school and continued studying under Onderdonk. After graduation, he moved to Chicago in 1936 to enroll in The School of the Art Institute of Chicago. In the Impressionist and Post-Impressionist rooms of the Institute, a new world opened up to him, one that would forever influence the direction of his work. He saw art that dealt with the effects of atmosphere and light. The subjects and techniques used by these painters conveyed a sense of happiness, exuberance, and pleasure, which offered a stark contrast to the world outside stifled by the Great Depression.
While studying at the Art Institute, Vogel roomed at the Artist Community House where many students lived. This environment served as a counterpoint to the academic training he received at the Institute. It afforded the students the freedom to discuss issues in contemporary art, and freely experiment with unconventional ideas and techniques. Most importantly, this fertile environment intensified Vogel's commitment to paint.
Feeling the pinch of the Depression, Vogel left the Art Institute in 1940, and was accepted on the WPA Easel Project. This allowed him the luxury of drawing and painting from dawn to dusk. The freedom to paint at all hours focused his interest on the seemingly endless variations of light and atmosphere. With unlimited use of a model, he produced thousands of figure drawings until, eventually freed from the necessity of working from life, he began to paint purely from his imagination.
In 1942, Vogel moved to Dallas. The previous year, while he was still living in Chicago, the Dallas Museum of Fine Arts had given Vogel a one-person show; in 1943, shortly after his arrival in Dallas, the DMFA gave him another. While working first as a set designer and then as technical director at the Dallas Little Theater, Vogel spent his free time at the easel. During the 1940's he gained recognition in the art community by promoting the work of fellow artists and winning coveted purchase awards and prizes in the Texas General and Allied Arts Exhibitions for his own paintings.
In 1951, Vogel and his wife Peggy, alongside Dallas arts patron Betty McLean, opened the Betty McLean Gallery. It was the first gallery in Texas to deal in modern art on an international level. In 1954, the Vogels moved to a five-acre site north of Dallas and opened Valley House Gallery. The new setting at Valley House deeply inspired Vogel, serving as a source for ideas, and providing a place of serenity and contemplation.
Vogel's work is characterized by his love of color, and his fascination with the changing qualities of light. A favorite subject, often revisited during the latter part of his career, is the greenhouse. He first experimented with this subject in 1976, and began using it in earnest in 1978. Having worked in a hothouse during his youth, he found it a natural subject for exploring the effects of atmosphere, light, and color. Like Monet's pond at Giverny, Vogel's greenhouses have become his signature: an imaginary place of endless fascination.
Vogel produced many catalogues for gallery artists but he had never written for himself. In 1989, he penned two autobiographical short stories and published them under the title Charcoal and Cadmium Red. He found writing to be as challenging a process as painting. During his eighth decade, he wrote and painted with equal intensity.
“The agony and ecstasy I felt while producing each work was welcomed, as each required the other to fulfill the quest. And the quest remains to produce works that should delight the eye, give pause for thought, heighten the spirit, and sense the awareness of our being,” wrote Donald S. Vogel in 1998, on the occasion of his Retrospective exhibition and catalogue.
Donald S. Vogel's work is included in the following collections:
Art Institute of Chicago, Chicago, Illinois
Beaumont Museum of Fine Art, Beaumont, Texas
Charles Goddard Center, Ardmore, Oklahoma
Dallas Museum of Art, Dallas, Texas
Fine Arts Museum of the South, Mobile, Alabama
Ft. Worth Art Association, Ft. Worth, Texas
Old Jail Foundation, Albany, Texas
Panhandle-Plains Historical Museum, Canyon, Texas
Philadelphia Museum of Art, Philadelphia, Pennsylvania
Philbrook Art Center, Tulsa, Oklahoma
The Pennsylvania Trust, Radnor, Pennsylvania
Tyler Museum of Art, Tyler, Texas
Witte Museum, San Antonio, Texas
This painting is unframed. The price does not include a frame.
- Creator:Donald S. Vogel (1917-2004, American)
- Creation Year:circa 1960
- Dimensions:Height: 10 in (25.4 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1954
1stDibs seller since 2013
151 sales on 1stDibs
Typical response time: A week
Associations
Art Dealers Association of America
- ShippingRetrieving quote...Ships From: Dallas, TX
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Portrait of Harriet Toby, Ballet Russe de Monte CarloBy Donald S. VogelLocated in Dallas, TXDonald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...Category
1940s American Modern Figurative Paintings
MaterialsOil, Panel
- Portrait of Young GirlBy Donald S. VogelLocated in Dallas, TXDonald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...Category
Mid-20th Century American Modern Portrait Paintings
MaterialsOil, Panel
- Study of GirlBy Donald S. VogelLocated in Dallas, TXDonald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...Category
Mid-20th Century American Modern Paintings
MaterialsOil, Panel
- Two Girls in GreenBy Donald S. VogelLocated in Dallas, TXDonald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...Category
1960s American Modern Figurative Paintings
MaterialsOil, Panel
- Releasing the DoveBy Fred NaglerLocated in Dallas, TXFred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his profe...Category
Mid-20th Century American Modern Figurative Paintings
MaterialsCanvas, Oil
- SchoolBy John HartellLocated in Dallas, TXValley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...Category
Late 20th Century American Modern Paintings
MaterialsCanvas, Oil
You May Also Like
- America impressionist portrait young boy 1937 Modern Figurative Oil PaintingLocated in Buffalo, NYA fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...Category
1930s American Modern Figurative Paintings
MaterialsOil, Board
- Portrait of a ChildBy Will BarnetLocated in Buffalo, NYAn original modern abstract portrait of a child by American artist Will Barnet. The work has a letter of provenance from the artist's wife. The i...Category
1930s American Modern Figurative Paintings
MaterialsOil, Wood
- Self Portrait, Oil on Board, Signed and Dated, 1925, American ModernistBy Leon KellyLocated in Doylestown, PA"Self Portrait" by Philadelphia born modernist painter Leon Kelly, is a moody and atmospheric self portrait of the artist in younger years at age 24. The 18" x 16" oil on board, fram...Category
1920s American Modern Portrait Paintings
MaterialsOil, Board
- CamillaBy Robert McIntoshLocated in West Hollywood, CAPresenting a rare, early original oil painting, "Camilla", by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited throughout his lifetime, inclu...Category
1930s American Modern Portrait Paintings
MaterialsOil
- DemitasseBy William GropperLocated in West Hollywood, CAWe are proud to present outstanding original oil on canvas by American artist William Gropper (1897-1977.) William Gropper was an artist and illustrator, known for his exceptional a...Category
1950s American Modern Figurative Paintings
MaterialsOil
- Portrait of Eugene Higgins, Age 80.By Alphaeus Philemon ColeLocated in Storrs, CTPortrait of Eugene Higgins, Age 80. 1954. Oil on canvas. 30 x 25 (framed 35 x 30). Signed and dated lower right. Cole and Higgins (1874-1958), both lived in Lyme, Connecticut. Higg...Category
1950s American Modern Portrait Paintings
MaterialsOil
Recently Viewed
View AllMore Ways To Browse
New Modern Portraits
Portraits American 20th Century
Art Prices For Portraits
Writer Portrait
Old American Portraits
Mid Century Modern Portrait
Midcentury Modern Portrait
Old Vintage Portrait
Old Vintage Portraits
Imaginary Portraits
Formal Portrait Drawing
American General Portrait
Dawn To Dusk
A Vogel
Panel Rooms
Wpa Portrait
Kevin Brown
Mid Century Modern Texas Art