Raymond Logan

John Coltrane

2021

From the artist statement, "When asked about my work, my mantra used to be, “The subject matter of my work is not as important as how I paint it. Whether it be people, places, or thi...

Brian Novatny's sophisticated figure paintings are sought after from his early body of work. These pieces are from a private collection.

In his current series, “In Your Room”, Alex Blas explores modern day life by examining the private spaces of his friends. In these paintings, Blas carefully considers the shadows, co...

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

This is more than a cover illustration depicting the legendary Charlie Parker playing the saxophone. It's an inventive graphic design concept from trailblazing illustrator Robert Weaver. By showing the subject in two parts. The artwork's visual idea is as radical as Parker's music. A wide shot and a close-up butted together dynamically communicates an energetic motion and movement in a still image. Signed lower right. Record album cover illustration for Charlie Parker: Bird with Strings Live at the Apollo, Carnegie Hall and Birdland (Columbia Records, 1976). From Wikipedia: Robert Weaver (July 5, 1924 – September 4, 1994) was an American illustrator who was considered a pioneer of a contemporary approach to the field that began in the 1950s. Biography Beginning in 1952, he embarked on a mission to combine the visual ideas found in fine art with the responsibility of journalist. At the time, many practitioners of illustration were expected to paint and draw for advertising and magazine assignments with artwork that was conservative, idealized and saccharine, while other illustrators such as Ronald Searle, Arthur Szyk, George Grosz, Kathe Kollwitz and later Ralph Steadman and Tomi Ungerer injected their own opinion into the matter. Weaver joined this latter tradition by moving his role of an illustrator from a page decorator to a journalist. He ventured from the typical haven of an illustrator's studio into the world and used a pencil to observe, record facts, and draw real life based visual essays, the way that illustrators such as Burt Silverman and Franklin McMahon did. This approach would later be termed "visual journalism" and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York. He died at his home in Manhattan on September 4, 1994.[1] Career and legacy In an article for the AIGA in 1990, noted graphic art historian Steve Heller categorized Weaver as a journalistic illustrator. Other artists included Bob Gill, Jack Beck, Robert Andrew Parker, Thomas B. Allen and Philip Hays. They received crucial assignments from a group of visionary art directors that included Cipe Pineles...

This painting is in excellent condition and has only been shown in a gallery setting. The painting measures 78" x 35" and 81"x 38" with frame. Known for his hyperrealist nudes and portraits, Jose Borrell captures both the human form and emotions. Transcending beyond mere documentation, Borrell transmits the personality and essence of his subjects. His latest series focuses on twentieth-century American jazz saxophonist Ben Webster, and true to Borrell's signature trait, the paintings transmit the vibrant energy of the acclaimed musician. Born in 1909 in Kansas City, Missouri, Ben Webster studied violin in elementary school and taught himself piano. In 1927-1928 he played for silent movies in Kansas City and in Amarillo, Texas. After a friend introduced him to basic chords on the saxophone, he devoted himself to the instrument and played with many emerging orchestras in the bustling 1930s Kansas City jazz...

Ted Williams John Coltrane playing the saxophone 1960 (printed later) Silver gelatin print 30 x 30 inches Estate stamped and numbered edition 25 with certificate of authenticity Ca...

Leni Sinclair John Coltrane photograph 1966: Jazz great John Coltrane emerging from the shadows: Detroit, Michigan 1966. A superb silhouette like image shot by storied Detroit photo...