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Fernando OramasMother and Child
$1,800
£1,339.05
€1,569.94
CA$2,517.53
A$2,810.89
CHF 1,474.85
MX$34,691.40
NOK 18,539.01
SEK 17,346.53
DKK 11,711.99
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About the Item
This modern mid-century composition of mother and child is by Fernando Oramas (1925-2016.) It is an interesting composition, with the mother in side profile and her child staring ahead at the viewer. The painting is composed of oil on canvas and measures 18” x 14” (24” x 20” framed). It is signed in the lower right. On the reverse is Oramas’ name and address in Mexico. Oramas lived in Mexico in the 1950s and 1960s and this painting appears to date from that time, based on the style and the frame. The painting is in very good condition. The distressed wood frame goes very well with the painting. It is in fair to good condition, with some light scuffs on the edges that allow the wood color to show through the grey stain of the frame as well as a very small bit of separation between the pieces of the frame. Please look at the signature photo for a good image of a section of the frame.
Oramas had a major exhibition of his work in St. Petersburg, Russia in 2016. Oramas studied at the School of Fine Arts of the National University, located in the old convent of Santa Clara, in the Center of Bogotá, where he met teachers, trained in renowned academies in Europe. Ignacio Gómez Jaramillo, Miguel Díaz Vargas and Domingo Moreno Otero taught him the handling of the figure and the predilection for themes related to typical scenes of peasant life, the daily life of the poor sectors, marketplaces and still lifes. Parallel to his studies, he worked in the magazine SEMANA as an illustrator and caricaturist.
After this initial stage of formation, his adventurous spirit and political urgencies embarked him on a trip to Central America on the way to Mexico. For several months he traveled through the West Indies, without documents or money. He slept in ports and ships and subsisted in making small-format watercolors that he sells to passers-by and travelers. Wherever he arrives, he comes in contact with the local intellectuals and artists and through them he knows the political and social situation of each region.
- Creator:Fernando Oramas (1925 - 2016)
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)Depth: 2.75 in (6.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The painting is in very good condition. The distressed wood frame goes very well with the painting. It is in fair to good condition. Please read the description for a complete condition report.
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: LU66634625601
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About the artist:
Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction.
Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual.
Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths.
Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983.
Education:
1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond.
Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter
Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris
Teaching:
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Selected Bibliography:
Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991.
Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery.
1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950.
Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43.
1949 Annual Exhibition of Contemporary American Painting. New York: Whitney
Museum of American Art, 1949.
Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill.
Upton, Melville, "George Binet Gallery," Sun, December 13, 1947.
Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947.
"Victor Thall at Binet Gallery," Art News, December 1947, p. 59.
Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947.
Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery.
Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker,
May 27, 1944, pp. 68-69
Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22.
Devree, Howard, "Victor Thall," New York Times, October 24, 1943.
Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune,
October 24, 1943
Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943.
Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition.
Victor Thall Oil Paintings, New York: Puma Gallery, 1943.
Art News, "Our Own Exhibition Gallery," June-july 1943, ill.
MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill.
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Billy Steinberg, Los Angeles
1968 DePoliolo Gallery, Palm Springs
1965 Studio Gallery, Naples, Florida
1964 L’lnstitute Francais d’Haiti
1964 Summit Gallery, New York City
1964 Southampton Gallery, New York City
1963 Guildhall Gallery, Chicago
1961 Leicester Gallery, London
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