Faïza Maghni

Valeria

2023

Corine Laine is a painter from Barbizon, a French commune located in the department of Seine-et-Marne, in the region of Île-de-France. Barbizon is one of the mythical places of pre-impressionist painting in France...

Corine Laine is a painter from Barbizon, a French commune located in the department of Seine-et-Marne, in the region of Île-de-France. Barbizon is one of the mythical places of pre-impressionist painting in France...

Corine Laine is a painter from Barbizon, a French commune located in the department of Seine-et-Marne, in the region of Île-de-France. Barbizon is one of the mythical places of pre-impressionist painting in France...

Corine Laine, an artist from Barbizon, studied art at “Atelier de Nicole Gane" and started her carrier in a unique route. Psychologist by profession, her pictorial approach with a la...

Oil on canvas. 56x46.5 cm.Signed lower right, dated 1860 Provenance : - Gift of the artist to Monsieur Allou in March 1861- Sale by Allou and Ehrlier in February 1872 (Galerie George...

"Paysanne dans un bois", oil painting on wooden panel, signed in the bottom left corner, 48.9x32.4cm. Origin: -Christie's New York, sale on May 29th 1981, lot no. 24 -Rindoko Museum, in Tochigi, Japan -Private collection in 2020, after sale Museum collection As a young man, Richet followed painting classes from Détrez, an old student of Léon Cogniet's. In Paris, he built a friendship with Teinturier (painter from Valencia) and became a student of Jules Lefebvre's but most importantly the disciple of Narcisse Diaz de La Pena, with whom he collaborated ( some canvas bare both their signatures). They both share a remarkable audacity in their enameled way of treating reflections of light on water as well as the the effects of the sun on the clouds. At the Salon de Paris...

Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian University and the Fort Worth Museum of Science and History, whe...

Abstract Woman I, acrylic on canvas, 20 x 20 inches (painted orange sides), $750 Randee Levine’s work follows the abstract expressionist movement allow...

"Simulacrum" is a commentary on the intricate interplay between the real and the digital, the tangible and the virtual. It is an invitation to question the authenticity of the experi...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

SET US IN STONE II 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone I" (as pictured). Price and size are per painting. Evans Deventer...

Part of Giancarlo Impiglia's iconic "camouflage" series, in which, deviating from his signature style, he expresses his classical education, flawless technique, and concerns about th...