Items Similar to Portrait of count Evreux, French, 18th c. studio of Hyacinthe Rigaud, circa 1705
Want more images or videos?
Request additional images or videos from the seller
1 of 16
Portrait of count Evreux, French, 18th c. studio of Hyacinthe Rigaud, circa 1705circa 1705
circa 1705
About the Item
Portrait of Henri-Louis de la Tour d'Auvergne, Comte d'Evreux
Studio of Hyacinthe Rigaud (1659-1743)
Early 18th century French school, circa 1705
Oil on canvas
Dimensions: h. 72 cm, w. 57.5 cm
Louis XIV period gilded and richly carved wood frame with flowered corners.
Framed: h. 96 cm, w. 80 cm
Henri-Louis de la Tour d'Auvergne (1679-1753), Count of Evreux at the age of 24.
The young man is depicted standing, seen at mid-height, turned three-quarters, against a background of a sky filled with cannon smoke.
Head turned to the left, a large wig falling over his shoulders, a youthful face with plain cheeks, a delicate smile from thin lips, a gentle, benevolent facial expression.
The right hand rests on the command staff in the foreground, while the left arm is bent and the hand rests on the hip. He is wearing a white sash of command, the floating drapery of which appears to his right.
Fully armored, his only visible adornments are the blue velvet facings at the joins of the armor pieces and the sleeves of fine white lace.
Power and charisma emanate from this military portrait. The young man's stature, bearing and head carriage convey the image of a valiant warrior.
The theatrical lighting abundantly illuminates the face and creates strong metallic reflections in the armor. Despite his static stance, the hair blowing in the wind enlivens the painting, lending a dynamism and vigor that amplify the model's belligerent attitude.
Our work is a studio version by Hyacinthe Rigaud, the original of which was executed by the artist himself in 1703. This original portrait of the Comte d'Evreux is now housed in the Gemälde Galerie - Alte Meister in the collections of the Kassel Museum.
This portrait, one of the artist's most successful, was exhibited in 1704 at the Salon de l'Académie des Beaux-Arts and received rave reviews. As for the Compte d'Evreux, as soon as the original was created, he was satisfied with the artist's work and directly commissioned several replicas, which were executed by the studio between 1703 and 1705. These studio versions, as in the case of our painting, were intended as gifts from the Count to his wartime companions or members of his family.
Our work is listed in the catalog raisonné of Hyacinthe Rigaud written by the artist's specialist Mr. Stéphane Perreau (published in 2004)
Provenance: former private collection in Dijon, Burgundy
Henri-Louis de la Tour d'Auvergne, le comte d'Evreux was the fourth son of the Duc de Bouillon, Godefroy-Maurice de La Tour (1641-1721) and Marie-Anne Mancini (1649-1714), niece of Mazarin.
His military career began in 1691, when he was appointed ensign to the king's regiment during the siege of Mons. In 1698, he was promoted to colonel of the Blaisois regiment, and moved steadily up the hierarchy. Brigadier four years later, he was finally promoted to the rank of maréchal de camp in 17042.
In 1707, he married the daughter of a wealthy Paris banker, Marie-Anne Crozat (1696-1729), who brought him a considerable dowry of 2 million livres tournois. The following year, he was made lieutenant-general of the king's armies.
In 1716, he was appointed Governor of Poitou, and in 1719, of Île-de-France4. Between 1718 and 1722, he built a new mansion in Paris, which became his main residence. Known as the Palais de l'Élysée, the residence of the Marquise de Pompadour and Prince Murat, it is now the official residence of the Presidents of the French Republic.
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743)
The most famous portraitist of the reign of Louis XIV.
Born in Perpignan, Rigaud arrived in Paris in 1681. On the advice of Le Brun, he devoted himself to portraiture, a genre he elevated to its highest expression. He was noticed by the King and the Court with his portrait of Monsieur, the Sovereign's brother, in 1688, and of Philippe II d'Orléans the following year. Louis XIV demanded his own portrait in armor, delivered in 1694.
He entered the Académie in 1687, becoming its rector in 1733, after receiving the title of painter to the kings Louis XIV (1694) and Louis XV (1727). A master of ceremonial portraiture, and an admirer of Van Dyck and Rembrandt, he built up a large workshop to satisfy the demands of all the great personalities of his time.
- Attributed to:Hyacinthe Rigaud (1659 - 1743, French)
- Creation Year:circa 1705
- Dimensions:Height: 37.8 in (96.02 cm)Width: 31.5 in (80.01 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good original condition, cleaned and revarnished by our professionnal art restorer.156.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433213925032
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
- ShippingRetrieving quote...Ships From: PARIS, France
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- 18th c. French Portrait of a Lady as Venus, attributed to Pierre GobertBy Pierre GobertLocated in PARIS, FRPortrait of a Lady as Venus ATTRIBUTED TO PIERRE GOBERT (1662-1744) FRENCH SCHOOL AROUND 1720 OIL ON CANVAS: H. 55.51 in, W. 42.91 in. IMPORTANT 18TH CENTURY GILTWOOD FRAME (RE-GILT)...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- French, circa 1730 Portrait of King Louis XV in armour, workshop of J.B. Van LooLocated in PARIS, FRPortrait of French King Louis XV (1710-1774) in armour 18th century French school Workshop of Jean Baptiste Van Loo (1684-1745) Circa 1730 Oil on canvas, dimen...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 17th French Portrait of Louis XIV & his brother, c. 1645, attributed to BeaubrunLocated in PARIS, FRRare double portrait depicting Louis XIV and his brother Philippe de France as children. 17th century French School, circa 1645, attributed to Charles and Henri Beaubrun. Oil on canvas, dimensions: h. 48.03, w. 35.43 in. Important 17th century carved and giltwood frame Framed dimensions: h. 60.23, w. 48.42 in. This rare portrait is part of a series of works illustrating the childhood of the two princes, mainly commissioned by Anne of Austria, the mother and regent, after the death of Louis XIII. Expressing her fierce desire to preserve her son's crown, she uses visual communication as a channel of sovereign expression. The portraits serve to strengthen the royal power weakened by the minority of the young Louis...Category
Mid-17th Century Old Masters Portrait Paintings
MaterialsOil, Canvas
- 18th c. French Portrait of Princess of Bourbon as Hebe, Pierre Gobert, c. 1730By Pierre GobertLocated in PARIS, FRPortrait of Princess of Bourbon as Hebe Pierre Gobert, circa 1730 Presumed portrait of Elisabeth Thérèse Alexandrine of Bourbon-Condé, Mademoiselle de Sens, depicted as the goddess Hebe kidnapped by Zeus, transformed into an eagle. 18th century French School, around 1730 Pierre Gobert (1662-1744) and workshop Oil on canvas Dimensions: canvas: h. 129 cm, w. 95cm Dimensions: framed: h. 156 cm, w. 124cm Louis XIV style giltwood and cardved wood frame Large and imposing portrait of the young princess portrayed seated on an eagle in the heavens. Seen from the front, the princess is dressed in a low-cut white chiffon dress, exposing her throat. Delicately made-up oval face, dominated by large blue-gray eyes is surrounded by powdered hair, raised, releasing the forehead and the ears, and of which some locks fall on his shoulder. A large blue scarf passed over the shoulder covers her knees and flies in the wind. A garland of flowers coming from the back goes over the knees and down again on the eagle. In her right hand she holds a golden goblet and in her left hand an ewer. The eagle supporting the young woman seizes in its claws the thunderbolt (the beam of fiery lightning), the attribute of Zeus. The figure of the young woman is enlivened by the fluidity of the antique drapes...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th c. French, circa 1725, by François de Troy, portrait of a Lady as CeresLocated in PARIS, FR18th century French School François de Troy (1645 – 1730), Paris, circa 1725 Portrait of a Woman as the Goddess Ceres Oil on canvas: h. 39 in, w. 31.3 in Regen...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th century French - Portrait of Duchesse de Fontanges by François de TroyLocated in PARIS, FRFrançois de Troy (1645 – 1730) - Duchesse de Fontanges The young woman, traditionally identified as Mademoiselle de Fontanges, Louis XIV's mistress, is depcited in bust facing forward, her head slightly raised and turned to the left. She seems to dominate the viewer. She is dressed in a blue satin dress and wrapped in an orange satin stole that shines with its most golden luster. His hand with graceful fingers with the index and ring fingers spread apart and the middle finger glued to the ring finger keeps slippery fabrics on his chest. Its stole flying in the wind creates an instantaneous movement and the arm bent at the elbow obliquely transforms its static pose. The perfectly oval face is enlivened by wide gray eyes, a turned-up nose, full cheeks and a mouth that sketches a half-smile. Her powdered and tied hair is studded with many flowers. The young woman wearing no jewelry, the radiance of her youth and her translucent hue are her only ornaments. The juxtaposition between the icy blue satin and the incandescent orange like the heart and the contours of a flame indicates François de Troy's great talent as a colourist. Its vibrant and nervous touch enlivens fluid fabrics, making them sparkling and changing. Their surface is worked in quivering brushstrokes, the serifs and the glazes forming an elegant arrangement. The glazes of the face are treated by superimposing light and transparent layers, producing pearly reflections and a translucent rendering, the technique in which de Troy particularly excels. By François de Troy (Toulouse 1645 – Paris 1730) Early 18th century French School Oil on canvas in oval format: h. 27.95 in, w. 25.18in 19th century period frame Framed dimensions: h. 41.34 in, w. 33.46 in Although unsigned, like the majority of works by François de Troy, our portrait has been authenticated by the French expert cabinet "Turquin" as an autograph work by François de Troy. Provenance : Paris, Heim-Gairac gallery in 1965. Thence private collection. Published in the book on the life of Louis XIV “The Sun King: Louis XIV at Versailles”, Nancy Mitford...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
You May Also Like
- Oil Painting Portrait, attributed to John Vanderbank (1694-1739)By John VanderbankLocated in Uppingham, GBOil Painting Portrait of John Campbell, 4th Duke of Argyll,, att to John Vanderbank (1694-1739) Housed in a swept frame which has been restored after photo. Canvas Size 50" x 40", Fr...Category
1690s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th Century by Pietro Bardellino Mary Magdalene Painting Oil on CanvasBy Pietro BardellinoLocated in Milano, LombardiaPietro Bardellino (Naples, 1731 – Naples, 1806) Mary Magdalene Oil on canvas, cm. 75 x 60 – with frame cm. 97 x 82 Antique shaped and carved wooden frame Publications: unpublished T...Category
Mid-18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th Century By Dalla Rosa Portrait of Angela GuggerottiFracastoro Oil on CanvasLocated in Milano, LombardiaFrame in lacquered and gilded wood. The painting is mentioned in Dizionario Biografico degli Italiani Treccani in the biography of the artist.Category
18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 17th Century by Giuseppe Assereto Portrait of an Elderly Woman Oil on CanvasBy Giuseppe AsseretoLocated in Milano, LombardiaGiuseppe Assereto (Genova - 1626 ca – Genova 1656/57) Portrait of an elderly woman, possible portrait of Maddalena Massone, wife of Gioacchino Assereto Oil on canvas, cm. 65,5 x 51,5...Category
Early 17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 19th Century By Giuseppe Molteni Portrait of a Woman Oil on CanvasLocated in Milano, LombardiaBeautiful original frame in gilded wood. Expertise by Prof. Fernando Mazzocca.Category
19th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 17th Century by Juan Alfonso Abril Head of St Paul Painting Oil on CanvasLocated in Milano, LombardiaJuan Alfonso Abril (active in the 17th century in Valladolid) Head of Saint Paul Oil on canvas, cm. 48,5 x 62 - with frame cm. 63 x 76,5 Shaped wooden f...Category
Early 17th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil