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Joseph Solman
The Red Beard

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  • The Red Beard
    By Joseph Solman
    Located in Long Island City, NY
    Artist: Joseph Solman, American (1909 - 2008) Title: The Red Beard Medium: Oil on Canvas, signed Size: 20.25 x 12 inches Frame Size: 30 x 22 inches
    Category

    1960s Color-Field Portrait Paintings

    Materials

    Oil

  • Self-Portrait in Paris
    By Robert-Louis Nicoidski
    Located in Long Island City, NY
    Artist: Robert-Louis Nicoidski, Swiss (1931 - 2001) Title: Self-Portrait in Paris Year: circa 1978 Medium: Oil on Canvas, signed l.r.. Size: 57 x 44.5 in. (144.78 x 113.03 cm) Frame...
    Category

    1970s Surrealist Portrait Paintings

    Materials

    Canvas, Oil

  • Vanessa Williams
    By Chaz Guest
    Located in Long Island City, NY
    Artist: Chaz Guest, American (1961 - ) Title: Vanessa Williams Year: 2004 Medium: Oil on Canvas Size: 48 in. x 48 in. (121.92 cm x 121.92 cm)
    Category

    Early 2000s Contemporary Portrait Paintings

    Materials

    Oil, Canvas

  • Bedouin Woman in Purple, Oil Painting by Philippe Alfieri
    By Philippe Alfieri
    Located in Long Island City, NY
    Artist: Philippe Alfieri, Italian/American (1921 - 2009) Title: Bedouin Woman in Purple Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 x 48 in. (91.44 x 121.92 cm) Fram...
    Category

    1960s Modern Portrait Paintings

    Materials

    Canvas, Oil

  • Girl with Fan, Oil Painting
    By Di Li Feng
    Located in Long Island City, NY
    Artist: Di Li Feng, Chinese (1958 - ) Title: Girl with Fan Year: circa 1990 Medium: Oil on Canvas, signed l.r. Size: 37.5 x 50 in. (95.25 x 127 cm) Frame...
    Category

    1990s Contemporary Portrait Paintings

    Materials

    Canvas, Oil

  • Woman in Yellow Dress
    By Harry McCormick
    Located in Long Island City, NY
    An original painting by Harry McCormick from circa 1980. In an excellent gold frame. Artist: Harry McCormick, American (1942 - ) Title: Woman in Yellow Dress...
    Category

    1980s American Realist Portrait Paintings

    Materials

    Canvas, Oil

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  • Blue Collar Gritty Truck Driver with Tiger - Color field meets Social Realism
    By Joseph Hirsch
    Located in Miami, FL
    Gritty working class truck driver with tiger painting on truck door, is rendered in a flat and quick style with rapid brushstrokes defining the trucker. The tiger is painted in a t...
    Category

    1950s Color-Field Portrait Paintings

    Materials

    Canvas, Oil

  • Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque
    Located in Firenze, IT
    This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
    Category

    Early 20th Century Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • Portrait of a Gentleman
    By Ippolito Scarsella (Scarsellino)
    Located in New York, NY
    Provenance: Suida-Manning Collection, New York Private Collection Exhibited: Venetian Paintings of the Sixteenth Century, Finch College Museum of Art, New York, October 30-December 15, 1963, no. 31. Veronese & His Studio in North American Collections, Birmingham Museum of Art, Oct. 1-Nov. 15, 1972, and Montgomery Museum of Fine Arts, Dec. 5-Dec. 31, 1972 Literature: Robert L. Manning, A Loan Exhibition of Venetian Paintings of the Sixteenth Century, exh. cat. New York 1963, cat. no. 31ill., as by Veronese Stephen Clayton and Edward Weeks, eds., introduction by David Rosand, Veronese & His Studio in North American Collections, Birmingham 1972, as by Veronese, p. 38 ill. Terisio Pignatti, Veronese, Venice 1976, I, p. 199, cat. no. A225, II, fig. 908, as attributed to Veronese Terisio Pignatti and Filippo Pedrocco, Veronese; catalogo completo dei dipinti, Florence 1991, no. 54°, as attributed to Veronese. Terisio Pignatti and Filippo Pedrocco, Veronese, Milan 1995, II, pp. 517-518ill., cat. no. A 56, under attributed paintings, by Veronese and workshop) John Garton, Grace and Grandeur; The Portraiture of Paolo Veronese, London-Turnhout 2008, p. 237, fig. 77, cat. no. R16, as workshop of Veronese. Scarsellino’s art is widely regarded as critical link between the Renaissance and the Baroque styles in Emilian painting; not only was he an important transmitter of the heritage of the Renaissance, but he was also open to innovative ideas, and was one of the earliest to experiment with the trend to naturalism that would become fundamental to art of the new century. Born around 1550, he received his earliest training from his father Sigismondo, an architect and painter; it was probably while working at his father’s side as a youth that he acquired the nickname Scarsellino, or “little Scarsella”. After absorbing the principles of his art in Ferrara and Parma, he went to Venice in 1570, staying for four years and working in the shop of Veronese. In the following decade, his art —especially in terms of its piety and its development of landscape— demonstrates a strong sympathy with that of the Carracci, with whom he worked in 1592-1593 at the Palazzo dei Diamanti in Ferrara. Maria Angela Novelli and later Alessandra Frabetti both propose that Scarsellino traveled to Rome, although such a trip has not been documented; if he did travel to Rome, it probably would have occurred during the years that Scarsellino’s colleagues Agostino and Annibale Carracci were there, that is, beginning in 1595 and until 1609. The last decades of Scarsellino’s career again involve stylistic experimentation, this time in a manner that would bring his work very close to the progressive figurative naturalism of Carlo Bononi and prepare the way for Guercino. The present portrait of a distinguished gentleman had been long thought to be by Paolo Veronese and was in fact attributed to him by such distinguished connoisseurs as Adolfo Venturi and Wilhelm Suida. The portrait’s style is, however, distinct from Veronese’s, although clearly indebted to it, and the attribution to the young Scarsellino is wholly convincing. The painting would then date from the 1570s – a date confirmed by the costume the subject wears. The puffed hat that appears in the painting had a rather short-lived vogue in the early 1570s. One sees it in Giambattista Moroni’s Portrait of Count...
    Category

    18th Century and Earlier Baroque Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of a Man
    Located in New York, NY
    Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, un...
    Category

    16th Century Old Masters Portrait Paintings

    Materials

    Oil, Panel

  • Portrait Painting Oil on Canvas by Joseph Badger
    Located in Rome, IT
    Joseph Badger (c. 1707–1765) was a portrait artist in Boston, Massachusetts, in the 18th century. This amazing painting depicting a young boy with a bird. oil on canvas cm 93 x73...
    Category

    18th Century Academic Portrait Paintings

    Materials

    Oil

  • Cleopatra Queen of Egypt 17' century Painting Oil on Canvas
    Located in Rome, IT
    Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subject of the painting depicts th...
    Category

    Late 17th Century Academic Figurative Paintings

    Materials

    Oil

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