Helen Enoch Gleiforst

Early 20th Century Young Girl With Pink Bow Portrait

1939

Suchitra Bhosle's "Rhythmic Silk" is an original, handmade oil painting that depicts a dark-haired woman on a red chair with a red silk top and flowing white skirt. About the Artis...

So American, this sculptor. Both a right brain and left-brain kind of guy. Working in the mid to late 19th century, John Rogers was innovative, imaginative, and stylistically a reali...

It’s the eyes you notice first, almost photographically rendered in this portrait, and very reminiscent of a certain film star whose first name was Paul. There’s a rock-solid steadin...

Tony Nell’s captivating portrait, "Katy," masterfully captures the innocence and charm of a young girl dressed in blue and red. The painting portrays Katy with a sense of joy, her ex...

Hearts Unreasoning, by Sarah Bernhardt The First of Six Romances of the French Stage - McCall’s Magazine December 1920 interior illustration. The work is related to Shinn's fam...

A "Flapper of 1800" is depicted in profile with her maid holding a hat box and cradling a little monkey. The maid is a step to the right and a step behind her. Overlapping garments v...

In this interior illustration for "When the Heart Beats Young" by J.W. Riley, pioneering female illustrator Ethel Franklin Betts creates an intimate statement of mother and child in an embrace. The composition is abstract with patterns that suggest the influence of Asian art—initialed lower right. Work is framed under glass - Oil on board Ethel Franklin Betts Bains (September 6, 1877 – October 9, 1959) was an American illustrator primarily of children's books during the golden age of American illustration in the late 19th and early 20th centuries. Betts first gained work illustrating magazines, including St. Nicholas Magazine, McClure's, and Collier's. Beginning in 1904, she was commissioned to illustrate several books, including James Whitcomb Riley's The Raggedy Man, While the Heart Beats Young, and Frances Hodgson Burnett's A Little Princess...

"Bright Eyes" is an original oil paint on canvas mounted on board by Pauline Palmer. It depicts a young child in blue with wide eyes smiling in front of a ...

This piece is a pertinent example of Martha Walter's most precious oil portraitures. Her use of the pallet is effortless with bold brushwork, strong executions, and soft details. Wal...

Herman Hyneman (1849-1907) Sunday Morning, 1907 Oil on board 15 3/4 x 11 1/2 in. Framed: 21 1/3 x 17 1/2 in. Signed lower right: Copyright 1907 by H.N. Hyneman Inscribed verso: Sunday Morning by H.N. Hyneman The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...