Stefanie Schneider

The Games we played (Till Death do us Part) - Contemporary, Polaroid, Women

2005

Memories of Love III (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signatur...

My own private Travel Diary - Bishop, CA - Winter - 2001, 20x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

Untitled (Olancha) - 2006 38x37cm. Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on a Polaroid. Signature label and Certificate. Artist I...

Judith (Suburbia) 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid not mounted, Signed on verso with Certificate. Artist Inventory No. 1673.01. This project ...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 202...

Lullaby (The Girl behind the White Picket Fence) - 2013 - 48x58cm, Edition of 10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 15585. Not mounted. Stefanie Schneider's THE GIRL BEHIND THE WHITE PICKET FENCE

 Stefanie Schneider’s taken her artwork to film. With over 10 years in the international art world to support her, ‘The Girl behind the White Picket Fence’ is Schneider’s first feature film. A dedicated Polaroid fan since the mid 1990’s who mastered the analog medium to it’s final dying breath. Since Polaroid stopped making the best film in the world, it’s been Schneider’s goal to buy as much as she could find. Knowing that there will never be another chance to fulfill her lifelong dream to make a movie, using her own original artwork style. Schneider scoured the Internet for Polaroid film. Trucks deliver boxes upon boxes of expired Polaroid film. Testing the randomly working film takes days, turning to years. Years of buying film, script writing, prop production, actor contracts, all done in little bits. Shooting film in California and compiling in Berlin, Germany, back and forth with each season. This film is the result of a dream that started with friends she loved such a long time ago. It’s dedicated to them. They know who they are. 
An artists world of movie stills, ‘The Girl Behind the White Picket Fence’ is a succession of Polaroid film stills. One after another, this film takes this to the limit and still delivers. Sometimes quickly, sometimes slowly, flowing with the rhythm of the music or in the energy the film portrays. The gaps keeps the viewer paying close attention but after a little time, you no longer notice. All photographs are real analog Polaroid film so this is a one off, never to be replicated, a complete window into an artists mind as she sees the world. Sunny, hot, in love, open spaces evoking freedom but also banishment. This project was that each actor would write their own story about love and Schneider would piece them together to make some sense of fate. Ultimately, this work is the vision of Stefanie Schneider. As with any dream, the finished result came about not as originally planned but it happened and will never happen again. This film is about old fashioned analog beauty, combining love, choices of life. It’s a film about searching, about truth and sometimes where that truth takes us. 
This film started out with a vision of grand collectiveness with all participants coming from Schneider’s time in Hollywood ranging from directors to actors, producers to agents and writers to weirdos. The American dream was alive and well in this motley group who fell in love with Schneider’s idea to capture a story about love on Polaroid film. Funding started with Schneider procuring film from all over the world, creating a interactive website for the artists to collaborate on together and collecting material for the script. Shooting locations were scouted and life size props built. Caroline Haertel from ‘micafilm’ based in Berlin Germany joined Schneider who then brought in Kirsten Niehaus from ‘Medienboard Berlin-Brandenburg’ and Barbara Haebe from Arte TV in Germany. Both of whom have been very supportive. 
The concept began to take shape. The realization of how to actually make the film became apparent with each tested Polaroid first taken, scanned, and then finally sequenced to about 4000 frames from over 5,000 actual Polaroid photographs. Each requiring about 30 minutes of work. 
The center of this story is the ‘Lonely Hearts Radio Station’ DJ, played by Steve Marshall who talks to the searching broken hearted in the southern Californian desert. A sad young girl calls in to better understand what is going on which results in an unexpected chain of events. Through dreams, memories and even mystics, Heather finds that you never know with whom, love finds you. There are signs if you only listen. If only, you’re aware. 
Main characters: Hans, the mystic played by the veteran actor Udo Kier. Heather’s a young girl who’s lost her parents played by Heather Megan Christie...

Atoms and Pearls, #2237 by Natasha Zupan Photo Collage 43.3 in. H x 33.85 in. Framed One of a kind Signed lower right on recto by the artist Framed 2018 ____________________________...

SGARRA Robert (1959) Technic :Mix Acrylic paint and photograph Collage Mount : Wood panel Dimension : (H) 100cm x (L)150 cm x (T) 10 cm SGARRA Robert (1959) French Painter and Sculp...

SGARRA Robert (1959) Mix Acrylic paint and photograph Collage Mount : Wood panel Dimensions : (H) 150cm x (L)150 cm x (T) 10 cm SGARRA Robert (1959) French Painter and Scul...

"Bruno Mars" by Hunter & Gatti Acrylic paint on top of archival pigment print Measures: 20" H x 15" W x 1.5 D 2017 Framed This piece is part of the H&G ser...

Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy. Diana (Spencer), Princess of Wales from the series “All About Eve...

Listing includes framing, free shipping to continental US and a 14-day return policy. Kate Moss by Annie Kevans 20 x 16 inch paper 16 x 20 inch image Archival pigment print Edition 15 of 50 Signed and edition on the front of the print Frame is in fair condition and is included for free due the condition issues. The print itself is in excellent condition. If you would like the print sent unframed the cost is the same. Please let us know if you would prefer to have us ship the print unframed. Artist Biography - Kevans’ paintings reflect her interests in power, manipulation and the role of the individual in inherited belief systems. She looks at alternative histories and how they relate to current issues and creates what she describes as ‘anti-portraits’ that may or may not be based on real documentation. She believes that, as her work is concept driven, sometimes the actual similarity to the person depicted in the work is irrelevant. This can be seen in her 'Boys' series which is not about portraying dictators as they really looked as children but rather about the notion of the ‘innocent child’ which has influenced images of children in art...