Max Hauschild

Liebespaar

signed on the lower left The painting can be categorised in the tradition of New Objectivity. The picture shows a real scene, the woman depicted stares into space with a serious and...

Die Arbeit von Albert Bertalan war ein Spontankauf aufgrund der offensichtlichen Qualität der Arbeit, noch bevor ich etwas über den Künstler recherchieren konnte. Das Label „Ecole de...

The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...

The extensive work of Vilma Eckl covers a period of more than seventy years. Her incomparable artistic talent and her essential contribution to the history of art can be seen in her ...

Antique American modernist abstract painting. Oil on board, circa 1940. Signed. Image size 22L x 30H. Housed in a period modern frame.

Bernard Krigstein (March 22, 1919 – January 8, 1990) was an American illustrator and Ashscan school painter who received acclaim for his innovative a...

Portrait Of a Woman Painting - - oil on canvas -- Woman with a Black Hair' Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought after commercial artist for over fifty years . All the while he would return to his studio and paint for himself rather than his clients. Yet he always retained his illustration roots in wanting to tell a story on canvas with his keen eye of observation on the human condition. Often he would join fellow artists in informal sessions and paint from a model - no formal art school training but a mutually beneficial learning experience. His contemporaries that influenced him were Jack Levine, Raphael Soyer, John Sloan, Thomas Hart Benton, Reginald Marsh and Phillip Reisman...

Portrait Of a Women Painting - - oil on canvas Hal Frater passed away on February 3, 2008, just a month from celebrating his 99th birthday. Hal Frater had a long and prolific career. He became a sought after commercial artist for over fifty years . All the while he would return to his studio and paint for himself rather than his clients. Yet he always retained his illustration roots in wanting to tell a story on canvas with his keen eye of observation on the human condition. Often he would join fellow artists in informal sessions and paint from a model - no formal art school training but a mutually beneficial learning experience. His contemporaries that influenced him were Jack Levine, Raphael Soyer, John Sloan, Thomas Hart Benton, Reginald Marsh and Phillip Reisman...