Portrait Of A Knight, Traditionally Identified As Sir Henry Percy KG (1364–1403)

Portrait Of Elizabeth Campbell & Daughter, Wife Of Colonel Colin Campbell circle of Margaret Carpenter (1793-1872) Large 19th Century English portrait of Elizabeth Campbell & Daughter, oil on canvas. Seated half length mother and daughter portrait of the wife of Colonel Colin Campbell. Good quality similar to Margaret Carpenters...

An Allegory Of Motherhood & Charity, 17th Century Huge Italian Old Master Huge circa 1600 Italian Old Master scene of a mother and infants as an al...

Artist Duan Z. was Born in 1955 in Yunnan, China, and is a renowned Chinese Opera Figure Painter, Educator, Playwright, and Producer. Mr. Duan serves as Director of the Chinese Dramatic Literature Society and Chairman of the American Chinese Culture Artists Association. Since 1986, Mr. Duan has been written about in more than twenty regular columns under the title “Duan’s Opera Figure Painting Column” on Chinese Newspapers and Magazines in the US and China. He has published thousands of Opera Figurative paintings. He has been featured in more than two hundred reports and interviews from television, radio, newspapers, and magazines such as American Art Collector and British Art Review. His work is collected by civic institutions, and private patrons across the United States, Japan, Korea, Taiwan, and National Level Museums in China. 'Cleansing Actress Series No. 5' by Duan is a captivating diptych-style portrait that transcends time and tradition. This remarkable artwork pays homage to the beauty and mystique of old Chinese artistic styles while introducing a modern twist. In this piece, the enigmatic woman emerges as if from a bygone era, her visage a blend of art and theatricality. The striking contrast of black and white imbues her portrait with an air of timelessness, while hints of vibrant orange and fiery red add a contemporary touch. Adjacent to her, an old Chinese vase...

Aptekar's paintings are often a political and social commentary of the contradictions inherent to the human mankind. The surrealistic and expressionistic language used to covey the message, as well as the use of a palette with low contrast colors like light blue, green and pink, has it's roots in the work of Mexican muralist Diego Rivera, who Apterkar met at age of 11. The outcome is an imagery of an extraordinary visual impact and absolutely unique to Aptekar's own creative process. The title of this artwork "Joseph Heller...