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Ferdinand-Joseph Gueldry
Portrait of Richard-Gabriel MORRIS (1837-1914), the artist’s father-in-law

1880

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Portrait of Colonel Charles-Louis-Prosper Marquis de Chérisey (1786-1837)
Located in Paris, IDF
After Louis-Stanislas MARIN-LAVIGNE (Paris, 1797 – Paris, 1860) Portrait of Colonel Charles-Louis-Prosper Marquis de Chérisey (1786-1837) in the uniform of commander of the 38th lin...
Category

Mid-19th Century French School Portrait Paintings

Materials

Oil

Portrait of Jean Claude Pellegrini (1787-1854)
Located in Paris, IDF
François Jean SABLET (Morges, 1745 – Nantes, 1819) Portrait of Jean Claude Pellegrini (1787-1854) Honorary Divisional Inspector of Bridges and Roads. Oil on canvas Monogrammed and dated lower right 30x25cm 1819 Painter of portraits, Jean François Sablet, originally from Morges, born November 23, 1745, is the eldest son of Jacob Sablet (1720–1798), bourgeois of this city, house painter, gilder, art dealer, and Suzanne Dupuis (1722–1775), settled in Lausanne from 1754. In 1767, on June 8, he prepared to leave to “improve in the art of painting” with a viaticum from the Council of Morges and a scholarship from Bern. In Paris, he was a pupil of Joseph-Marie Vien at the Royal Academy (1768–73). In 1772, he was joined by his younger brother Jacques, who in 1776 left for Rome to pursue a brilliant career there. François, he remains in Paris, goes almost unnoticed there having neither competed, nor received a prize, nor even exhibited. In 1774, he signed and dated the Portrait of the Count of Artois, as Colonel-General of the Swiss and Graubünden. In 1777, he married Marie Madeleine Borel, daughter of a wood merchant, and settled near the Quinze-Vingt at the Bastille, as a portrait painter. He entered the Masonic lodge of Celestial Friendship and therefore enjoyed a certain notoriety. He executed the portrait of Charles-Henri, Comte d'Estaing, engraved by Charles-Etienne Gaucher (1779). In 1781, L. Perrot reproduced two of his works from the cabinet of Madame de Saint-Maurice, Childhood in the Countryside and Visit to the Nurse, for the philanthropic society founded in particular by Louis d'Affry, captain of the Swiss Guards. . In addition to the fact that these subjects denote an ideal of benevolence under the aegis of Jean-Jacques Rousseau, they testify to relations with the Swiss milieu. Finally, the format and quality of two large full-length portraits Vestal pouring incense (1781) and the Offering to Hymen (1783) reflect her favor in society on the eve of the Revolution and, although in shadow, he is able to build life annuities. From this first stage are dated two sketchbooks in black chalk and red chalk of characters, interior scenes, theatrical evocations, including the Vestal Virgin pouring incense. He also signed a series of wash illustrations relating to mythology and other subjects taken from Ovid. In 1789, the political climate suddenly darkened, the amateurs left, dragging the artists with them. François Sablet took the road to Switzerland and, in January 1792, joined his brother in Rome, a genre painter in Italian costumes and portraits in nature called "conversation pieces", models from which François was to draw inspiration. François spent the summer in Genzano in the Roman countryside, where he also devoted himself to landscape and popular costumes. Beat d'Hennezel, their compatriot, evokes the evenings at the Sablets' with their artist friends, busy drawing portraits while exchanging heated remarks on the political situation. However, the events in Paris had repercussions in Rome. In January 1793 the French representative was assassinated, the French and other French speakers...
Category

Early 19th Century French School Portrait Paintings

Materials

Oil

Full length portrait of a child with his dog
Located in Paris, IDF
Benjamin Théophile CHARON-LÉMERILLON (Paris, 1807 – Bouzareah (Algiers), 1873) Full length portrait of a child with his dog Oil on canvas Signed and dated lower right 36 x 28 cm 18...
Category

Mid-19th Century French School Portrait Paintings

Materials

Oil

The cup of the king of Thule
Located in Paris, IDF
Camille METRA or METRA-HUBBARD (Paris, 1864 – Paris, 1936) The cup of the King of Thule Oil on canvas Signed lower right and dated 113.5 x 146 cm 1896 Exhibition: Salon de l'Union des Femmes Peintres et Sculpteurs de 1896 (N°627) Camille Métra, eldest daughter of the chemist Louis Métra and Rosalie Merny, was born on November 28, 1864 in Paris. We know nothing to this day of her artistic training, however she was recognized in Parisian circles for her qualities as a figure painter and pastellist. Camille married for the first time on January 18, 1887 in Paris with Adolphe Fernand Blayn...
Category

Late 19th Century French School Figurative Paintings

Materials

Oil

Portrait of Mr. Pierre Rougé and portrait of Mrs. Mathilde Rougé, born Rauch
Located in Paris, IDF
Adélaïde SALLES-WAGNER (Dresden, 1824 – Paris, 1890) Portrait of Mr. Pierre Rougé Portrait of Mrs. Mathilde Rougé, born Rauch Pair of oils on canvas Signed lower right for one and ...
Category

Late 19th Century French School Portrait Paintings

Materials

Oil

Portrait of a child with blue eyes
By Charles Zacharie Landelle
Located in Paris, IDF
Charles Zacharie LANDELLE (Laval, 1821 – Chennevières/Marne, 1908) Portrait of a child with blue eyes Oil on canvas Monogrammed and dated lower l...
Category

Mid-19th Century French School Portrait Paintings

Materials

Oil

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