Portrait of An Irish Wolfhound, 19th century

The Stag Hunt, 19th Century school of Sir Edwin Landseer (1802-1873) Large 19th Century Scottish Highland stag hunt scene surrounded by hounds,...

The Braggart, 19th Century circle of Edwin LANDSEER (1803-1873) Fine 19th century English scene of three dogs in a landscape, oil on canvas circle of Edwin Landseer. Excellent qua...

Vulcan & Diana, 16th/17th Century circle of TITIAN (1488-1576) Huge 16th/17th century Italian Old Master classical scene with gods Diana and Vulcan, oil on canvas. Exceptional ear...

Study Of Sparrow Hawks, 19th century by William Broderick (1814-1888) Large 19th century English study of a pair of Sparrow Hawks at their nest, oi...

Madonna of the Magnificat, 19th Century after BOTICELLI (1445-1510) Fine Large 19th Century Italian Old Master depiction of the Magnificent Madonna, oil on canvas. Excellent qualit...

The Brith Of Eve, 17th Century French School - Huge Piece Huge 17th Century French Old Master depiction of The Birth of Eve, oil on canvas. Huge scale early French Old Master unusu...

A well-painted and fun portrait of a seated Newfoundland dog. Painted circa 1880-1890 this is a well-observed portrait study of a noble and proud...

Sir Edwin Henry Landseer RA (1802-1873), portrait of two spaniels in a sumptuous interior. possibly the pet spaniels of Queen Victoria, Dash and Tilco with her favourite, Dash seated...

Circle of Alfred Edward Chalon (first-second quarter, 19th century)Portrait of a Young Girl with a Faithful Hound, oil on canvas, Provenance: Purchased from Sotheby's in 1993 for The...

Edwin Moseley Fox British, (1805-1870) The Morning Ride Oil on canvas, signed & dated 1855 Image size: 24.5 inches x 29.5 inches Size including frame: 31.75 inches x 36.75 inches In this work we see a gentleman in a brown riding jacket and blue cravat donning his gloves in readiness for an early morning ride. Fox has chosen to set the scene inside the stable courtyard of the gentleman’s stately home. The view is extended through the archway, allowing us a glimpse of the path and landscape beyond. Meanwhile, the groom holds the reins of a black horse who waits patiently, having already been saddled up. Like the horse, two of the dogs appear remarkably unconcerned about what is taking place in the courtyard. However, the black whippet seems unable to contain his excitement at the prospect of a run. Edwin Moseley Fox was born in Aston, Birmingham in January 1805, the son of John and Ann Fox. His middle name is mistakenly reported by some sources as being May, however Moseley is the name he was born with and which is listed on his marriage and baptism records as well as in local trade directories of the time. He married Caroline Goodhall in Birmingham on 7 September 1835. They lived with their four children at Laurel Terrace, Lichfield Road in Aston, Birmingham. Little is known about his early education but he began exhibiting at the Birmingham Society Arts in 1837 and by 1841 had established himself as a full time animal painter. Around this time he also began advertising in the local trade directories and seems to have enjoyed considerable success gaining commissions for portraits of horses and prize animals such as cattle. He died on 24 January 1870 at his home in Lichfield Road and was buried at the St Mary and St Margaret Churchyard in Castle Bromwich...

English 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and ...

A well-painted and fun portrait of a seated Newfoundland dog. Painted circa 1880-1890 this is a well-observed portrait study of a noble and proud...

Signed and dated, lower right: EL / Nov 34 Provenance: Barbara and Ernest Kafka, New York.

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...

William Nelson’s latest body of work, titled Pretty, Desirable, Delightful, Dangerous, invites us into a dynamic world of glamour and mystery, rich with symbolism, history, and intri...