Henry Pickering

Henry Pickering, Portrait of a Gentleman

1759

Charles Jervas (1675-1739) Portrait of Joseph Mellish (1675-1733) Oil on canvas; held in a carved period frame Dimensions refer to size of frame. Provenance: Blyth Hall, Nottinghamshire, England; by descent to Sir Andrew Buchanan of Hodsock Priory, Nottinghamshire In 1635 John Mellish, a merchant tailor of London, bought the estate of Blyth in Nottinghamshire. His son, a wealthy Oporto merchant, dying unmarried, left Blyth in 1703 to a cousin, Joseph Mellish, who became one of Newcastle’s earliest and most important political supporters in the county. He went up to Clare College, Cambridge in 1692 and on to the Inner Temple the following year. He married Dorothea Gore, daughter of Sir William Gore...

Margaret 'Peg' Woffington, was born in Dublin around 1714. Her charm and beauty as a child attracted much attention quickly resulting in her first stage role at the precocious age of 10. Her first important appearance was as Ophelia in 1737 in Dublin, followed by her greatest role, the male part of Sir Harry Windair in Farquhar's Constant Couple, which in 1740 led to her engagement by John Rich...

Follower of Samuel de Wilde c.1841 Portrait of an Actor in character. Oil on canvas; held in a period gilded frame. Dimensions refer to size of ...

Mather Brown (1761-1831) Portrait of Major-General John Robinson (1757-1819) Oil on canvas; held in a period giltwood frame Provenance: Denston Hall, Suffolk and by descent Literature: Suffolk Portraits, mss by Edmund Farrer, 1921. Vol. 5 (West Supp), entry 230, no.4 – NPG Heinz archive. John Robinson was a third generation professional soldier, whose father was a Lt.-Colonel. He joined the army in 1773 and was Captain by the time he married Rebecca Clive, daughter of “Clive of India” in March 1782. This family connection helped him immeasurably in his political ambitions as a seat in Parliament became available whilst his brother-in-law Edward, Lord Clive was in India. The portrait presented here was completed around 1805 when Robinson was a Major-General. This is confirmed by evidence that surrounds an incomplete portrait by George Romney of his late wife Rebecca. Unfinished at the time of Romney’s death, the painting remained unpaid for and unclaimed. On 25th March 1805, William Saunders, a framer, who had been looking after the work wrote to the artist’s son John Romney...

After Francis Wheatley, circa 1800 The Taming of the Shrew Oil on canvas; held in a period style frame. Dimensions refer to size of frame Artists and patrons in the eighteenth ...

A late nineteenth century polychrome painted panel, depicting a foliate and ornithological arabesque upon a white ground. Oil on panel, set within an ebonised frame.

Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...

Portrait of Grace Saunderson, Viscountess Castleton (1635-1667) c.1665-67 Sir Peter Lely and Studio (1618-1680) Titan Fine Art present this work, which formed part of a collection of family pictures and heirlooms of the Saunderson, Viscount Castleton family and their descendants, the Earls of Scarbrough, at their magnificent family seat Sandbeck Park, where the Earls still reside today almost four hundred years later. It was painted in the studio of Sir Peter Lely...

Portrait of a Lady in an Elaborate Stone Cartouche c.1675-80 Mary Beale (1632-1699) Titan Fine Art present this superb portrait where the sitter has been portrayed wearing a low-cut white chemise under a gold silk robe with a draped light...

Portrait of a Lady in a Blue Gown Holding a Sheer Scarf c.1675-85 Studio of Sir Godfrey Kneller (1646-1723) Titan Fine Art present this captivating portrait by the leading late seve...

Titan Fine Art present this exquisite portrait, that formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Reg...

Titan Fine Art are pleased to present this charming bust-length portrait, which is a good example of the style of portrait painted in England in the second quarter of the seventeenth century. The attire consists of the finest silks, and the full billowing sleeves, bows, and hairstyle help in dating this portrait to circa 1637. The accessory par excellence – pearls – are worn as a necklace and were a very popular accessory. The artist makes no attempt to obey the rules of Baroque and instead sensitively depicts in complete honesty his sitter against a plain wall, and without distracting backdrops and flowing draperies – this work is very redolent of the sumptuous half-length female portraits that Cornelius Johnson...