French 19th academic painting PAUPION GEROME student Small portrait man profile
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Edouard PAUPIONFrench 19th academic painting PAUPION GEROME student Small portrait man profile1884
1884
About the Item
- Creator:Edouard PAUPION (1854 - 1912, French)
- Creation Year:1884
- Dimensions:Height: 12.8 in (32.5 cm)Width: 9.85 in (25 cm)
- More Editions & Sizes:44 x 36 cm with framePrice: $1,868
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2524212248722
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2010
1stDibs seller since 2023
7 sales on 1stDibs
More From This SellerView All
- Painting Salon BERNE-BELLECOUR Portrait Military oil wood 20th medical officerLocated in PARIS, FREtienne-Prosper BERNE-BELLECOUR Boulogne-sur-mer, 1838 - Paris, 1910 Oil on canvas 46 x 33 cm (55 x 43 cm with the frame) Signed lower right "To his friend doctor Daymard / E. Berne-Bellecour / 1903" Painting exhibited at Salon des Artistes Français of 1904 (number 136. “Portrait of Mr. Major Daymard”) Very good condition ( only a few and small repaints) As an academic painter, Berne-Bellecour worked for illustrated newspapers after failing at the Prix de Rome in 1859. In 1870, he enlisted in the Frankish Corps of Tirailleurs de la Seine and is decorated with the Military Medal. This will decide his career. Companion of Édouard Detaille and Alphonse de Neuville, he painted battle pictures and portraits of soldiers that made him very well known as a specialist military painter. "The Tirailleurs of the Seine in the battle field...Category
Early 1900s French School Portrait Paintings
MaterialsOil
- French painting portrait Bearded italian man oil canvas Second half 18th centuryLocated in PARIS, FRFrench school of the second half of the 18th century Oil on canvas 46 x 38 cm (57 x 49 cm with the frame) Very beautiful frame in gilded wood from the Louix XVI period with decoratio...Category
Late 18th Century French School Portrait Paintings
MaterialsOil
- 18th century french painting GREUZE Portrait of a young girl Oil on canvasBy Jean-Baptiste GreuzeLocated in PARIS, FRFrench school of the 18th century or the beginning of the 19th century After Jean-Baptiste GREUZE Tournus, 1725 – Paris, 1805 Oil on mounted canvas 46 x 38 cm (63.5 x 55 cm with the ...Category
Early 19th Century French School Portrait Paintings
MaterialsOil
- Painting early 18th venitian PIAZZETTA Oil canvas Virgin Mary reading a bookBy Giovanni Battista PiazzettaLocated in PARIS, FRGiovanni Battista PIAZZETTA (Workshop of) Venice, 1683 - Venice, 1754 Oil on canvas 48 x 38.5 cm (64 x 58 cm with the frame) Piazzetta painted a number of "portraits" of saints or laymen in small formats and in a tight framing, and several Virgin Mary readin a book. We can compare our painting to the Virgin in the Hisch collection sold at Sotheby's in London in 1971 . Piazzetta has produced several "Madonna in the Book", a subject traditionally close to the Virgin of the Annunciation. The Virgin Mary is said to have been reading the psalms when the angel Gabriel came to visit her : "Madonna in prayer", Sotheby's New York in 1979, Madonnina orante, Pinacotheque de Vicenze, exhibited in 1982, the “Santa Vergine Maria” represented with a book, print from a missing painting...Category
Early 18th Century Baroque Portrait Paintings
MaterialsOil
- Spanish painting Portrait man Trace signature Academic 19th oil on canvasLocated in PARIS, FRJuan Pablo SALINAS (Attributed to) Madrid, 1871 – Rome, 1946 Oil on canvas on a panel 34 x 22 cm (43 x 31 cm with the frame) Trace of signature lower lef...Category
Late 19th Century Academic Portrait Paintings
MaterialsOil
- PLAUZEAU Painting Oil canvas French Academic Portrait of boy Early 20th centuryLocated in PARIS, FRAlfred PLAUZEAU Avanton-Paché (Vienna), 1875 - Hendaye, 1918 Oil on oil 61 x 38 cm (75.5 x 52.5 cm with frame) Signed lower right "A. Plauzeau" Good condition (sevreal restoration, w...Category
Early 20th Century Academic Portrait Paintings
MaterialsOil
You May Also Like
- Model undressingLocated in BELEYMAS, FRJulius EXNER (Copenhagen, 1825 - Copenhagen, 1910) Model stripping Oil on canvas H. 122 cm; L. 74 cm Signed and dated 1842 lower right Exhibition: most likely Charlottenborg Salon of 1845, under number 110, titled Modelfigur, awarded with a silver medal Provenance: Emilio Fernando Bolt (c.1860 - 1944), acquired from the artist around 1900, then by descent Our painting was produced as part of the summer sessions organized between 1839 and 1850 by Christoffer Wilhelm Eckersberg (1783-1853), the master of Danish painting of the first half of the 19th century, in his private studio-apartment on the ground floor. floor at the Royal Academy of Fine Arts in Copenhagen. The master brought together a few students there between June and September, rented one or two models for the season, which were painted from different angles, the artists (including Eckersberg himself) sitting side by side. Eckersberg used to paint a fairly small version, the pupils of the larger formats. The work fits more generally into the legendary context of the research and reforms carried out by Eckersberg concerning the studies of nudes and in particular of female nudes, to make this exercise a genre of painting in its own right. Following his two-year stint in Jacques-Louis David's studio in Paris in 1811, Eckersberg had been made aware of work on the nude and in particular on live models, in natural light, while in Denmark the drawings were then only made from casts of antique models or other mannequins. In 1822, when he had been a professor there since 1818, it was he who had the Royal Academy of Copenhagen authorize the study of nudes, no longer in the evening by candlelight, but in natural light; from 1833, it was still he who allowed students to work on nude female models, even if the official authorization of the Academy did not take place until 1839. It was this same year that he instituted his summer sessions, on a private basis, to orient his painting and that of his students towards a new conception of the representation of models: even if the nude remains the real theme, it does not however, this is more than just an academic exercise. The subject is placed in a contemporary interior, with a rather sophisticated decor, and occupied with an intimate activity (it is this type of intimate vein that we will find later in Degas or Cassatt for example); thus in our painting, the young woman is supposed to take off her clothes to wash. The objective is that the viewer forgets that the master and his students are painting a model during a posing session, and that he instead has the impression of being alone with the model, but invisible, almost like a voyeur in spite of himself. Moreover, in these paintings, the model never looks towards the spectator, inducing a psychological distance with him, whereas model and artist are actually physically very close. On the other hand, it is not a question of idealized nudes either, even if Eckersberg, proof of his debt to the antique, chooses fairly classic models and poses. The sensuality is real and very present, with dreamy, even innocent, and timeless expressions (the models do not seem to have a defined age), suave and slow attitudes and movements, and especially with clothes that hide or reveal skillfully parts of the female body: upper buttocks, pronounced hips... Made by an artist under 20, our sensual painting is probably one of the most beautiful and spectacular produced by the students of Eckersberg during these summer sessions. With a perfect balance between the firmness of an ancient statue (it recalls the Venus de Milo) and the softness of the feminine forms, highlighted by a harmonious palette, it captures the attention with many details: the almost photographic folds white clothing...Category
1840s French School Nude Paintings
MaterialsCanvas, Oil
- Judith and HoloferneLocated in BELEYMAS, FRJacques STELLA (Lyon, 1596 – Paris, 1657) Judith and Holofernes Oil on slate H. 23.5 cm; L. 24 cm Son of François Stellaert, a painter of Flemish origin who settled in Rome in 1576, then in Lyon, Jacques Stella was born in this city in 1596. Around 1619, he left for Florence where he worked for Cosimo II de Medici. He probably already met Nicolas Poussin and Jacques Callot there. Stella left Florence for Rome in 1622 or 1623, where he befriended Poussin, who arrived in 1624. Stella became famous in the world of Italian amateurs for his small paintings painted on precious supports: marble, agate, lapis, slate, as well as by his engravings and drawings. In 1634, having received offers from the King of Spain, he left Rome in the suite of Marshal de Créqui, French ambassador. He passed through Venice, stopped in Lyon in 1635, then in Paris. Retained by Richelieu who took him into his service, he settled in the capital of the kingdom. Covered with favors, he benefited from accommodation in the Louvre and a considerable pension. He later received the Collar of the Order of Saint-Michel, a rare honor for an artist...Category
1620s French School Figurative Paintings
MaterialsSlate
- Presumed portrait of Princess de Conti, Marie-Anne de BourbonBy Nicolas de LargillièreLocated in BELEYMAS, FRNicolas de LARGILLIERRE (Paris 1656 – 1746) Portrait of a woman, presumed to be Marie-Anne de Bourbon, Princess of Conti (1666-1739) Oil on oval canvas H. 80 cm; L. 61 cm (107 x 91 c...Category
1730s French School Figurative Paintings
MaterialsCanvas, Oil
- Diana Bathing 18th Century Oil on Canvas by Friedrich Olenhanz 1765-1839Located in LA BOUILLE, FR"As the incarnate of dawn shines in the morning, such a blushed Diane's complexion exposed without veils to the eyes of a mortal" Les Métamorphoses by Ovide Less tragic is our destin...Category
18th Century French School Paintings
MaterialsCanvas, Oil
- The AnnunciationLocated in BELEYMAS, FRJacques STELLA (Lyon, 1596 - Paris, 1657) The Annunciation Oil on alabaster (single old break perfectly restored) H. 25 cm; W. 30 cm Son of François Stellaert, a painter of Flemish ...Category
1620s French School Figurative Paintings
MaterialsAlabaster
- Portrait of a Lady Holding a Fan - French 19thC oil painting indistinctly signedLocated in London, GBThis charming 19th century portrait oil painting is attributed to the French School and painted by a female artoist. It has the composition and delicacy of French academic painters s...Category
1870s French School Portrait Paintings
MaterialsOil
Recently Viewed
View AllMore Ways To Browse
Portrait Vase Blue Boy
Samuel Bloch
Andy Warhol X Tiffany
Antique Badminton Racket
Antique Lace Parasol
Antique School Desk Canada
Catherine Blackburn
Catholic Saint Christopher
Conn Trumpet Vintage
Conn Vintage Trumpet
General Monck
George Savile
Hannah Dean
Henry King Taylor
J Spector
Kershaw Vintage
Lewis Tilley
Maurice Schelck