Oil Portrait Paintings

Katinka Lampe 8010173, 2017 Oil on canvas 39.37 x 31.5 inches (100 x 80 cm)

"Tsuriari" means "Balance" in Japanese. This artwork is part of Ger Doornink's latest show 'Thoughts', where his mastery in portrait painting is reflected and makes evident his role...

"Shinrin-Yoku", means "Forest Bath” in Japanese. It is an activity consisting of visiting a forest, immersing yourself in it with the five senses, in order to obtain well-being for t...

This artwork is part of Ger Doornink's latest show 'Thoughts', where his mastery in portrait painting is reflected and makes evident his role as a craftsman who embraces new material...

"Wonder!!" Oil Painting 16" x 20" inch by Mr. Everybody * * * ABOUT THE ARTIST * * * Shane Everybody (Mr.Everybody) is an Irish born self taught artist, where he is currently paint...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

New York-based Malaysian artist Eng Tay is best known for gentle and round shape figure artworks that are presented in diverse media including limited edition ...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Floyd Strickland Represent, 2023 Signed by the artist Oil on canvas, framed 30 x 30 inches This piece is unique Currently on display at Art Angels Los Angeles

Floyd Strickland Untitled, 2023 Signed by the artist Oil on canvas, custom framed 60 x 48 in 152.4 x 121.9 cm This piece is unique Currently on display at Art Angels Los Angeles

Bryan Drury, oil on wood, unique

Bryan Drury, oil on wood, unique

Large oil painting, nude portrait featuring beach scene and two figures.

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Blue Harleking - a beautiful piece from Berlins' Harleking series. This mesmerising painting is cooler and more sculptural in its construct. The sculptural quality & cooler palette d...

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

Mixed media and oil paint.

Oil on paper

Portrait 01 by artist Jànos Huszti is a white, grey, contemporary, figurative and portrait painting made of oil paint on canvas that measures 80 x 63 and is priced at $8,000. A challenging portraitist and emerging creator with a conceptual thinking. Huszti elaborates his constantly changing topics with momentum and precision. He depicts historical times, special characters and places from the past, using all kinds of materials to express his interpretations. About János Huszti "Can things be deprived of their origins?" A challenging portraitist and emerging creator with a conceptual thinking. Huszti elaborates his constantly changing topics with momentum and precision. He depicts historical times, special characters and places from the past, using all kinds of materials to express his interpretations. In addition he is also interested in contemporary street art. His art consists of attributing new origins to things thus establishing new relations. He had got his diploma at University of Pécs, as a painter in 2005. Hungary. He spent one term at University of Hertfordshire, Hatfield, England. It was an experimential learning particularly regarding the conceptual art. He has been working in a professional studio at PP Center in Budapest for more than four years. Meet there the Hungarian Contemporary art scene each day, especially Budapest based artists and curators. Education Studies 1999-2000 Eszterházy Károly College, Eger, Faculty of Graphic and Visual Arts 2000-2005 University of Pécs, Faculty of Visual Arts and Music, Painter Branch 2004 Erasmus Exchange Programme,University of Hertfordshire, Hatfield, England Scholarships: 2014 Artist in residence program, Kunst AnDer Grenze, Art By The Border, Jennersdorf, Austria 2006 PRO ARTE – Scholarship of Komárom-Esztergom County 2005 Residence Programme at Bundanon, North Nowra, Australia 2004 Erasmus Exchange Programme, University of Hertfordshire, Hatfield, England Exhibitions: Common exhibitions: 2015 Apostrophe, The Whale, Budapest, Contemporary Arts Festival Subject matter, Ateliers Pro Arts (APA), Budapest 2014 Monument is falling into decay, PP Center, Budapest And You, Where Do You Live, Jennersdorf, Austria On The Production Line, Flash Art Magazine, PP Center 2013 Finishing Exhibition, PP CENTER 2012 Finishing Exhibition, Partizán PP CENTER, Budapest 2011 ERICSSON HUNGARY LTD. MUSEUM OF FINE ARTS, BUDAPEST, Esterházy Contemporary, "sponsored by UNIQA” 2007 ANOTHER PLACE, Young artists from Pécs, Inda Gallery, Budapest DIGITAL MESSAGE FROM EAST-EUROPE, Vaszary Gallery, Kaposvár CHRISTMAS EXHIBITION, K.A.S. Gallery, Budapest 2006 HOUSE of GENERAL EDUCATION, Tatabánya (with Áron Hidvégi and Kovács László Kammerlohr) 2006 BUDAPEST ART EXPO FRESH, Art Mill, Szentendre 2005 NEOFOTON photoprint exhibition, Art Mill, Szentendre STREET ART exhibition, Millenáris Park, Budapest PAINTER DEGREE 2004/2005, Swan House...

Julio Alan Lepez Continuidad de los sueños, 2013 Mixed Media on board 33.8 x 17.3 in (85.85h x 43.94w cm)

Julio Alan Lepez Contraseñas, 2017 Oil on canvas 14 x 18 in (35.56h x 45.72w cm)

Julio Alan Lepez Contraseñas, 2017 Oil on canvas 14 x 18 in (35.56h x 45.72w cm)

Julio Alan Lepez Contraseñas, 2017 Oil on canvas 14 x 18 in (35.56h x 45.72w cm)

Julio Alan Lepez Contraseñas, 2017 Oil on canvas 20 x 24 in (50.8h x 60.96w cm)

Julio Alan Lepez Contraseñas, 2017 Oil on canvas 20 x 24 in (50.8h x 60.96w cm)

Julio Alan Lepez Icono , 2016 Oil on canvas 28 x 39 in (71.12h x 99.06w cm)

Sedrick Huckaby's paintings and works on paper metaphorically express universal themes of faith, family, community, and heritage. Huckaby focuses on the subjects of quilts and portra...

Artist: Chaz Guest, American (1961 - ) Title: Vanessa Williams Year: 2004 Medium: Oil on Canvas Size: 48 in. x 48 in. (121.92 cm x 121.92 cm)

Vu Nhu Hai's oil on canvas portraits have a photo realistic quality to them. His portraits are highly detailed and capture the spirit of the person within his canvas.