Kfir Moyal

Christina Aguilera Red Lips

Louis Durot was born in Paris on April 22, 1939. He was something of an enfant terrible, and managed to be expelled from various schools for bad conduct. His ambition, as stated to his parents, was to earn money without having to work, and for a time, he was an “escort-boy” for a Parisian Grande Dame. He did, however, manage to get a good education in spite of himself, and received his Baccalaureate degree from Lycee Louis Pasteur in 1956. In 1960, he enrolled in the Facultie de Sciences, where he studied mathematics. He terminated his math studies in 1963, and turned his attention to engineering, working for Equipel, where he was responsible for calculating and measuring resistance for prototype nuclear generators. Equipel became a research facility, and offered Durot the opportunity to study organic chemistry. Durot directed numerous research projects for Equipel between 1966 and 1972. During this time, in fact, starting in 1964, he made many friends in the art world, gathering together artists from a variety of disciplines to form an artists commune — the Freelane Studio. Among the members were jazz journalist Gilles Brinnon, and a young painter, Jean Ihallero — a friend of the painter Maxime Defert. Through them, he met the artist Francois Arnal, who was interested in Durots’ engineering expertise for his sculptures. They got on well, and worked together for two years. Also in this circle were the actress Micheline Presle and the actor Daniel Gelin. In 1968, Arnal and Presle created Le Festival de Theatre de Chateauvallon, and through this, Durot became friends with the noted film director Ulysse Reynaud. In 1966, Francois Arnal introduced Durot to the artist Cesar, with the idea that Durot’s talents as a chemical engineer would be useful. Durot spent a year helping Cesar to master the techniques of working with polyurethane foam, with Durot searching for ways to make this fragile and ephemeral substance more stable and permanent, and more amenable to control. Cesars’ first works in this medium were flat, due to the difficulty of controlling the foam, but he went on to create his famous “expansions”. In 1968, Durot conceived a project to create more three-dimensional sculptures following a simple and precise design. It was during this time that Durot made his first polyurethane sculptures — the Champignons and Plantes Carnivores. Also in 1968, he He opened his first technical studio at 35, rue Leon. In order to support this new endeavor,( he needed more space, equipment, time and money), he created La Societe Durgalith. 1971 saw the Durat’s first works exhibited at the Salon Batimat in Paris. With this exhibition, Durot was hoping to attract the attention of architects with whom he could collaborate. Between 1971 and 1974, Durot created sixty sculptures inspired by fantastical “alien” life, mushrooms, and carnivorous plants. In 1974, Durot”s Societie Durgalith ran into problems with the Italian firm that owned Batimat. Credit Lyonnaise seized his studio and many of his sculptures, and quite a number of them were destroyed. This same year, Durot worked with the architects Sloan and Lecouter on an inflatable structure for the Pavillion Franaise in Osaka. Unfortunately, the project was never realized. Durot continued to pursue his research on polyurethanes, and gained world-wide recognition for his developments in this field. In 1977, a “student prank” had un-expectedly bad consequences. Durot was employed as an engineer at L’Usine Francaise de la Monnaie (the French mint) in Pessac. He took three kilos of “blanks”, and used them for playing slot-machines. For this, he spent seven weeks in jail, which was ended by an amnesty granted by Mitterand in 1981. During Durot’s time in prison, he took up weight-lifting, and also designed his next generation of sculptures. The spirals, feet, lips, and a series of erotic chairs...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments. Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani. Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-2016) Collectors Exhibitions 1970 jean Tannous graduates from the national superior institute of fine arts of the university of lebanon. he teaches at the same institute in 1974 and 1975. 1976 fleeing the lebanon war upon his arrival in paris, Tannous obtains the certificate of the commission of professionalism for artists & intellectual workers. affiliated with the maison des artistes, he works at the place du tertre doing portraits for tourists. during this period, Tannous masters all painting techniques, thanks to his years of experience spent in european museums doing copies of great masters. paris (1976-2001) finally Tannous settled down in paris. he participates in the creation of a fresco for the ratp in the subway, the spiral of the abbesses. he collaborates with the régie immobilière de la ville de paris and the mairie de paris. under this banner he will participate in several projects in belgium (ypres, ostende, ghent and bruges among others). in sandnes, norway, he contributes to the realization of another fresco, le pont de paris. the cartier and baume & mercier companies appeal to the talents of Tannous for their seminars. 1977 with the support of günther kaphammel, the famous german watercolourist, Tannous receives an invitation to exhibit in braunschweig at the jaeschke gallery. this is the beginning of his career in germany. Tannous collaborates with karstadt for a long time. he creates many portraits of celebrities that pose for him, such as rudi cerne, dr volker schmidt, herbert paschen and helmut marmulla. 1982 in paris, jimmy carter poses for tannous. the artist carefully keeps the thank-you letter that the former us president sends him. Tannous also portrays the former president of the ivory coast, his excellence félix houphouët-boigny and the sultan oman qabus ibn saïd. 1984 after a long period of research, Tannous discovers a new way to protect his artistic creations by covering them with an innovative varnish which quickly becomes his signature. the artist also excels in sculpture with the realization of busts. 1986 Tannous wins first prize in a painting contest held by l’île des impressionnistes. the winning work is acquired by the fournaise museum. 1987 karstadt-recklinghausen surprises the artist with a jubiläum for their ten-year collaboration. 1988 Tannous designed the entirety of the bang & olufsen home in parly 2 (chesnay-versailles). 1991 the artist founds and presides over carré ouvert, an official association of professional artists. it will be very active at the mitsukoshi gallery in paris for 9 years, performing, among other things, a decor of parisian cafés in trompe-l’oeil. 1992 carré ouvert organizes an event in carroz d'arâches with québecois artists, such as sylvain cousineau, suzelle levasseur, hanibal srouji and michel madore. the same year, paravision, chaired by raphaël berdugo, now known as europacorp, sponsors Tannous by providing him a large workshop for 8 years. from 1992 to 2000, the agency of modern art regularly represents Tannous in germany, especially in braunschweig, spain and united states. 1993 Tannous personalizes a harley-davidson for the harley-davidson convention in frankfurt (germany). 1996 in march, the artist is exhibited at the artexpo of new york, represented by the bernice jackson gallery. in july, he exhibits at the kennedy studios gallery in boston, alongside the works of hundertwasser. the next month, the caesars palace casino in atlantic city invites Tannous for a solo exhibition, for which he created twelve large formats paintings. 1997 france-okinawa elects Tannous vice-president of their association. this organization promotes relationships between france and japan. it brings okinawa’s kumi odori ballet to paris. Tannous founds europ'art, an association of experienced artists specialized in frescoes. karstadt (hambourg, germany) selects ten european painters for a major exhibition. Tannous is one of them. the artist collaborates with stephanie, an art dealer, who organizes several solo exhibitions in for him across switzerland - notably at the polo gallery, in männedorf-zürich. 1998 Tannous exhibits at porsche in fulda (germany) for a private sale reserved for their customers. the artist moves to 34 avenue des champs-élysées, where he establishes his workshop, keeping it until 2001. 1999 Tannous participates in the international kiev art festival (ukraine). in the scientific, economic and cultural guide der pfiffikus, Tannous is presented by katja gross as an innovative painter and creator of a new technique. hartmann tresore places an order to Tannous for a special edition of large safes...

This is a one of a kind original oil and acrylic on canvas portrait of pop culture icon Marilyn Monroe by southern California artist, Gina Palmerin. Its dimensions are 30x30. It comes unframed. A certificate of authenticity will follow delivery. The artist has depicted Marilyn Monroe in a traditional dia de los muertos style. Marilyn stares at the viewers in a seductive pose with a face full of traditional makeup against a black background. Over time, Palmerin has developed a style which combines realism, classicism, street art, low brow...

This is a one of a kind original oil on panel portrait of Madonna by Southern California artist, Gina Palmerin. Its dimensions are 24x24. It is unframed. A certificate of authenticit...

A pop-art depiction of Marilyn Monroe done in a very urban style. The drips and fast brushwork make for a unique display of the artists more abstract technique. With bright pinks and...

* Exclusive Original Artwork : A one-of-a-kind artwork by Nemo Jantzen * Innovative Nail and Thread Technique: Handmade artwork with nails and thread on wood. Each nail is carefully ...