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  • Design Credit: Samantha Todhunter Design Ltd., Photo Credit: Oliver Clarke. Dimensions: H 21 in. x W 27 in.
  • Design Credit: Lucy Harris Studio, Photo Credit: Francesco Bertocci. Dimensions: H 21 in. x W 27 in.
  • Design Credit: Timothy Godbold, Photo Credit: Karl Simone. Dimensions: H 21 in. x W 27 in.
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Portrait of An Irish Wolfhound, 19th century

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  • Study Of Sparrow Hawks, 19th century
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  • Madonna of the Magnificat, 19th Century
    By Sandro Botticelli
    Located in Blackwater, GB
    Madonna of the Magnificat, 19th Century after BOTICELLI (1445-1510) Fine Large 19th Century Italian Old Master depiction of the Magnificent Madonna, oil on canvas. Excellent qualit...
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  • The Brith Of Eve, 17th Century French School
    Located in Blackwater, GB
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  • English 19th century, Portrait of a Newfoundland dog, seated
    By Sir Edwin Landseer
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    A well-painted and fun portrait of a seated Newfoundland dog. Painted circa 1880-1890 this is a well-observed portrait study of a noble and proud...
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  • English 19th century portrait of two spaniels by Landseer, signed.
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    Edwin Moseley Fox British, (1805-1870) The Morning Ride Oil on canvas, signed & dated 1855 Image size: 24.5 inches x 29.5 inches Size including frame: 31.75 inches x 36.75 inches In this work we see a gentleman in a brown riding jacket and blue cravat donning his gloves in readiness for an early morning ride. Fox has chosen to set the scene inside the stable courtyard of the gentleman’s stately home. The view is extended through the archway, allowing us a glimpse of the path and landscape beyond. Meanwhile, the groom holds the reins of a black horse who waits patiently, having already been saddled up. Like the horse, two of the dogs appear remarkably unconcerned about what is taking place in the courtyard. However, the black whippet seems unable to contain his excitement at the prospect of a run. Edwin Moseley Fox was born in Aston, Birmingham in January 1805, the son of John and Ann Fox. His middle name is mistakenly reported by some sources as being May, however Moseley is the name he was born with and which is listed on his marriage and baptism records as well as in local trade directories of the time. He married Caroline Goodhall in Birmingham on 7 September 1835. They lived with their four children at Laurel Terrace, Lichfield Road in Aston, Birmingham. Little is known about his early education but he began exhibiting at the Birmingham Society Arts in 1837 and by 1841 had established himself as a full time animal painter. Around this time he also began advertising in the local trade directories and seems to have enjoyed considerable success gaining commissions for portraits of horses and prize animals such as cattle. He died on 24 January 1870 at his home in Lichfield Road and was buried at the St Mary and St Margaret Churchyard in Castle Bromwich...
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  • 19th century English portrait of a White/grey hunter in a stable
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