Jacques Payette

Les voix d'un nuage

2015

Inspired by cinema, photography, music and literature, Monet has a natural connection and sense for the current society and his contemporaries. His signature conceptual assemblage of...

Inspired by cinema, photography, music and literature, Monet has a natural connection and sense for the current society and his contemporaries. His signature conceptual assemblage of...

Inspired by cinema, photography, music and literature, Monet has a natural connection and sense for the current society and his contemporaries. His signature conceptual assemblage of...

Inspired by cinema, photography, music and literature, Monet has a natural connection and sense for the current society and his contemporaries. His signature conceptual assemblage of...

Jed Jackson was born in Fayette, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the “gri...

A large, unique oil painting on Belgian linen canvas, stretched on a timber support frame. Ready to hang. Framing on request.

"Aurora" by William Blake is a tribute to the Civil War scenes painted by Winslow Homer depicting women playing croquet. Often thought of as paintings that were lacking in closure during war time, a haunting scene of the marriage between play and sadness. Here Blake takes that subject matter depicting Aurora with a croquet mallet. Her painterly style is beautifully rendered in broad brushstrokes and a deep color palette. Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...