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Pat ServiceFather & Son - colorful, expressive, abstracted figurative, acrylic on canvas2009
2009
$2,300
£1,769.31
€2,053.67
CA$3,243.55
A$3,633.32
CHF 1,908.35
MX$44,180.01
NOK 24,165.96
SEK 22,939.99
DKK 15,327.33
About the Item
This charming, unembellished portrait of a little boy held closely by his father as they wade in the water is by Pat Service. The backdrop for the painting is lime green…a summer colour and the two figures appear to be wearing bathing suits…the father is smiling. It is an intimate piece.
“I attempt to create a painting that is engaging, touching on universal sentiment and rewarding further contemplation.” Pat Service
She acquired a Bachelor of Arts degree from the University of B.C. and later studied art at the Glasgow School of Art in Scotland. Service’s work is held in private collections in North America, Britain, Taiwan, Japan, Singapore and Hong Kong.
- Creator:Pat Service (Canadian)
- Creation Year:2009
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29110727852
Pat Service
Canadian artist Pat Service has been creating expressive, intensely colourful acrylic paintings for several decades. Born in the small coastal town of Port Alberni on
Vancouver Island, the beautiful, rugged shoreline, mountain vistas and ancient forests influenced both the subject and style of her work. She is known for her ability to capture the subtleties of light as they appear in the sky and water. Her brushstrokes also emulate the textures she observes in nature. Her use of thinned out paint allows for more transparency in colours and is a feature of her work. Service’s subjects are landscapes, florals, animals and still lifes. “Living close to nature for the first 12 years of my life indelibly imprinted on me an identity with trees fields, creeks, lakes, dirt, rocks, the sun, the sky, gardens, plants,
flowers, roads, and so on. Every time I start a new painting I am attempting to honour and seal that connection.”(Pat Service) Service attended the University of British Columbia where she acquired her Bachelor of Arts degree. Her husband’s career took her to Scotland where she attended classes at the Glasgow School of Art. Her early influences were the Scottish artists whose brushwork and colour choices were reminiscent of the popular Post-Impressionist French painters. Service also lived in Eastern Canada and Venezuela but in 1972, the family moved back to Vancouver, B.C. She continued to paint and attended several artist’s workshops in the U.S. and Canada. Following numerous experiences at the renowned Emma Lake Professional Artist Workshops in Saskatchewan, (where she met a community of abstract painters including Milly Ristvedt), Service began to change her approach to her work. Traditional landscapes gave way to a more liberated, abstract style in colour and form. “Working side by side with abstract artists, I began to envy their freedom to invent colour relationships and focus on mark making. The energy and excitement that comes with that kind of innovation, I wanted some of that. Up to then, I had worked closer to nature, not in a very detailed way but my work always had a clear reference to the real world. Now I began to liberate myself from that close connection and trust the casual references that can evoke a world of its own.” (Pat Service) She has exhibited widely throughout Canada and internationally. Service’s paintings are in numerous private, corporate collections and several museum collections around the world.
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Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter
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Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991.
Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery.
1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950.
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1949 Annual Exhibition of Contemporary American Painting. New York: Whitney
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Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill.
Upton, Melville, "George Binet Gallery," Sun, December 13, 1947.
Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947.
"Victor Thall at Binet Gallery," Art News, December 1947, p. 59.
Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947.
Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery.
Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker,
May 27, 1944, pp. 68-69
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Devree, Howard, "Victor Thall," New York Times, October 24, 1943.
Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune,
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Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943.
Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition.
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MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill.
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