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Gilbert SoestPortrait of a Lady
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
Gilbert Soest
1605-1681
Portrait of a Lady
Oil on canvas
Image size: 30 x 25 inches (76.2 x 63.5 cm)
Original carved gilt frame
Provenance
Private Estate, England
This portrait depicts a highly fashionable 17th century lady. She is adorned in a number of pearl accessories, such as a necklace, hair beads, and a possible pearl diadem that drops delicately onto her forehead. She wears an orange dress with silken blue accents, and her perfectly curled hair sits gently on her neck. This lady is the embodiment of 17th century high fashion and elegance.
In the background of the painting, it is possible to discern a small town. It is possible that the sitter for this portrait was part of a noble family whose land encompassed this settlement.
This portrait is highly technical, with astonishing levels of realism. The lighting on the sitter's hair and jewellery is rendered masterfully, and the skin tones of her neck and blushed cheeks brings the sitter to life. The most striking aspect of the painting is undoubtedly the sumptuous depiction of the silken fabric of the lady's dress. The folds and the way the light plays over the fabric is truly beautiful, and pay testament to Soest as an exceptionally skilled portraitist.
Gilbert Soest
Gilbert Soest, also known as Gerard Soest, was a distinguished English Portrait painter of the late 17th Century, though he his origins trace back to Dutch-German heritage. It is believed he migrated to England in the late 1640 after studying at the Utrecht school.
By 1650, Soest had established himself as a prominent society portraitist in England, securing commissions from notable figures. His artistic reputation is particularly tied to his posthumous portrait of William Shakespeare, a work that has been frequently reproduced and remains emblematic of his oeuvre. Initially, his studio was located near Lincoln’s Inn Fields in London, but he later relocated to the north of the Strand.
- Creator:Gilbert Soest (1600 - 1681)
- Dimensions:Height: 30 in (76.2 cm)Width: 25 in (63.5 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52416213432
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John Westbrooke Chandler
1763- 1807
Oil on canvas
Image size: 30 x 25 inches (76 x 63.5 cm)
Original gilt swept frame
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Category
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Portrait of Lady Mansfield of Ringwood
By Thomas Hudson
Located in London, GB
Portrait of Lady Mansfield of Ringwood
Oil on Canvas
Image size: 25 x 30 inches (63 x 76 cm)
Original carved & gilded frame
POA
Provenance
Descended through the Family Estate
Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784.
Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered.
Thomas Hudson
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He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds.
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POA
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Gilt frame
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Literature
'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill.
A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13
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