Manuel de Franca

Portrait of George Washington

1843

This work sells itself. Just look at it and an elaborate explanation is not required. There is virtually no one alive who can paint a picture like Crockwell. Hand-signed by artist, sticker label, Signed lower left Provenance: National Museum of American Illustration , Newport, Rhode Island Crockwell gives us a complex and inventive composition by showing two wonderful portaits in the foreground and beyond a broken wall...

High drama and fear is exressed on the faces of 5 kids as they anticipate the outcome a scary event. Signed lower left From the Estate of Charles Martignette. Most likey for the Sa...

Harry Lemon Parkhurst American, 1876–1962 was a pulp illustrator for crime and detective stories. The works depicts an art thief caught at a pe...

Crockwell is as good as Rockwell. Many would agree with that statement including the editors of the Saturday Evening Post in which both artists were frequent contributors. In fact, ...

Mid-century female illustrator/artist Gladys Rockmore Davis paints a compelling portrait of a contemplative beauty who looks like Elizabeth Taylor. Frontal and lateral forces work together in this pyramidal composition. The sitter stares down at the viewer creating a frontal tension. Her hypnotic gaze is counterbalanced by the lateral movement of her crossed hands and triggers an emotional response. Gladys Rockmore Davis is both a work-for-hire illustrator and a fine artist- She was an illustrator for clients such as Upjohn, Munsingwear, Elgin Watches, and Johnson & Johnson. Davis had a show at the prestigious Midtown Gallery and Babcock Gallery in New York. She studied at the California School of Fine Arts, Art Institute of Chicago, and Art Students League. William R. French Gold Medal...

There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. ...

There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. That's easy art. Executing a portrait with a great depth of anatomy and structure takes years of academic training. In Riggs's time, there were teachers who knew how to pass on this knowledge. He studied at the Art Students League and the Académie Julian . Today, they are very few and far between. Tempera mixed with gum arabic and alcohol on Renaissance Panel - Robert Riggs was a Gay Artist...

Oil on board Signed lower left Provenance: Everett Oehlschlaeger Galleries, Chicago, IL Exhibited: Everett Oehlschlaeger Galleries, Chicago, IL Ten portraits of plastic toys attach...

Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...

As they take center stage, four acrobats are depicted, forming an architectural structure composed of contorted human bodies. The small gallery of onlookers displays a variety of ex...