Roy Allison

Roy Allison - 20th Century Oil, Mother And Child On The Steps

Unknown

Painted in an impressionist style, this intriguing portrait depicts an elderly lady, seated in a pink cardigan and navy pinafore. Presented in strip style frame. Unsigned. On board.

Signed and dated. Inscriber to paper verso (William King, Grandfather (Maternal) of Leonard George Wallace Blise). Presented in a gilt frame. On board.

In the style of the Old Masters. Unsigned. Presented in an oval gilt frame. On board.

A characterful full-length portrait of an umbrella seller, smoking a pipe. Signed 'Valente' lower left. Presented in a cream and gilt frame with delica...

Dimensions variable: medium oval 7.5cm x 9.5cm; large oval 9cm x 11cm. Derrick Guild is a Scottish artist whose paintings fragment Old Master works to explore the social fabric bene...

The Resurrection of Christ Follower of Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576)   Venetian school of the late 16th/early 17th century Oil on canvas 108 x 78 cm. - Framed 129 x 99 cm. This jewel of the Venetian school, a work executed between the 16th and 17th centuries by a Venetian artist, illustrates the episode of the Resurrection of Christ: as reported in the Gospel of Matthew (Matthew 28:1-7) the event is accompanied by an explosion of light and glow, with the figure of Christ rising into the sky. Christ's face, serene and victorious, looks up towards the Light and the Infinite, in contrast to his majestic figure, here constructed with the appearance of a classical sculpture, contrasted by an intensely luminous background. The Risen One firmly holds in His hand the banner (white with a red cross) of the Resurrection, also known as the flag of St. George, which iconographically represents His victory over death, while raising His right hand in a blessing act. With his feet he crushes a snake and a skull, a sign of Christ's triumph over sin and death. The painting belongs to the Venetian school and presents clear reminiscences with the works of Titian Vecellio...