Ger Doornink

Merle - 21st Century, Contemporary, Figurative, Portrait Painting, Oil, Canvas

2022

"Tsuriari" means "Balance" in Japanese. This artwork is part of Ger Doornink's latest show 'Thoughts', where his mastery in portrait painting is reflected and makes evident his role...

"Shinrin-Yoku", means "Forest Bath” in Japanese. It is an activity consisting of visiting a forest, immersing yourself in it with the five senses, in order to obtain well-being for t...

The source of the young artist Michal Cygan´s art is to be found in the Silesian landscape, both in its material and its cultural dimension. The form of three-dimensional model is gi...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...