Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Leslie Thrasher
The Days That Are No More!, Liberty Magazine Cover

$8,000
£6,094.78
€7,027.52
CA$11,195.84
A$12,509.48
CHF 6,543.85
MX$153,406.37
NOK 83,617.94
SEK 79,291.96
DKK 52,450.17
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Original cover for Liberty magazine, published June 1, 1929. Sandy sits in the overstuffed chair of the posh Union Club, a known retreat for bachelors (and men who wish they still were). After a particularly bad fight, Sandy had been staying at the Club for a week when he found out that Lil may have sailed for Europe with their baby. Regretting telling Lil to “buy a ticket to hell,” he woefully gazes at a photo of Lil and little Ulysses, missing his family as he cries and settles in for another lonely and quiet night at the Club. (Liberty magazine, June 11, 1929) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine covers have been disconnected pictures.” To help readers follow the plot from week to week, a short story summary was printed in each issue. (Liberty magazine, June 19, 1926, pp. 69-70). “For the Love o’ Lil” centers around the lives of Lil Morse and Sandy Jenkins and includes recurring characters from their extended family and social circles. The serial follows the couples’ adventures through courtship, the ups and downs of married life, the antics of their offspring with the neighborhood children, and the complex dynamics of relationships with in-laws. The goal was to show a typical modern American family whose eccentricities and foibles would attract readers each week. Thrasher used himself as the model for Lil’s father, Robert E. Lee Morse. Liberty further engaged readers by running contests for best titles, and later, for suggested storylines. The model proved successful and “For the Love o’ Lil” became a popular hallmark of the publication for many years, resulting in a 1930 film adaptation starring the flapper Sally Starr. Leslie Thrasher Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images. Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post. Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter.
  • Creator:
    Leslie Thrasher (1889 - 1936, American)
  • Dimensions:
    Height: 17.75 in (45.09 cm)Width: 14.25 in (36.2 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Washington, PA
  • Reference Number:
    Seller: 21501stDibs: LU3843974103

More From This Seller

View All
Heavy Going, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published January 19, 1930. Ma Morse tries to convince Lil to accompany her to the church fair, but Lil doesn’t want to venture out into the sto...
Category

1930s Figurative Paintings

Materials

Canvas, Oil

You Go There Yourself!, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
“For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a s...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

I Promised My Wife, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
“I Promised My Wife: Sandy’s Business Trip Adventures,” original cover for Liberty magazine, published September 24, 1927 Traveling on a business trip, Sandy ventures out of his cut...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

Fare Thee Well! Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published August 4, 1928. Having left her husband Sandy, Lil returns to the Morse family home with her two-month-old baby. Ma Morse worries abou...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Left
Category

Early 20th Century Figurative Paintings

Materials

Canvas, Oil

The Milky Way, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published August 17, 1929. Lil calls Sandy down to a nice breakfast to be served in her new fruit dishes, as she asks Sandy to bring her purse and materials to fix the carpet runner, which he forgets. Lil is horrified to find her sideboard key in baby Ulysses’ mouth and she proceeds to feed the baby while asking Sandy to give her updates on a recent triple suicide outlined in the newspaper. Ulysses pounds his cereal spoon, sending sprays of milk across the table onto Sandy’s elbow and Lil’s new fifty-dollar negligee. (Liberty magazine, August 17, 1929, p. 38) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

You May Also Like

Let the Devil Take Tomorrow by Greg Singley
Located in Phoenix, AZ
SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Let the Devil Take Tomorrow Greg Singley Signed: Lower right Archival Pigment Print Image size: 28 x 22 inches Pape...
Category

2010s Contemporary Figurative Prints

Materials

Digital, Digital Pigment

Yesterday's Love, Love can Be True. The Heart can Betray
Located in Miami, FL
Classic illustration for a romanace novel from the 1950's in England. Recently these charming works have been the source of interest and even parody. Unsigned, unframed. Vale Studi...
Category

1950s Academic Portrait Paintings

Materials

Gouache, Pencil

William Fisher Classic American Illustration on Canvas
Located in New York, NY
William Fisher (American, 1891-1985) Untitled, 20th Century Oil on canvas/illustration 23 3/4 x 29 3/4 in. Framed: 31 x 37 1/4 x 1 in. Signed lower right: William Fisher William Fis...
Category

20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

After the Painting of Secrets (Sister's Diary)
By After Norman Rockwell
Located in Missouri, MO
*This color lithograph was done as a lithographic reproduction of Rockwell's original painting that was used for the cover of a 1942 Saturday Evening Post. After Norman Rockwell...
Category

Late 20th Century American Modern Figurative Prints

Materials

Lithograph

Clifford Hanley (1948-2021) - 1997 Oil, And If You Cut Me Deeper
Located in Corsham, GB
A striking 20th Century oil showing a glamorous woman wearing sunglasses, driving her car towards the sun. The artist's use of closely cropped composition and confident colours make ...
Category

1990s Portrait Paintings

Materials

Oil

Time
By Vera Barnett
Located in Dallas, TX
Inspired by the quote "Time is a dressmaker specializing in alterations." - Faith Baldwin In her recent series, "The Painted Word," Vera Barnett has turned to the written word for...
Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Linen, Oil