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Mary Dwyer
Mary Dwyer, Elizabeth Cady Stanton_Seneca Falls 1870s_2014_acrylic on board,

2014

$1,500
£1,140.68
€1,315.72
CA$2,101.23
A$2,351.69
CHF 1,227.95
MX$28,690.71
NOK 15,587.18
SEK 14,791.28
DKK 9,825.20
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About the Item

These new paintings illuminate individuals of the American Suffrage Movement. Elizabeth Cady Stanton, Ida B Wells and Alice Paul, each one intelligent, brave and incredibly relentless in the struggle to attain voting rights for American women. This series of paintings portrays the ardent women involved in the American Suffrage Movement which led up to the 19th Amendment which passed in 1920. The Suffrage Movement held public marches spanning from the Eastern United states out west to California and up to the Pacific Northwest. Suffragettes wore purple and golden yellow ribbons and flew purple and golden yellow banners to publicly show their unity. Fascinated by American history, Mary Dwyer blends the American Folk Art tradition with an abstract modernist aesthetic. The inspiration of her work revolves around historic lore and love of early portraiture paintings. Drawn from extensive research sometimes found to be inexact and often contradictory, Mary’s work becomes her own personal interpretation of history. She creates series of paintings, which portray political, historic and personal details that shaped a historic figure's life. Ms. Dwyer is a 2008 recipient of Connecticut Artist Fellowship Grant. Her work has been shown in museums and galleries in New York, New Jersey, Massachusetts, Connecticut and London. Her paintings are in the collection of the New Britain Museum of American Art, Connecticut Mary Dwyer incorporates color abstraction juxtaposing color blocks with her version of historic figure painting, which adds a 21st century context for her subjects.
  • Creator:
    Mary Dwyer (American)
  • Creation Year:
    2014
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 15.5 in (39.37 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU17226609952

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Mary Dwyer, Ida Tarbell, 2017, watercolor on paper, Suffragists and Journalists
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The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...
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Mary Dwyer, Nast vs. Boss Tweed, 1870s, 2013, Acrylic Paint, Wood Panel
By Mary Dwyer
Located in Darien, CT
Fascinated by American history, Mary Dwyer blends the American Folk Art tradition with an abstract modernist aesthetic. The inspiration of her work revolves around historic lore and love of early portraiture paintings. Drawn from extensive research sometimes found to be inexact and often contradictory, Mary’s work becomes her own personal interpretation of history. She creates series of paintings, which portray political, historic and personal details that shaped an historic figures life. Thomas Nast During the 19th century, the American newspaper had as much powerful influence as ‘social media’ has today. Many Americans at that time were not literate and received political and social information from the newspaper cartoon. This gave a cartoonist power. Political cartoonist, Thomas Nast used this power to bring down corruption in New York City. His main targets were William “BOSS” Tweed and his politically corrupt Tammany Hall. Nast frequently sharpened his pen to lampoon the newly arrived Irish catholic...
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Mary Dwyer, Nellie Bly, 2017, watercolor on paper, Suffragists and Journalists
By Mary Dwyer
Located in Darien, CT
The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...
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Mary Dwyer, Rachel Carson, 2017, watercolor on paper, Suffragists and Journalists
By Mary Dwyer
Located in Darien, CT
The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...
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2010s Feminist Portrait Paintings

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Benton, Susan B. Anthony the Elder, monoprint with Chine collé, PioneerActivist
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Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Susan B. Anthony the Elder, monoprint with Chine collé, 18 ½ x 13 ¼ inches, 2020 From Wikipedia Susan B. Anthony (born Susan Anthony; February 15, 1820 – March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society. In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history...
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